Inspired by Dali
The Spirit of Dalí
Shop original works by the Surrealist icon and discover the artists who share his avant-garde vision.
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154 Foot Sculpture That Never Was
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Inspired by Dali
Materials
Aquatint, Rag Paper, Etching
Front Elevation of Section 17
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
"Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...
Category
1970s Surrealist Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
Pillow Machine
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Surrealist Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
Height Almost 34'
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“Height...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Aquatint
Stop Playing and Get to Work
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
Just a Little Water Please
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
Heritage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
Environment Man
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
Do Not Touch
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
The Face
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Canvas, Oil
Together We Are
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Inspired by Dali
Materials
Etching, Aquatint, Rag Paper
Trapped
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Inspired by Dali
Materials
Etching
Music Box
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
Still Life
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
Night Shift
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
Freezing Point
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
World of Watermelons
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching, Aquatint
Yellow without Dots
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Canvas, Oil
One Little Stage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Surrealist Inspired by Dali
Materials
Rag Paper, Etching
Storage #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
Brow Ye Ye Bam
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined pa...
Category
1970s Surrealist Inspired by Dali
Materials
Canvas, Oil
Bird Da
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Surrealist Inspired by Dali
Materials
Canvas, Oil
Avenue 11
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
Love Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Inspired by Dali
Materials
Rag Paper, Etching
Paint.Danger on the Road to Here
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic paint on paper
Category
2010s Surrealist Inspired by Dali
Materials
Acrylic, Paper
The Comedy of Oblivion
By Fred Stonehouse
Located in Lyons, CO
Color lithograph, Ed. 25.
The artist describes this project:
“I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. These works se...
Category
2010s Contemporary Inspired by Dali
Materials
Lithograph
The Echo of Luck
By Fred Stonehouse
Located in Lyons, CO
Color lithograph, Ed. 25
The artist describes this project:
“I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. These works ser...
Category
2010s Contemporary Inspired by Dali
Materials
Lithograph
Paint. Mystery of the Hydra
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic paint on paper
Category
2010s Surrealist Inspired by Dali
Materials
Paper, Acrylic
Paint. The Devil's Right Hand
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic on wood
Category
21st Century and Contemporary Surrealist Inspired by Dali
Materials
Acrylic, Wood Panel
Paint. Orlando
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic on wood
Category
2010s Surrealist Inspired by Dali
Materials
Acrylic, Wood Panel
The Clairvoyant's Dream
By Fred Stonehouse
Located in Lyons, CO
Color lithograph, Edition 25.
I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. This work serves as allegory, political commen...
Category
2010s Contemporary Inspired by Dali
Materials
Lithograph
Paint. The Natural Science of Speech
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic on wood
Category
2010s Surrealist Inspired by Dali
Materials
Acrylic, Wood Panel
Paint. Miracles of the Marsh
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic on wood
Category
2010s Surrealist Inspired by Dali
Materials
Acrylic, Wood Panel
Paint. The Sounds of Pharoah’s Horses
By Fred Stonehouse
Located in Cuernavaca, Morelos
Acrylic on wood
Category
21st Century and Contemporary Surrealist Inspired by Dali
Materials
Acrylic, Wood Panel
After Man Ray--Camera International-
By Man Ray
Located in Brooklyn, NY
Rare poster by the artist in his unique experimental style.
Category
20th Century Contemporary Inspired by Dali
Materials
Offset
Man Ray Limited Edition Blak and White Heliogravure Electricite Rayograph, 1931
By Man Ray
Located in Barcelona, Barcelona
Rayograph He´liogravure by Man Ray for Compagnie Parisienne de Distribution d'Electricite´, 1931.
Printed in Heliogravure and signed in the negative
500 copies.
Man Ray (1890–...
Category
1930s French Mid-Century Modern Vintage Inspired by Dali
Materials
Paper
Portrait of Paul Éluard
By Man Ray
Located in New York, NY
1936
Artist stamp in ink, verso
Vintage silver print
6.75 x 5 inches
This artwork is offered by ClampArt, located in New York City.
Category
1930s Inspired by Dali
Materials
Silver Gelatin
Alexandre Lolas Exhibition Poster. Made in Italy
By Man Ray
Located in Clinton Township, MI
Poster. Made in Italy. Measures 32.75 x 19 inches and is unframed. The piece is in Good/Fair Condition-significant fading/discoloration primarily on the top portion of the print-cons...
