Vivienne Westwood Kilt

For someone who regularly swatted away the industry that made her, audacious British fashion designer Dame Vivienne Westwood certainly knew her way around a garment. And she knew how to provoke. “I don’t follow fashion,” Westwood once told the New York Times. “I’ve never been interested in it.” Collectors are certainly interested in her work, and vintage Vivienne Westwood dresses, handbags, lingerie and jackets have become very desirable over the years.

Westwood was born Vivienne Isabel Swire in a village in Derbyshire, in central England, but moved to London as a teen. In the early 1960s, she began to make her own necklaces and other jewelry and met an artist, activist and entrepreneur named Malcolm McLaren. They became involved romantically and she made clothes for him in the style of the Teddy Boys — the city’s music-crazed, occasionally violent teenagers at the time who wore high-waisted trousers and tailored velvet blazers that drew on Edwardian-era fashions.

Westwood and McLaren opened a vintage shop on King’s Road in London in 1971. The flared denim and peasant blouses of the 1960s, then still popular with the “peace and love” set, didn’t hold any weight for Westwood. Instead, she was interested in provocative, edgy apparel. She repaired used clothing and endeavored to create bold new designs from scratch.

Together Westwood and McLaren sold older rock-and-roll records, customized T-shirts with antiestablishment slogans, biker jackets and snug trousers inspired by the Marlon Brando film The Wild One as well as bondage fetish wear. The shop, once called Let It Rock and then Too Fast to Live, Too Young to Die before Sex became a more appropriate moniker, evolved into a youth mecca. The DIY garments — zippered tops, burnt tees emblazoned with anarchist messages — flew off the shelves. More notably, it brought punk to the masses.

Westwood was soon dressing the Sex Pistols, a band that McLaren managed, all the while bridging the gap between music and fashion in a manner that has reverberated throughout the industry for decades.

In 1981, the couple’s first fashion show marked the debut of their Pirate collection — a swashbuckler-themed line that sprang from Westwood’s research into Indigenous Americans and the “power garments” of the Louis XIV era. The collection’s ample proportions and cutting-edge tailoring countered punk’s geometry and tight latex fits as well as what rocker Adam Ant called the “Puritanism” that plagued England at the time. The Pirate collection’s enduring influence on the world of fashion as well as the theatrical work of designers such as John Galliano and Alexander McQueen is undeniable.

For the colorful corsets of her 1990 Portrait collection, Westwood drew on 18th-century oil paintings — her models donned the pearl necklaces that have become a social media star and a favorite of influencers and fashion lovers all over the world. For a jacket-and-shorts suit from her Fall/Winter 1996–97 Storm in a Teacup line, the designer used the extreme asymmetry of a tartan mash-up to confront, according to Westwood, “the horror of uniformity and minimalism.”

The self-taught Westwood enjoyed a rapid ascent in fashion, with British society embracing her looks and Vogue immortalizing them in its glossy pages. She garnered accolades for introducing corsets to the runway and dressed Kate Moss and Helena Bonham Carter. And an original Vivienne Westwood wedding dress is featured in 2008’s Sex and the City film.

The fires of political and environmental activism burned brightly for Westwood: She was a Greenpeace ambassador, having designed the organization’s official “Save the Arctic” logo; her clothing brand is committed to using recycled canvas and other eco-friendly materials in the production process; and in 2020, she protested the extradition of Julian Assange by suspending herself in a bird cage outside London’s Old Bailey court. But she will always be the grande dame of British design.

Find an extraordinary range of vintage Vivienne Westwood shirts, shoes, gowns and other items today on 1stDibs.

For everyday casual wear, elevating your look at the office or making a dramatic entrance at a formal event, authentic designer and vintage skirts are reliably versatile garments.

Skirts have been around for thousands of years. A woman’s straw skirt found in an Armenian cave is believed to have been handwoven in 3,900 B.C., and long, full skirts were worn by men and women in Ancient Egypt and Ancient Mesopotamia. Over time, the hemlines might have changed significantly but the skirt’s integral role in fashion has remained in place.

By the early 1900s, skirt hemlines had crept up slightly to ankle-length height from the densely layered floor-length style that dominated the Victorian era — a radical shift. As women in the United States began to live more active lives during the 1920s, designers such as Gabrielle “Coco” Chanel sought to free them from the long skirts and other constrictions that persevered in fashion by ​​introducing her first little black dress. That same decade, she debuted her perfume, Chanel No. 5, as well as the Chanel suit with a fitted skirt, inspired by the boxy lines of men’s clothing and employing a sporty tweed.

Advancements in swimwear during the 1920s and 1930s also reflected a climbing hemline. Visionary designers such as Elsa Schiaparelli eventually pushed the boundaries of modesty with her backless suit, but women still wore long garments in public. Also during the so-called Roaring ’20s, short flapper dresses that fell at the knees and boasted a free-flowing sack-like silhouette, as well as chic beaded evening gowns and floral day dresses, paired fabulously with the dazzling jewelry of the era. This proved to be just a fleeting deviation from prevailing social convention, however. Skirts grew longer again in the 1930s, even if bows and other embellishments were added. As women entered the workforce in large numbers, clean lines accentuated curves and flared slightly where the material resolved at the ankles.

After World War II, France earned recognition as the center of fashion design for women. It was the golden age of haute couture, and women, quick to dispense of the drab utilitarian wartime garb that hung in their closets, pined for luxurious, elegant skirts designed by Christian Dior, Chanel, Givenchy and others, which were splashed across the pages of Vogue and Harper’s Bazaar in richly colored photographs shot by the likes of Richard Avedon and David Bailey. The 1960s introduced narrow pencil skirts and provocative minis emblazoned with geometrically dazzling patterns or bright floral prints by designers such as Emilio Pucci, Pierre Cardin and Lilly Pulitzer. By the 1970s, women felt emboldened to wear different varieties of this all-purpose garment, exploring wraps, crushed velvet maxis and other styles crafted by Halston, ​​André Courrèges, Yves Saint Laurent and others.

On 1stDibs, find a wide range of designer and vintage skirts for any gender by Prada, Dolce & Gabbana, Alexander McQueen and more. Whether it’s a skirt that can be altered to suit a specific style or an addition that’s ready to join your cherished collection, find exactly what you’re looking for today.