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Ottoman-Rectangle Zebra Hide
Located in New York, NY
Decorative and functional, our ottoman is constructed with sustainabily sourced Burchell's Zebra hide. Complemented with a double border of nailheads. Due to the use of natural mater...
Category

2010s South African Ottomans and Poufs

Materials

Zebra Hide

Ottoman-Rectangle Zebra Hide
Ottoman-Rectangle Zebra Hide
H 16 in W 44 in D 21.5 in
Ottoman-Rectangle Zebra Hide
Located in New York, NY
Decorative and functional, our ottoman is constructed with sustainabily sourced Burchell's Zebra hide. Complemented with a double border of nailheads. Due to the use of natural mater...
Category

2010s South African Ottomans and Poufs

Materials

Zebra Hide

Ottoman-Rectangle Zebra Hide
Ottoman-Rectangle Zebra Hide
H 16 in W 44 in D 21.5 in
Pouf Charaktere Cuno by Lyk Carpet
Located in Geneve, CH
Pouf Charaktere Cuno by Lyk Carpet Dimensions: Ø 46 x H 60 cm. Materials: 100% tibetan highland
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wool

Pouf Charaktere Sybille by Lyk Carpet
Located in Geneve, CH
Pouf Charaktere Sybille by Lyk Carpet Dimensions: Ø 62 x H 48 cm Materials: 100% tibetan highland
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wool

Pouf Charaktere Colette by Lyk Carpet
Located in Geneve, CH
Pouf Charaktere colette by Lyk Carpet Dimensions: Ø 62 x H 47 cm. Materials: 100% tibetan highland
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wood

Pouf Charaktere Fred by Lyk Carpet
Located in Geneve, CH
Pouf Charaktere Fred by Lyk Carpet Dimensions: Ø 44 x H 52 cm. Materials: 100% tibetan highland
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wood

Pouf Charaktere Massimiliano by Lyk Carpet
Located in Geneve, CH
Pouf Charaktere Massimiliano by Lyk Carpet Dimensions: Ø 53 x H 47 cm. Materials: 100% tibetan
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wool

Pouf Charaktere Hilma by Lyk Carpet
Located in Geneve, CH
Pouf Charaktere Hilma by Lyk Carpet Dimensions: Ø 53 x H 48 cm. Materials: 100% tibetan highland
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wool

Large and Small Brown Leather Poufs, 1970s
Located in Delft, NL
Large and small brown leather poufs, 1970s 2 identical poufs in 2 different sizes of 80 cm round
Category

20th Century European Ottomans and Poufs

Materials

Leather

Ottoman-Rectangle Ardmore Sabie Forest Linen Dawn
By Ardmore Design
Located in New York, NY
PRODUCT INFORMATION DIMENSIONS: 51" L x 25.5" D x 18" H COLOR: Dawn / Brass MADE OF: Top Stitched Linen (70% Linen / 31% Viscose) / Brass Banded Base MANUFACTURER: Ardmore MADE ...
Category

2010s South African Ottomans and Poufs

Materials

Brass

Konekt Thing 4 Rectangle Ottoman with Antique Brass, Horse Hair and Velvet
By Konekt
Located in New York, NY
The Thing 4 Rectangle Ottoman features a hand-stitched top, a finished steel drum and horse hair
Category

2010s American Ottomans and Poufs

Materials

Steel

Set of 3 Poufs Charaktere Fred, Massimiliano and Colette by Lyk Carpet
Located in Geneve, CH
Set of 3 Poufs Charaktere Fred, Massimiliano and Colette by Lyk Carpet Dimensions: Fred: Ø 44 x H
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wool

Set of 3 Poufs Charaktere Fred, Cuno and Hilma by Lyk Carpet
Located in Geneve, CH
Set of 3 Poufs Charaktere Fred, Cuno and Hilma by Lyk Carpet Dimensions: Fred: D 44 x H 52 cm
Category

