Damien Hirst Six Butterflies

Find a variety of damien hirst six butterflies available on 1stDibs. You can search the damien hirst six butterflies that we have for sale on 1stDibs by color — popular works were created in bold and neutral palettes with elements of red and yellow. Each of these unique pieces was handmade with extraordinary care, with artists most often working in digital print, giclée print and inkjet print. Some damien hirst six butterflies are too large for some spaces — a variety of smaller iterations, measuring # 27 inches across, are available.

The average selling price for damien hirst six butterflies we offer is $8,750, while they’re typically $2,550 on the low end and $10,174 for the highest priced.

British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics” in his paintings, prints, sculptures and other works.

In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God.

Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with "The Cure (Violet)" and "The Cure (Turquoise)," both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production.

Belonging to Hirst's ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.

In addition to making art, Hirst has launched stores that sell editioned works (Other Criteria), a restaurant (Pharmacy2) and even his own London museum (Newport Street Gallery).

Find original Damien Hirst paintings, prints and other works on 1stDibs.

YBAs = provocative. The collective of artists who came up in London in the late 1980s and early ’90s — commonly referred to as the Young British Artists (YBAs) — have made their indelible mark on the art world and continue to produce work that both challenges the viewer and seduces collectors the world over.

Damien Hirst played the role of pioneer in 1988 by organizing “Freeze,” the first of several artist-curated group shows held in abandoned warehouses across London. Most of the artists participating in these early exhibitions — among them Sarah Lucas, Gary Hume, Liam Gillick, Mat Collishaw, Sam Taylor-Wood (now generating more buzz for her directorial work on the film 50 Shades of Grey), and Hirst himself — were graduates of Goldsmiths, University of London. The group’s sophisticated maturity and confidence in presenting Conceptual art with shock appeal, such as Collishaw’s Bullet Hole, a photograph that offers a disturbingly gruesome close-up of a man’s fatal wound, left a lasting impression with Charles Saatchi and other art world stalwarts.

From the beginning, Hirst was fascinated by such epic themes as death and immortality and sought to express them through unconventional, powerful gestures; his early works include A Thousand Years, 1990, in which flies feed on a bloody cow head, breed and die by electrocution within a large glass vitrine, and The Physical Impossibility of Death in the Mind of Someone Living, 1991, his Jaws-inspired suspension of a great white shark in formaldehyde. Following in the footsteps of artists ranging from Marcel Duchamp, Andy Warhol and Jeff Koons, Hirst was inspired by mundane objects from daily life, incorporating them into his works, most famously his "Medicine Cabinets" filled with brightly packaged pills.

Notoriously dubbed an “enfant terrible” of the art world, Tracey Emin once printed a photo of Damien Hirst, stuck it on the bottom of an ashtray, and sold it as a piece of art. Represented by 1stDibs’ Lehmann Maupin Gallery since the late 1990s, Emin was a Turner Prize finalist in 1998 for My Bed, an installation showcasing her disheveled bed covered in underwear, used condoms and other debris. Overt sexuality and the emotional dynamics of love and sex have persisted as themes throughout her career, seen across the neon artworks for which she is most famous.

YBAs have never shied from using non-traditional materials or tackling controversial subject matter. Chris Ofili, a racially charged painter who re-appropriates biblical and mythological iconography, found the spotlight in 1999 when then-New York City mayor Rudolph Giuliani publicly criticized the artist’s monumental depiction of an eroticized black Madonna, entitled The Holy Virgin Mary, baring a breast composed of elephant dung and surrounded by images of female genitalia. Marc Quinn reimagined the self-portrait in 1991 by casting a frozen sculpture of his head with his own blood and maintaining it in a refrigerated vitrine as if on life-support. More recently, Quinn has elicited strong reactions from a series of studies and sculptures of supermodel Kate Moss in a contorted, god-like pose.

Below, we invite you to browse our collection of original works by Hirst, Emin, Quinn, Collishaw and other YBAs — a group that knew not only how to provoke and self-promote but to create works that continue to resonate today.

Find original Young British Artists sculptures, photography, prints and other art on 1stDibs.

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.