Category
Late 20th Century Inspired by Dali
Materials
Lithograph
Man Ray Kiki de Montparnasse Décolletage Photograph, 1920s
By Man Ray
Located in Bishop's Stortford, Hertfordshire
A Man Ray vintage silver gelatin portrait photograph of Alice Prin (Kiki de Montparnasse), his lover and muse. The décolletage portrait is printed...
Category
1920s North American Vintage Inspired by Dali
Materials
Paper
Rare Man Ray Hand Signed Black and White Photography of Gigi, 1927
By Man Ray
Located in Barcelona, Barcelona
Man Ray photography of Gigi, 1927.
Hand signed in pencil.
Stamped by Man Ray Paris.
Born (Philadelphia, 1890-Paris, 1976) Emmanuel Radnitzky, Man Ray adopted his pseudonym in ...
Category
1920s French Mid-Century Modern Vintage Inspired by Dali
Materials
Paper
Man Ray Surrealist Framed Black and White Photography 'Hommage a Lautréamont'
By Man Ray
Located in Barcelona, Barcelona
Presenting a captivating posthumous print of the iconic photograph "Beau comme la rencontre fortuite, sur une table de dissection, d'une machine à coudre...
Category
1930s French Mid-Century Modern Vintage Inspired by Dali
Materials
Paper
Senza Titolo
By Man Ray
Located in San Francisco, CA
This artwork titled, Senza Titolo,1962 is a color lithograph on Arches watermarked paper by artist Man Ray (American, 1890-1976) It his hand signed and n...
Category
Late 20th Century Dada Inspired by Dali
Materials
Lithograph
Mythologia Moderna II
By Man Ray
Located in San Francisco, CA
Artist: Man Ray (American, 1890-1976)
Title: Mythologia Moderna II
Year: 1969
Medium: Color lithograph
Edition: numbered 46/175 in pencil
Paper: Arches watermarked
Image siz...
Category
Mid-20th Century Dada Inspired by Dali
Materials
Lithograph
Marchand de Couleurs
By Man Ray
Located in San Francisco, CA
This artwork titled, Marchand de Couleurs, is an original color lithograph on Wove paper by American artist Man Ray, 1890-1976. It is hand signed and inscribed A.P (Artist Proof) in ...
Category
1970s Dada Inspired by Dali
Materials
Lithograph
In Cima Del Mundo
By Man Ray
Located in San Francisco, CA
This artwork in an original color lithograph by artist Man Ray (American, 1890-1976) It is signed and numbered 7/110 in pencil by the artist. The image size is 19 x 16 inches, and th...
Category
1970s Dada Inspired by Dali
Materials
Lithograph
Man Ray Objects of my Affection Exhibition Poster Trompe L'Oeuf MoMA, 1969
By Man Ray, MOMA Museum New York
Located in Brooklyn, NY
The “objects” of American artist Man Ray’s affection were small, limited-edition sculptures. Although influenced by French artist Marcel Duchamp, Ray eschewed the Duchampian term readymade, preferring a lyrical title based on a popular song, “The object of my affection is to change your complexion from white to rosy red” (Rosalind Krauss...
Category
Mid-20th Century American Mid-Century Modern Inspired by Dali
Materials
Paper
Portrait of Francis Picabia - Original Photograph by Man Ray - 1935
By Man Ray
Located in Roma, IT
Original Vintage hand signed Photograph, 1935.
Dimensions : 27x22 cm.
This wonderful photograph by Man Ray shows an intense portrait of Franci...
Category
1930s Dada Inspired by Dali
Materials
Photographic Paper
'Cadeau' Sculpture by Man Ray
By Man Ray
Located in NYC, NY
A sculpture by Man Ray titled 'Cadeau' in the shape of an iron with a row of nails protruding. Signed and inscribed with the edition number 2290/5...
Category
Early 20th Century French Inspired by Dali
Materials
Steel, Bronze
'Le Temoin' Stool by Man Ray for Gavina
By Gavina, Man Ray
Located in Little Burstead, Essex
Beautiful example in pristine condition, designed by Man Ray for Gavina's ultramobile exhibition.
