Guillerme And Chambron Credenza

Robert Guillerme and Jacques Chambron, the French creative duo behind Votre Maison, met under unusual circumstances: They discussed design while imprisoned in a forced labor camp. The pair’s combined talents later resulted in modern, sculptural furniture — today, vintage Guillerme et Chambron desks, dining tables, chairs and other pieces still look conceptually playful and vibrant but could fit harmoniously into any home.

Guillerme had graduated from the École Boulle in 1934 with a degree in design and architecture, and Chambron had studied at the School of Applied Arts in Reims. They were captured by the Germans in East Prussia during the Second World War and struck up a friendship over their mutual love for all things design. After the war ended, Guillerme moved to Lille in northern France; Chambron left his job as a painter and decorator in Paris and joined him in 1948. In 1949, the pair met Émile Dariosecq, a skilled cabinetmaker who enthusiastically agreed to manufacture the duo’s designs, leading to the start of Votre Maison.

Guillerme and Chambron were as prolific as they were detailed, producing more than 2,000 pieces in the second half of the 20th century out of a former gun factory. Their furniture, which was mostly made with different tones of waxed oak, adhered to the trends of design that emerged after the war: mid-century modernism.

European furniture in the postwar period largely prioritized function as much as it did form and lacked any unnecessary ornamentation. Guillerme and Chambron wanted people to actually use their furniture, not just look at it. That design philosophy was a pillar of their company, its name translating to “your house” in French. Their signature touches included ornate tiles, hidden drawers and vibrant textiles on pieces such as desks, tables, shelving, lighting, benches and other seating. One of Votre Maison’s most famous and popular pieces was the Grand Repos armchair, a stately, high-backed wide piece with a skeletal oak frame, six spindles and plush cushions.

While Guillerme and Chambron were a team, they handled different aspects of the business: Guillerme designed much of the furniture and Chambron concentrated on decor. Votre Maison was a full-service design business. In 1983, the dynamic duo passed on their company to Chambron’s son, Hervé, a designer and graduate of École Boulle.

Find a collection of vintage Guillerme et Chambron furniture on 1stDibs.

Once simply boards made of wood that were used to support ceremonial dining, sideboards have taken on much greater importance since their modest first appearance. In Italy, the sideboard was basically a credenza, a solid furnishing with cabinet doors. It was initially intended as an integral piece of any dining room where the wealthy gathered for meals in the southern European country.

Later, in England and France, sideboards retained their utilitarian purpose — a place to keep hot water for rinsing silverware and from which to serve cold drinking water — but would evolve into double-bodied structures that allowed for the display of serveware and utensils on open shelves. We would likely call these buffets, as they’re taller than a sideboard. (Trust us — there is an order to all of this!)

The sideboard is often deemed a buffet in the United States, from the French buffet à deux corps, which referred to a storage and display case. However, a buffet technically possesses a tiered or shelved superstructure for displaying attractive kitchenware and certainly makes more sense in the context of buffet dining — abundant meals served for crowds of people.

An antique or vintage sideboard today is a sophisticated and stylish component in sumptuous dining rooms of every shape, size and decor scheme, as well as a statement of its own, showcased in art galleries and museums. Furniture maker and artist Paul Evans, whose work has been the subject of various celebrated museum exhibitions, created ornamented, welded and patinated sideboards for Directional Furniture, collections such as the Cityscape series that speak to his place in revolutionary brutalist furniture design as much as they echo the origins of these sturdy, functional structures centuries ago.

If mid-century modern sideboards are more to your liking than an 18th-century mahogany sideboard with decorative inlays by Hepplewhite, the particularly elegant pieces crafted by designers Hans Wegner, Edward Wormley or Florence Knoll are often sought by today’s collectors.

Whether you have a specific era or style in mind or you’re open to browsing a vast collection to find the right fit, 1stDibs has a variety of antique, new and vintage sideboards to choose from.