2010s German Post-Modern Ottomans and Poufs

Materials

Wool

Set of 3 Seating Objects by Lyk Carpet
Located in Geneve, CH
# rectangle W 94 x H 56 cm. 3# circle ø94 cm. Thickness of the cushion: 15 cm. Materials: 100% tibetan
Category

2010s Nepalese Post-Modern Ottomans and Poufs

Materials

Wool

Set of 3 Seating Objects by Lyk Carpet
Set of 3 Seating Objects by Lyk Carpet
H 30.71 in W 30.71 in D 55.12 in
Cubicles
By Fort Makers, Naomi Clark
Located in Brooklyn, NY
Cubicles by Naomi Clark is a set of three hand-painted stuffed squares and one stuffed rectangle
Category

21st Century and Contemporary American Other Ottomans and Poufs

Materials

Cotton Canvas, Canvas

Cubicles
Cubicles
H 54 in W 36 in D 36 in
No. 256 Medley Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
the superficial functionality of the carpet. Away from the rectangle Mareike wants to positive
Category

2010s Nepalese Post-Modern Rugs

Materials

Wood

No. 218 Hand-knotted Textile Poster by Lyk Carpet
Located in Geneve, CH
She tries to radically question the superficial functionality of the carpet. Away from the rectangle
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 217 Hand-Knotted Textile Poster by Lyk Carpet
Located in Geneve, CH
rectangle Mareike wants to positive, lustful and imaginative the form & the craft, the material new, unseen
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No.276 Freeplay Hand Knotted Rugs by Lyk Carpet
Located in Geneve, CH
superficial functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Point of Contact Spirals by Lyk Carpet
Located in Geneve, CH
rectangle Mareike wants to positive, lustful and imaginative the form & the Craft, the Material new, unseen
Category

2010s Nepalese Post-Modern Contemporary Art

Materials

Wool

No. 281 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 277 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 272 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No.265 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
superficial functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 278 Hand-Knotted Textile Poster by Lyk Carpet
Located in Geneve, CH
superficial functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Little Sister Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
question the superficial functionality of the carpet. Away from the rectangle Mareike wants to positive
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wood

No. 268 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
the superficial functionality of the carpet. Away from the rectangle Mareike wants to positive
Category

2010s Nepalese Post-Modern Western European Rugs

Materials

Wool

Hand-Knotted Textile Poster #7 by Lyk Carpet
Located in Geneve, CH
functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and imaginative the form
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Hand-Knotted Textile Poster #14 by Lyk Carpet
Located in Geneve, CH
superficial functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No.266 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
superficial functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Set of No.269 Freeplay Hand-Knotted Rugs by Lyk Carpet
Located in Geneve, CH
question the superficial functionality of the carpet. Away from the rectangle Mareike wants to positive
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 275 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s German Post-Modern North and South American Rugs

Materials

Wool

No.267 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
superficial functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No.282 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 272 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Hand-Knotted Textile Poster #13 by Lyk Carpet
Located in Geneve, CH
functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and imaginative the form
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No.274 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No.274 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 279 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
rectangle Mareike wants to positive, lustful and imaginative the form & the craft, the material new, unseen
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 273 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
rectangle Mareike wants to positive, lustful and imaginative the form & the craft, the material new, unseen
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 221 Hand-Knotted Textile Poster by Lyk Carpet
Located in Geneve, CH
She tries to radically question the superficial functionality of the carpet. Away from the rectangle
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 280 Freeplay Hand-Knotted Rug by Lyk Carpet
Located in Geneve, CH
functionality of the carpet. Away from the rectangle Mareike wants to positive, lustful and imaginative the form
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 220 Hand-Knotted Textile Poster by Lyk Carpet
Located in Geneve, CH
rectangle Mareike wants to positive, lustful and imaginative the form & the craft, the material new, unseen
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No.233 Hand-Knotted Textile Poster by Lyk Carpet
Located in Geneve, CH
rectangle Mareike wants to positive, lustful and imaginative the form & the craft, the material new, unseen
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 219 Hand-Knotted Textile Poster by Lyk Carpet
Located in Geneve, CH
rectangle Mareike wants to positive, lustful and imaginative the form & the craft, the material new, unseen
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Set of Come As You Are Seat Ensemble by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s German Post-Modern Chairs

