The Pride Collection

The Vincent sofa was design by The Charles Burnand Design Studio for the Charles Burnand Collector's Lounge at The Salon Art + Design, 2018. It takes inspira...

A beautiful earring with a dazzling 0.22 carat pear shape diamond. The jewelry is made of 18k yellow gold with a high quality polish. It comes with a fancy jewelry box. Metal: Yello...

Larry Zox (1937-2006) was a central figure in the evolution of 20th century abstraction in America. Raised in Des Moines, Iowa, Zox studied at the University of Oklahoma and went o...

Iconic Paul Frankl 10-drawer chest with freshly polished brass X pulls, refinished and shown in Moroccan Red Lacquer from Frankl's Debonair Collection for Johnson Furniture. Pair Available. Please note buyer has the option to select any color for professional refinishing to match the desired interior. Certainly one of Paul Frankl's most celebrated designs, the chest is timeless and pairs well with contemporary, eclectic and mid century decor. Paul Frankl was known in the Art Deco period for his architectural skyscraper...

Solid 18k gold curved, organic ring, round profile for maximum comfort fit, bold and modern design Size 8, complimentary sizing upon order before shipping.

A tall vase with a single rose in bright "Hornyak pink" is balanced by shapes and lines in this sophisticated composition by Jennifer Hornyak. Framed dimensions are 11.75 x 9.75 inch...

Pair of Mid-Century lamps with a spiral form featuring a warm aged brass finish. Lamps have been rewired for use in the USA with gold silk cords and brass sockets. Shades not include...

Swirling calligraphic marks and symbols swirl at the center of a burnished warm ground in this luminous canvas by Alice Teichert. The artist works with thin layers of acrylic gel and...

TABLE NO. 15 - COFFEE TABLE J.M. Szymanski d. 2019 This Noguchi-inspired coffee table is handcrafted in 3/8” thick steel, with a natural black patina and wax finish, to create an u...

Aron Hill enjoys playing with bold colour and simple form. This abstract composition by the Calgary artist features a white oval ringed in black above a rainbow of colour—arched band...

Rare vintage late 70s NORMA KAMALI OMO bright royal blue one piece plunging swimsuit / bodysuit and wide leg trosuers! Kamali is high credible with not only her design, but her pract...

Two part Onyx Marble post modern coffee table set atop chrome cylindrical legs. While marble typically produces a sense of heaviness and weight, this Post Modern marble coffee table seems to float with a sense of lightness. Rich marble grain the sort famed Designer Kelly Wearstler would be drawn to. The grain is a symphony of beautiful hues of ivory, taupe, gray and pink. The illusion of ripples. Of Movement. Playful in its design, position the two parts in any way that best compliments your space. Versatile in use, reposition the two parts for a new and fresh look anytime. Lots of ways to show off this onyx marble coffee table and make it work for you. Section measurements below. Ready to ship. Want to see more beautiful things? Scroll down below and click "View All From Seller" or favorite our shop to get your 1stDibs on our new inventory. Photographed along with and also currently available in our shop: Vladimir Kagan Post Modern Marilyn Sofa...

Sculptural Mom & Pop swivel chairs by Adrian Pearsall for Craft Associates circa 1970 freshly and professionally reupholstered in luxurious Ivory Bouclé. Furniture that's art. Arms gently slope out like a blossoming tulip. An overstuffed cushion runs down along the edge of the seat back adding a sculptural, and comfortable border to the chairs' shell. Our shop selected this beautiful ivory bouclé to add some texture, warmth and curiosity to the sloping lines. The fabric also has a high durability rating and is of the sort you're immediately drawn to feel. Soft and breathable, will keep you toasty in winter and cool in summer. These Pearsall chairs also swivel and tilt making them a great choice for lounging. The set translates easily from Organic Modern or California Modern style, to high design, modern art filled spaces. Want to see more beautiful things? Scroll down below and click "View All From Seller" or favorite our shop to get your 1stDibs on our new inventory. Mom chair...

Antique American modernist abstract landscape painting. Oil on canvas, circa 1970. Signed. Image size 24L x 18H. Housed in a period modern frame.

Set of two early Art Deco armchairs from the 1930s. Hardwood construction. Complete professional restoration / upholstery on request possible.  

About this piece Made to order skirted slipper chair. As shown with cotton velvet and cut velvet contrast outside back. How we work Made t...

100% authentic Alaïa's Mina 32 tote bag has been crafted in Italy from smooth caramel rose leather that's laser-cut with the Maison's intricate 'Vienne Circulaire' pattern. Opens wit...

An incredibly rare louvered and illuminated room divider in solid walnut floating over a cylindrical brass foot, custom-designed by Vladimir Kagan circa 1967. Six sculptural, marquise-shaped slats are angled at 45 degrees to the frame and flank the light box which houses a single 6-foot fluorescent bulb. Authenticated by and registered with the Vladimir Kagan Design Group, this piece is offered to the collector with all corresponding documents including certificate of authenticity, company letter, related archival photos, and numbered registration plaque. While their archivists have seen similar slatted dividers that Kagan designed (see last image in this listing), they’d not seen one with an incorporated lighting element before and thus feel that this example may well be one-of-a-kind or, at the very least, from a strictly limited run. That said, it seems that this general concept of combining lighting with room partitioning...

This recently upholstered cubo (Cube) sofa was designed by Jorge Zalszupin (1922-2020) in the 1970s. The elegance, a feature of Zalszupin designs, on this piece does not come from ...

