Extremely Rare Pair Of Ferdinand Vases

Founded by one-time Parisian wallpaper dealer Ferdinand Barbedienne and engineer Achille Collas, one of the most revered foundries in 19th-century France began with the invention of a revolutionary 1830s-era device that could produce proportional reproductions — large or small — of sculptures. Collas’s machine, which yielded miniature likenesses of antiquities for the interiors of homes the world over, was pivotal to the success of the F. Barbedienne Foundry. The successful firm earned prestigious awards and critical acclaim and created exquisite bronze candleholders, clocks and lamps for a range of wealthy and prominent clients. 

The duo first launched their company under the name Société Collas et Barbedienne, and early on, they optimized chemical processes for pigmenting and patinating their bronze statuettes. After Collas died in 1859, Barbedienne forged on alone, and the company’s name changed to simply F. Barbedienne.

Barbedienne employed more than 300 workers at that point, and the Maison created a range of furnishings and decorative objects that featured the integration of marble and ormolu accents. However, with the onset of the Franco-Prussian War of 1870, the foundry was forced to retrofit its molds, and the production of cannons replaced sculptures, furniture and vases.

When Ferdinand Barbedienne passed away in 1891, his nephew and heir, Gustave Leblanc, took over as president, changing the name to Leblanc-Barbedienne. Leblanc expanded production into Germany, the United Kingdom and the United States, carrying on the company's legacy with monumental sculptures, and models and securing production rights for famous statues. Paul-Alexandre Dumas, an Art Nouveau maker and student of Louis Majorelle, succeeded Leblanc until the company's closing in 1952.

Barbedienne pieces had been exhibited regularly in the 19th century and were especially prevalent at Europe’s international expositions and world’s fairs, where they received numerous prizes. Today, the Musée d’Orsay in Paris holds dozens of Barbedienne works in its collection, including intricate mirrors, vases and cups created by Louis-Constant Sévin at the foundry. For more than two decades, Sévin created lamps, boxes and more at Maison Barbedienne. Working alongside award-winning chaser Désiré Attarge, Sévin designed Napoleon III-era works that greatly appealed to European nobility.

Other notable artists who collaborated with Barbedienne included Eugene Aizelin, Emmanuel Fremiet, Antonin Mercié, Emile Guillemin, Edouard Lievre, Ferdinand Levillain and Auguste Rodin.

On 1stDibs, find a collection of antique Ferdinand Barbedienne decorative objects, lighting and more.

Under Napoleon III’s rule, Paris underwent a great rebuilding overseen by Baron Georges-Eugène Haussmann, which created grand avenues and lavish landmarks like the Paris Opera. Antique Napoleon III–style furniture was flamboyant and eclectic. It was also known as Second Empire style since it followed and referenced the Empire style of his uncle Napoleon I.

Developing from 1852–70, Napoleon III furniture was plush and ornate, matching the fashion for masked balls and socializing in salons. It borrowed freely from earlier French styles including Louis XIV, Louis XV and Louis XVI as well as aesthetics from around the world, from antiquity to Asian art. As writer Gustave Claudin remarked in 1867, the country’s architects worked in “a style which one would be tempted to call neo-Greco-Gothico-Pompadour-Pompeian.”

Napoleon III chairs were completely covered with velvet and lined with tassels; pouf footstools invited people to put up their feet. Sofas were upholstered with tapestries, and beds were adorned with gilt bronze and theatrical canopies. The addition of conservatories to homes led to new indoor-outdoor furniture, while the spirit of hygiene promoted by Baron Haussmann inspired bright, floral motifs.

Although the most ostentatious designs were for the elite, as seen in the Napoleon III apartments preserved in the Louvre, where red velvet, gilding and chandeliers create a cacophony of luxury, these trends influenced homes across classes as manufacturing made design increasingly accessible. Papier-mâché furniture allowed for elaborate shapes that would have been difficult to carve in wood. The malleable material was painted with chinoiserie patterns and decorative designs. It was mass-produced by factories such as Jennens and Bettridge with varnishing and mother-of-pearl inlays creating an effect reminiscent of Asian lacquer. (Surfaces that had been “japanned” — a specialty of Jennens and Bettridge — were intended to resemble lacquer work that was created in East Asia.)

Find a collection of antique Napoleon III decorative objects, tables, seating and other furniture on 1stDibs.

Whether it’s a Chinese Han dynasty glazed ceramic wine vessel, a work of Murano glass or a hand-painted Scandinavian modern stoneware piece, a fine vase brings a piece of history into your space as much as it adds a sophisticated dynamic. 

Like sculptures or paintings, antique and vintage vases are considered works of fine art. Once offered as tributes to ancient rulers, vases continue to be gifted to heads of state today. Over time, decorative porcelain vases have become family heirlooms to be displayed prominently in our homes — loved pieces treasured from generation to generation.

The functional value of vases is well known. They were traditionally utilized as vessels for carrying dry goods or liquids, so some have handles and feature an opening at the top (where they flare back out). While artists have explored wildly sculptural alternatives over time, the most conventional vase shape is characterized by a bulbous base and a body with shoulders where the form curves inward.

Owing to their intrinsic functionality, vases are quite possibly versatile in ways few other art forms can match. They’re typically taller than they are wide. Some have a neck that offers height and is ideal for the stems of cut flowers. To pair with your mid-century modern decor, the right vase will be an elegant receptacle for leafy snake plants on your teak dining table, or, in the case of welcoming guests on your doorstep, a large ceramic floor vase for long tree branches or sticks — perhaps one crafted in the Art Nouveau style — works wonders.

Interior designers include vases of every type, size and style in their projects — be the canvas indoors or outdoors — often introducing a splash of color and a range of textures to an entryway or merely calling attention to nature’s asymmetries by bringing more organically shaped decorative objects into a home.

On 1stDibs, you can browse our collection of vases by material, including ceramic, glass, porcelain and more. Sizes range from tiny bud vases to massive statement pieces and every size in between.