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1910s Austrian Carved Wooden Mirror With Patinated Surface

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1910s Austrian Carved Wooden Mirror with Patinated Surface
Located in High Point, NC
A mirror with a carved square frame from Austria, circa 1910. The heavy patina of the mirror glass
Category

Vintage 1910s Austrian Gothic Revival Wall Mirrors

Materials

Mirror, Hardwood

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A Close Look at gothic-revival Furniture

The Gothic Revival movement (also called Victorian Gothic or Neo-Gothic) emerged in Britain in the 1740s, and reached its height in the late-19th century. Gothic Revival furniture's characteristics include such decorative flourishes as pointed arches, floral details, finials, heraldic motifs and linenfold carving.

The movement was rooted in religious and social conservatism. Gothic Revival's proponents, who included Charles Barry and A.W.N. Pugin, the architects of London’s Houses of Parliament (designed in 1840), believed that the art and architecture of the Middle Ages were authentically spiritual and inherently moral.

In the United States, the Gothic Revival movement shaped both public buildings and private houses. Numerous American schools were built in the early-19th century in a style now called Collegiate Gothic. Many builders and craftsmen were inspired by Andrew Jackson Downing’s widely read 1850 book Architecture for Country Houses, which posited that a family’s home should exemplify their values — and that the Gothic Revival style was particularly well-suited to scholars and clergymen. Furniture with detailing that mirrored that of Gothic Revival buildings appeared in the same period. Such pieces typically feature dark, intricately carved wood, and upholstery in velvet or leather.

Much like the castles or cathedrals that inspired them, Gothic Revival chairs, bookcases and beds make a bold design statement. And while you probably don’t have to cross a moat or raise a portcullis to get through your front door, a Gothic Revival piece will declare that your home is indeed your castle.

Finding the Right more-mirrors for You

The road from early innovations in reflective glass to the alluring antique and vintage mirrors in trendy modern interiors has been a long one but we’re reminded of the journey everywhere we look.

In many respects, wall mirrors, floor mirrors and full-length mirrors are to interior design what jeans are to dressing. Exceedingly versatile. Universally flattering. Unobtrusively elegant. And while all mirrors are not created equal, even in their most elaborate incarnation, they're still the heavy lifters of interior design, visually enlarging and illuminating any space

We’ve come a great distance from the polished stone that served as mirrors in Central America thousands of years ago or the copper mirrors of Mesopotamia before that. Today’s coveted glass Venetian mirrors, which should be cleaned with a solution of white vinegar and water, were likely produced in Italy beginning in the 1500s, while antique mirrors originating during the 19th century can add the rustic farmhouse feel to your mudroom that you didn’t know you needed.

By the early 20th century, experiments with various alloys allowed for mirrors to be made inexpensively. The geometric shapes and beveled edges that characterize mirrors crafted in the Art Deco style of the 1920s can bring pizzazz to your entryway, while an ornate LaBarge mirror made in the Hollywood Regency style makes a statement in any bedroom. Friedman Brothers is a particularly popular manufacturer known for decorative round and rectangular framed mirrors designed in the Rococo, Louis XVI and other styles, including dramatic wall mirrors framed in gold faux bamboo that bear the hallmarks of Asian design

Perhaps unsurprisingly, mid-century modernism continues to influence the design of contemporary mirrors. Today’s simple yet chic mantel mirror frames, for example, often neutral in color, owe to the understated mirror designs introduced in the postwar era.

Sculptor and furniture maker Paul Evans had been making collage-style cabinets since at least the late 1950s when he designed his Patchwork mirror — part of a series that yielded expressive works of combined brass, copper and pewter — for Directional Furniture during the mid-1960s. Several books celebrating Evans’s work were published beginning in the early 2000s, as his unconventional furniture has been enjoying a moment not unlike the resurgence that the Ultrafragola mirror is seeing. Designed by the Memphis Group’s Ettore Sottsass in 1970, the Ultrafragola mirror, in all its sensuous acrylic splendor, has become somewhat of a star thanks to much-lauded appearances in shelter magazines and on social media.

On 1stDibs, we have a broad selection of vintage and antique mirrors and tips on how to style your contemporary mirror too.