Ultrafragola Floor Mirror

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.

Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals.

Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Arguably the world’s most ubiquitous man-made material, plastic has impacted nearly every industry. In contemporary spaces, new and vintage plastic furniture is quite popular and its use pairs well with a range of design styles.

From the Italian lighting artisans at Fontana Arte to venturesome Scandinavian modernists such as Verner Panton, who created groundbreaking interiors as much as he did seating — see his revolutionary Panton chair — to contemporary multidisciplinary artists like Faye Toogood, furniture designers have been pushing the boundaries of plastic forever.

When The Graduate's Mr. McGuire proclaimed, “There’s a great future in plastics,” it was more than a laugh line. The iconic quote is an allusion both to society’s reliance on and its love affair with plastic. Before the material became an integral part of our lives — used in everything from clothing to storage to beauty and beyond — people relied on earthly elements for manufacturing, a process as time-consuming as it was costly.

Soon after American inventor John Wesley Hyatt created celluloid, which could mimic luxury products like tortoiseshell and ivory, production hit fever pitch, and the floodgates opened for others to explore plastic’s full potential. The material altered the history of design — mid-century modern legends Charles and Ray Eames, Joe Colombo and Eero Saarinen regularly experimented with plastics in the development of tables and chairs, and today plastic furnishings and decorative objects are seen as often indoors as they are outside.

Find vintage plastic lounge chairs, outdoor furniture, lighting and more on 1stDibs.

Bringing antique and vintage floor mirrors and full-length mirrors into your home is a no-brainer. The right mirror in the bedroom, bathroom and by the door in your home’s entryway — for last-minute accessorizing, of course — can make all the difference.

However, knowing where to strategically place your mirror can help illuminate your interior design choices and add a glamorous accent to any room.

A large beveled floor mirror can add depth to a space — particularly if you’re working with small rooms. It can echo the contour lines of wall paneling and make a bedroom appear larger than it is. Both floor mirrors and full-length mirrors create a window-like effect, reflecting light and brightening the room. Hanging a large mirror opposite a window will flood a room with natural light and engender a feeling of spaciousness.

Consider the placement of a mirror in the room: Displaying vases, boxes and other decorative objects in front of a mirror reflects these items, drawing attention to a prized collection and emphasizing their visual qualities for dramatic effect.

A large antique wall mirror or celebrated iconic design such as Paul Evans’s Patchwork mirror or the flashy, sensuous Ultrafragola mirror created by Ettore Sottsass can be positioned as the focal point in a living room or dining room.

When your mirror isn’t the star of the show, it can be used to enhance a focal point. Hang abstract art — a grouping of paintings or drawings, perhaps — on the wall opposite the mirror to establish narrative character in a space and create an intriguing color pattern.

It is important to consider the size, shape and frame of a mirror. Most full-length mirrors have a traditional rectangular shape, but postmodern mirrors may offer more variety. For a mirror that makes a bold statement, Art Deco mirrors typically feature geometrically pronounced frames that stand out in a room.

Add light to your interiors while providing an artistic accent to any room. Browse the selection of antique and vintage floor mirrors and full-length mirrors on 1stDibs today.