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Winfield Scott Clime On Sale

“Woodland Vista”
By Winfield Scott Clime
Located in Southampton, NY
Oil on artist board painting by the American artist, Winfield Scott Clime. Signed lower left. Titled verso. Partial Lyme Association exhibition label verso. In good condition. Frame...
Category

1930s Post-Impressionist Landscape Paintings

Materials

Oil, Board

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Henri Pailler, French Impressionist river landscape
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By Nicolaes Berchem
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Category

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'Springtime Evening', New York, Metropolitan Museum, American Impressionist Oil
Located in Santa Cruz, CA
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Winfield Scott Clime for sale on 1stDibs

Winfield Scott Clime, influenced by Impressionism, was a painter of anecdotal rural landscapes of country dwellings and rural activities. His "Winter Harvest", for example, depicts workers cutting ice blocks on a frozen pond to be stored in straw for use during the summer, as does "The Stone Mill Ice House". The former painting was exhibited in 2001 in the exhibition, "Painter's Paradise: A Land Distinctly Lyme", at the Florence Griswold Museum, in Old Lyme, Connecticut. Clime was a co-founder of the Washington (D.C.) Society of Landscape Painters in 1913, one of the oldest artists' organizations in the Mid-Atlantic region. He and Charles Seaton met by chance while painting outdoors. By 1916, calling themselves the Ramblers, their numbers had grown. In 1919, the organization was formally named the Landscape Club of Washington. Clime also painted in Cragsmoor, New York, in the picturesque Hudson River Valley. Winfield Scott Clime was also a photographer, who was on the scene in July 1909 at Fort Myer, Virginia when Wilbur and Orville Wright made a flight as part of their tour to introduce and solidify support for the airplane. Paul Edward Garber, the first curator of the Smithsonian Institution's National Air and Space Museum, recalls carrying Clime's bag of photography supplies on that important day.

A Close Look at Post-Impressionist Art

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

Finding the Right landscape-paintings for You

It could be argued that cave walls were the canvases for the world’s first landscape paintings, which depict and elevate natural scenery through art, but there is a richer history to consider.

The Netherlands was home to landscapes as a major theme in painting as early as the 1500s, and ink-on-silk paintings in China featured mountains and large bodies of water as far back as the third century. Greeks created vast wall paintings that depicted landscapes and grandiose garden scenes, while in the late 15th century and early 16th century, landscapes were increasingly the subject of watercolor works by the likes of Leonardo da Vinci and Fra Bartolomeo.

The popularity of religious paintings eventually declined altogether, and by the early 19th century, painters of classical landscapes took to painting out-of-doors (plein-air painting). Paintings of natural scenery were increasingly realistic but romanticized too. Into the 20th century, landscapes remained a major theme for many artists, and while the term “landscape painting” may call to mind images of lush, grassy fields and open seascapes, the genre is characterized by more variety, colors and diverse styles than you may think. Painters working in the photorealist style of landscape painting, for example, seek to create works so lifelike that you may confuse their paint for camera pixels. But if you’re shopping for art to outfit an important room, the work needs to be something with a bit of gravitas (and the right frame is important, too).

Adding a landscape painting to your home can introduce peace and serenity within the confines of your own space. (Some may think of it as an aspirational window of sorts rather than a canvas.) Abstract landscape paintings by the likes of Korean painter Seungyoon Choi or Georgia-based artist Katherine Sandoz, on the other hand, bring pops of color and movement into a room. These landscapes refuse to serve as a background. Elsewhere, Adam Straus’s technology-inspired paintings highlight how our extreme involvement with our devices has removed us from the glory of the world around us. Influenced by modern life and steeped in social commentary, Straus’s landscape paintings make us see our surroundings anew.

Whether you’re seeking works by the world’s most notable names or those authored by underground legends, find a vast collection of landscape paintings on 1stDibs.