Materials

Wool

Hand-Knotted Textile Poster #12 by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 2 Freeplay Hand Knotted Rug Ensemble by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 4 Freeplay Hand Knotted Rug Ensemble by Lyk Carpet
Located in Geneve, CH
She tries to radically question the superficial functionality of the carpet. Away from the rectangle
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 1 Freeplay Hand Knotted Rug Ensemble by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 3 Freeplay Hand Knotted Rug Ensemble by Lyk Carpet
Located in Geneve, CH
She tries to radically question the superficial functionality of the carpet. Away from the rectangle
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

No. 5 Freeplay Hand Knotted Rug Ensemble by Lyk Carpet
Located in Geneve, CH
She tries to radically question the superficial functionality of the carpet. Away from the rectangle
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Hand-Knotted Textile Poster #11 by Lyk Carpet
Located in Geneve, CH
question the superficial functionality of the carpet. Away from the rectangle Mareike wants to positive
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Ryōan-ji Hand-Knotted Textile Object by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Hand-Knotted Textile Poster #9 by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Hand-Knotted Textile Poster #10 by Lyk Carpet
Located in Geneve, CH
radically question the superficial functionality of the carpet. Away from the rectangle Mareike wants to
Category

2010s Nepalese Post-Modern North and South American Rugs

Materials

Wool

Ottomans in the Style of Paul McCobb
By Paul McCobb
Located in Philadelphia, PA
. Each ottoman is a rectangle, almost appears square, but have included photo showing shape. American
Category

Late 20th Century American Mid-Century Modern Ottomans and Poufs

Materials

Metal

Ottomans in the Style of Paul McCobb
Ottomans in the Style of Paul McCobb
H 17.5 in W 17.5 in D 16.5 in
Large Square Custom Made Turkish Rug Cocktail Ottoman
Located in Brea, CA
, square, rectangle.
Category

21st Century and Contemporary Ottomans and Poufs

Materials

Wool, Goat Hair, Foam

Modern Tufted Knoll Style Camel Colored Chrome Rectangle Leg Bench
By Florence Knoll, Knoll
Located in Houston, TX
Modern tufted Knoll style camel colored chrome rectangle leg bench. The upholstery is original and
Category

Vintage 1970s North American Modern Ottomans and Poufs

Materials

Steel

Custom Made Turkish Round Rug Cocktail Ottoman
Located in Brea, CA
rectangle, square, and most sizes and shapes can be done. This one is priced as shown.
Category

21st Century and Contemporary Ottomans and Poufs

Materials

Wool, Goat Hair

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Rectangle Pouf For Sale on 1stDibs

Find many varieties of an authentic rectangle pouf available at 1stDibs. Frequently made of fabric, wool and wood, every rectangle pouf was constructed with great care. There are 3 variations of the antique or vintage rectangle pouf you’re looking for, while we also have 45 modern editions of this piece to choose from as well. There are many kinds of the rectangle pouf you’re looking for, from those produced as long ago as the 20th Century to those made as recently as the 21st Century. A rectangle pouf is a generally popular piece of furniture, but those created in mid-century modern styles are sought with frequency. Ardmore Ceramic Art, Charles and Ray Eames and Fort Makers each produced at least one beautiful rectangle pouf that is worth considering.

How Much is a Rectangle Pouf?

The average selling price for a rectangle pouf at 1stDibs is $1,745, while they’re typically $412 on the low end and $24,664 for the highest priced.

A Close Look at post-modern Furniture

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.