Nautical 2

Unknown edition

C Alex Clark's creative practice spans traditional and experimental methods of photography, video, conceptual and installation work. In their glass hologr...

C Alex Clark's creative practice spans traditional and experimental methods of photography, video, conceptual and installation work. In their glass hologr...

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

"Portrait of Zola" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 1/2 x 15 3/8 frame) inches Emin Abbasov is classically ...

"Portrait of Horace" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 3/4 x 14 3/4 frame) inches Emin Abbasov is classicall...

Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 1/2 x 15 1/2 frame) inches Emin ...

18 x 26" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched views of our landscape...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 x 15 frame) inches Emin Abbasov ...

acrylic, ink on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates those idea...

Native American Portrait "Wisdom" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 1/2 (15 7/8 x 14 5/8 frame) inches Emin Abbasov ...

Green, teal, sage, white, hunter green 31 x 31" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 27"h x 27"w. Gary Mankus was b...

This unframed, signed, limited edition pigment print by artist Jeff Kahm exists in an edition of 40. Paper size is 25"h x 24"w with an image size of 20"h x 20"w. Jeff Kahm was born in Edmonton Alberta, Canada in 1968 and attended the Institute of American Indian Arts...

This unframed, signed, limited edition pigment print by artist Jeff Kahm exists in an edition of 40. Paper size is 25"h x 24"w with an image size of 20"h x 20"w. Jeff Kahm was born ...

This unframed, signed, limited edition pigment print by artist Jeff Kahm exists in an edition of 40. Paper size is 25"h x 24"w with an image size of 20"h x 20"w. Jeff Kahm was born in Edmonton Alberta, Canada in 1968 and attended the Institute of American Indian Arts...

Blue white beige teal green khaki orange brown Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properti...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Debra Baxter's precarious piles of precious stones are a material investigation of our continually strained relation to labor, beauty and domesticity.

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

I grew up in the high mountain desert of Northern New Mexico the son of an artist and an Inventor/engineer. My childhood was filled with amazement and curiosity which I have worked h...

Edition of 15

Unique mixed media collage from New Mexico based artist Holly Roberts

Unique mixed media collage from New Mexico based artist Holly Roberts

Unique mixed media collage from New Mexico based artist Holly Roberts

Unique mixed media collage from New Mexico based artist Holly Roberts

"Portrait of Paolo" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 3/4 x 14 3/4 frame) inches Emin Abbasov is classically...

Bike Race; On the Line Bosco #46 Pierre Bosco (Italy/France, 1909-1993) 1950s Oil on canvas 25 x 13 inches, frame size “The savage art of Bosco bears its ru...

acrylic, mixed media on panel blue green teal white black can hang verically or horizontally In his current body of work, Tim uses large gestural drawings to create energetic abs...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

Antique Animal Painting "3 Rabbits in a Meadow" Dated 1920 Johan Cornelis Jacobus Lodewijk Stern (Dutch 1879-1939) OIl on canvas Signed and dated 1920 17 1...

Paul Shapiro began working in an abstract style in 1990, although the Land of Enchantment (and the artist's current home, New Mexico!) remained a major source of inspiration for him....

Paul Shapiro began working in an abstract style in 1990, although the Land of Enchantment (and the artist's current home, New Mexico!) remained a major source of inspiration for him....

Martha Mans lavender gray white blue green yellow peach brown framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

Big Rio, Original Contemporary Expressionist Landscape Painting 48" x 48" x 1.75" (HxWxD) Oil on Linen This large square-format work by artist Carol Tippit Woolworth features a stunning color palette of rich greens and reds combined with muted blues, purples, and orange tones. There is a balance, both with the color, but also with the composition as the Rio Grande wraps around the curves in the Southwestern landscape, opening up towards the viewer and simultaneously guiding your eye around to the landscape in the distance. This Mexican desert appears calm and a bit desolate, but also bursting with life and energy through the colors used and the loose, energetic mark making that is characteristic of expressionist landscape works. Artist Commentary: The Rio Grande About the Artist: Art has always been a central part of Carol's life. Constantly drawing as a child, the passion to create something two dimensional has continued to this day, through oil and gouache. Carol currently lives in Santa Fe, NM and exhibits at Smilow Mathiesen Gallery on Canyon Road. She graduated with a BA in Art through the University of California at Santa Barbara, with an emphasis in Painting, but has continued to study at various art institutions (Parsons NYC; Silvermine Artists Guild, CT; Rohaton Art Center, CT; Delaware College of Art & Design (DCAD), DE) throughout her career. She now teaches painting at DCAD (Continuing Education), has several private art students, and leads painting workshops in France twice a year. She also works as a self-employed graphic designer. Carol has always been interested in France, the French landscape and French culture. She loves the fields and hilltop towns,and the strong clean lines and shapes they create. The past couple of years this influence has dominated her work. Her landscapes are a constant search for color, contrast, and shapes. Recently Carol has discovered the natural beauty of Lancaster County PA and Northern New Mexico, and is applying her French vocabulary to these new areas. Another influence early on was of an artist whom she babysat for, and who lived across the street, in Santa Barbara: Priscella Bender Shore. She eventually became her favorite art teacher and mentor at the Santa Barbara Community College. Priscella's work was of women in a swimming pools, reflecting and refracting light. They were both figurative and abstract. This images haunted Carol's memories until she could recently recreate the swimming pool paintings...

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Debra Baxter's precarious piles of precious stones are a material investigation of our continually strained relation to labor, beauty and domesticity.

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 44 inches h x 60 inches w with an image size of 40...

Layering fabrics, dyes, pigments, crystals, and various other natural materials, Martha Tuttle is a master of juxtaposing textures to explore the relationship between humans and the physical world. Her unique artworks draw upon a variety of mediums to create harmonious compositions vibrating with her artistic energy. Tuttle’s new triptych of prints — "The Colors of a Cholla Cactus...

Mid-Century "The Emigrants" #34 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 19 1/2 x 16 1/4 inches, frame size “The savage art of Bosco bears i...

Mid-Century "The Red Village" #50 F Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 12 x 10 inches, frame size “The savage art of Bosco bears its rudeness and its mystery. It ...

Mid-Century - Horse Race #28 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 9 /78 x 6 7/8 (17 7/8 x 14 5/8 inches, frame size) *Frame appears to be original and made by the art...

Mid-Century "The Polo Player" #50 C Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery. It ...

La Vallée de la Seine Raymond Thibesart (France, 1874-1968) Pastel on paper, 1939 Signed l.l. 12.5 x 9.5 (16 x 13 framed) inches INV Nbr. 1939 This...

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Mid-Century "The Horse Race" #50 A Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 14 1/4 x 10 3/4 inches, frame size “The savage art of Bosco bears its rudeness and its myste...

Mid-Century Cyclists - The Field Sprint Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery....

Mid-Century "The Horse Race" #50 B Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery. It i...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...

Thousands of New Mexicans have passed Jill O’Bryan’s yellow-and-black billboards on I-25 South between Santa Fe and Las Vegas, New Mexico. The latest sign is on view through March 20...