Category
1970s Italian Mid-Century Modern Vintage Inspired by Dali
Materials
Faux Leather, Acrylic, Foam, Plywood
Sonia from La Ballade des Dames Hors du Temps, Etching by Man Ray
By Man Ray
Located in Long Island City, NY
Artist: Man Ray, American (1890 - 1976)
Title: Sonia from La Ballade des Dames Hors du Temps
Year: 1970
Medium: Aquatint Etching, Si...
Category
1970s Modern Inspired by Dali
Materials
Etching, Aquatint
Man Ray Cadeau 1921 / 1974
By Man Ray
Located in Weesp, NL
Gift is a typical product of Man Ray’s double-edged humour. Its sadistic implications need not be stressed. Its erotic aspect is revealed by Man Ray’s remark: ‘You can tear a dress t...
Category
1970s American Vintage Inspired by Dali
Materials
Iron
Heli Hatchlings, Surreal Oil Painting - Giant Chameleons Crab Apples Helicopter
By Christopher Klein
Located in Chicago, IL
The smiling figures in the helicopter, hatching from a frozen crab-apple, have false hopes that they are on a fun adventure, unaware of the imminent danger- they are about the chameleon’s prey. Fortune can turn on a dime. Such is the subject of Christopher Klein...
Category
21st Century and Contemporary Surrealist Inspired by Dali
Materials
Oil, Panel
Wisdom Trumps Violence - Surreal Oil Painting with a Leopard, an Owl, and a Man
By Christopher Klein
Located in Chicago, IL
Toying (e.g., rider on toy horse) with violent threats is not wise. The sounds (e.g., horn) of violence (e.g., spear and leopard) will never overtake wisdom (e.g., owl and pearl). This masterfully painted surrealist artwork draws in the viewer with its extraordinary detail. The artwork is framed.
Christopher A. Klein
Wisdom Trumps...
Category
21st Century and Contemporary Surrealist Inspired by Dali
Materials
Linen, Oil
The Duet -Original Oil Surreal Painting of Man with Tree Growing Out of His Head
By Christopher Klein
Located in Chicago, IL
Christopher A. Klein
b. 1954, Washington DC
Christopher Klein spent 26 years at National Geographic Magazine. His career at National Geographic br...
Category
21st Century and Contemporary Contemporary Inspired by Dali
Materials
Oil, Panel
Coming Out of the Wasteland - Surreal Oil Painting with Nude Woman in the Desert
By Christopher Klein
Located in Chicago, IL
"After centuries of suppression, women ascend to high positions (e.g., a modern-day falcon-headed Egyptian goddess). Women will lead (e.g., pulling a camel caravan). The societal shift results in the hatching of eye-opening (e.g., eggs containing large-eyed tarsiers) gems (e.g., tourmaline) of wisdom." Says artist, Christopher Klein...
Category
21st Century and Contemporary Surrealist Inspired by Dali
Materials
Linen, Oil
1970 Hans Bellmer 'Soutterain Baroque #13' Surrealism Brown France Etching
By Hans Bellmer
Located in Brooklyn, NY
Paper Size: 19.75 x 25.75 inches ( 50.165 x 65.405 cm )
Image Size: 11.75 x 15.5 inches ( 29.845 x 39.37 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
...
Category
1970s Inspired by Dali
Materials
Etching
La petite fille sur canape noir, Etching by Hans Bellmer
By Hans Bellmer
Located in Long Island City, NY
Artist: Hans Bellmer, German
Title: La petite fille sur canape noir
Year: circa 1970
Medium: Etching, signed and numbered in pencil
Edition: 46/70
Image Size: 10.5 x 8 inches
Frame...
Category
1960s Surrealist Inspired by Dali
Materials
Etching
Les Milles en Feu, Surrealist Etching by Hans Bellmer
By Hans Bellmer
Located in Long Island City, NY
Artist: Hans Bellmer, German (1902 - 1975)
Title: Les Milles en Feu
Year: 1970
Medium: Etching, signed in pencil
Image Size: 12 x 15 inches
Paper Size: 20 x 26 inches
Category
1970s Conceptual Inspired by Dali
Materials
Etching
L'Aigle Mademoiselle - Etching by H. Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Image dimensions: 38 x 28 cm.
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968.
Copy on Velin d'Arches. Includes passepartout.
Hans Be...
Category
1960s Surrealist Inspired by Dali
Materials
Etching
