Aubock 4162

In Vienna’s Neubau district, a beautiful Biedermeier townhouse has been home to the Werkstätte Carl Auböck for more than 100 years. Inside the workshop, where production continues to this day, countless objects line the shelves, walls, tabletops and desktops.

The Viennese artist and designer Carl Auböck II was one of the quirkiest and most delightful and collectible of modern designers. A rather odd duck in the world of decorative arts, he was a peculiar talent whose specialties included smaller desk accessories and tabletop pieces such as corkscrews, paperweights, letter openers, bookends and bottle stoppers. He rendered these pieces in a combination of metal — most often brass — and such elemental materials as leather, knobby wood and animal horn, creating forms that could be almost Surrealist, from hands and feet to keys, birds and amoebae.

As a boy, Auböck was precocious and artistic. He studied drawing and at the same time trained in the workshop of his father, Karl Heinrich Auböck, a popular maker of traditional bronze figurines and collectibles. In 1919, Carl II went to Germany to study at the Bauhaus, where he was a pupil of the progressive artist and theorist Johannes Itten. While the Bauhaus is most associated with the rigidly ordered, functionalist architecture of its directors Walter Gropius and Ludwig Mies van der Rohe, the school was in reality a liberal, spirited place — a crucible for imaginative, playful and avant-garde art and design. It was this spirit that imbued Carl II’s work from the time he left in 1921.

In 1922 or ’23, Carl Auböck II returned to Vienna to help care for his ailing father, and he took over the business. He created the Werkstätte Carl Auböck and a legacy that earned his objects cult status among collectors. The business was passed on to his descendants, who run the atelier that is still in operation today. Today, objects designed by Carl II make up 90 percent of Werkstätte Carl Auböck’s production, joined by the creations of architect and designer Carl IV, his grandson.

Vintage Auböck designs have a special character, a patina that only emphasizes how much the pieces have been loved and used. Carl Aubock II’s small furniture items — leather- or caned-sling magazine racks; free-edge wooden side tables with tubular bronze legs; wicker serving trolleys with turned beechwood wheels — are elegant and purposeful. His bijoux desktop objects, library tools, ashtrays and barware pieces evince a kind of mirthful practicality. They seem to ask: “If you need a corkscrew, or a paperweight, or a candlestick, why not make it fun as well as functional?” And indeed, why not?

Find a collection of vintage Werkstätte Carl Auböck mirrors, seating, tables, decorative objects and other furniture on 1stDibs.

Whether burnished or lacquered, antique, new and vintage brass furniture can elevate a room.

From traditional spaces that use brass as an accent — by way of brass dining chairs or brass pendant lights — to contemporary rooms that embrace bold brass decor, there are many ways to incorporate the golden-hued metal.

“I find mixed metals to be a very updated approach, as opposed to the old days, when it was all shiny brass of dulled-out silver tones,” says interior designer Drew McGukin. “I especially love working with brass and blackened steel for added warmth and tonality. To me, aged brass is complementary across many design styles and can trend contemporary or traditional when pushed either way.”

He proves his point in a San Francisco entryway, where a Lindsey Adelman light fixture hangs above a limited-edition table and stools by Kelly Wearstler — also an enthusiast of juxtapositions — all providing bronze accents. The walls were hand-painted by artist Caroline Lizarraga and the ombré stair runner is by DMc.

West Coast designer Catherine Kwong chose a sleek brass and lacquered-parchment credenza by Scala Luxury to fit this San Francisco apartment. “The design of this sideboard is reminiscent of work by French modernist Jean Prouvé. The brass font imbues the space with warmth and the round ‘portholes’ provide an arresting geometric element.”

Find antique, new and vintage brass tables, case pieces and other furnishings now on 1stDibs.

Vintage, new and antique candlesticks and candleholders do not simply infuse a dining room with a soft, warm glow. They also add dimension, conjure drama and draw attention to a table or mantel. Despite their practical origins, today, decorative candlesticks and their holders elevate spaces by matching interiors or adding color and bold shapes.

For those who enjoy the rich pageantry of the Old Masters, candlesticks in the Baroque and Rococo styles offer intricacy and opulence. The design of Baroque candlesticks — thanks to the influence of the Catholic Church — often boasted complex shapes and featured biblical figures. While bronze candlestick holders have a long history dating back to the ancient world, many 17th-century candlesticks were made of luxurious silver. Armed with a disposable income and a desire to show off their status, the newly emerging middle class acquired candlestick holders as intricate art pieces, beautiful and opulent in their own right.

The Art Deco movement of the early 20th century saw candlesticks designed with simplicity and symmetry in mind. Art Deco candlesticks boast all manner of forms, ranging from sleek curves to bodies of ribbed crystal or bronze that take the shape of animals.

While some 20th-century-era candlesticks are akin to statues in their grandeur, these decorative items became especially fashionable in the mid-20th century for atmospherically illuminating dinner tables. Mid-century modern candlesticks frequently epitomize the streamlined functionality that we’ve come to associate with the era.

Find a comprehensive collection of vintage, new and antique candlesticks on 1stDibs.