1980S Neon Hot Pink , Aqua & Yellow Nylon Puffer Ski Jumpsuit

Customize this mirror with any color or buy as is in orange and white lacquer. Inspired by sci-films. Made with poplar wood and marine lacquer. Dimensions: 43” round.

This refined Mid-Century Modern Scandinavian double teapot was realized by the esteemed Gunnar Nylund for Rorstrand in Sweden circa 1960. It featur...

Stunning desk with drawers and compartment in walnut by Phillip Lloyd Powell (1919-2008). The freeform surface is made of thick walnut plank with a patched joined design with two ros...

Italian Italian leather and chrome pair side chairs, Gastone Rinaldi RIMA, 1970.

French 19th century gilded wood and plaster mirror. Gold with green painted trim. Beautiful patina Measure approximate 39” height x 24” 2” depth.  

Imposing pair of stacked walnut and brass lamps by Stiffel. Shades not included.

Giovanni Offredi for Saporiti dining chairs, Italy, circa 1970. Original condition, Saporiti tag on bottom, sled bases.

Vibrant orange, purple, and green hues typical of this master of still life abstraction. Mostly known for her fondness for the abstracted still life, Jennifer Hornyak draws inspirati...

Concha armchair is one of the most iconic pieces designed by Martin Eisler (1913-1977). The armchair was created in 1953 and produced by Móveis Artesanal and then Forma S.A. Móveis e...

Graphite on colored paper. This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the v...

The pieces follow the Narcissus Vases in Rosa Perlino and Rosso Levanto shown at David Gill Gallery in November 2017 and are made from these two traditional...

An original 1950's unsigned abstract. This whimsical bright work comes housed in a contemporary natural wood frame presentation which signs on the w...

Postmodern Italian black and white table lamp 'Shogun' by Mario Botta for Artemide, 1986 A post modern table lamp by Mario Botta for Artemide. The cylindrical base made of powder co...

A bottle form vase by Japanese studio ceramic artist Jun Isezaki (Born in 1936). A modern Bizen yaki stoneware piece that is strongly rooted in history and ...

"Steel Factory" Cuban Mid 20th Century Modern Drawing WPA Latin Art Industrial Ink on paper. 12 x 19 inches. Pogolotti lived in Paris in the 1930s. The drawing here comes from the collection of his Parisian ophthalmologist, Dr. Prokopenko . Unfortunately, the artist lost his eyesight in 1938. Marcelo Pogolotti (1902–1988) was a Cuban painter...

This stunning, convertible Versace clutch in dyed blue python is intricately studded to form a classic Greek key motif along the borders. Front and cent...

Colorful carved glass encrustations and gilded iron frame. Rare!

Alphonse Cytere took the world by storm in 1903 when he opened his studio in Rambervillers, France. It was here near the artistic center of Nancy that ...

Digital C-print Signed, dated, and numbered, verso 17 x 15 inches, image (Edition of 25) 24 x 22 inches, image (Edition of 15) 34 x 30 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles...

[ New Orleans, LA :: b.1959, Augsburg, Germany ] In 1959, Ruth Owens was born to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her chi...

"Composizione 40100 #09" (Andante con moto), 2019, glazed earthenware, measure: H 36 x 38 x 28cm Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realize often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra), Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...

Impressively large, this six-arm ceiling lamp is a Mouille Classic. Tilting and rotating heads with rotating arms of 31 and 54 inches make this fixture a truly spectacular statement ...

Luxurious pair of channeled Post Modern swivel chairs freshly reupholstered in soft ivory white bouclé. Shawl collar seat backs are channeled and curvy and convey a confident elegance. They roll out into scroll ends - the illusion of a fountain back chair or clam chair. Lower front chair channeling compliments well the channeled seat...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude photographed in 1971 in New York City. Comes di...

Extremely rare rug by the iconic Tenessee-born artist and designer Hilton McConnico (Memphis 1943-Paris 2018) from the esteemed French house of Toulemonde Boc...

Grab it before it's gone! Sculptural, luxurious, joyous and chic, circa 1960. Our one-of-a-kind Chiavari chair was professionally lacquered in the most perfect hue of blue and its seat expertly reupholstered in a rich cut velvet fabric that features a peacock feather pattern of blue, green and gold. One of our favorite features of this show stopper chair is how the Chiavari curves and spindles are echoed in the shapes of the cut velvet peacock feathers, which have such a novel and inviting texture. If you were to move your hand across the top of the seat, it feels like embossed/raised velvet peacock feathers. Chiavari chairs are absolutely timeless. Yet the finishes on this particular chair add a modern and contemporary style (color and texture) that's fresh and current. A perfect desk chair, dressing room chair...

Raimundo De Madrazo Y Garreta (Spanish School, 1841-1920) an exceptional and palatial oil on canvas "Portrait of Isabelle McCreery” depicting an elegant woman gracefully exiting a litter (Sedan Chair), situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues, a pair of swans and a lily pad frame the scene in the foreground, within it's original impressive and ornate French 19th Century Rococo Style gildwood carved and gesso frame. Signed and dated ‘R. Madrazo, 1880' (lower left). At the bottom center of the impressive frame there is a gilded, wooden cartouch bearing in italicized script “Portrait of Isabelle McCreery.” This is original to the frame. Sometime after the death of the artist, possibly at the time the painting was given to the Fine Arts Museums of San Francisco, the painter’s name was added in block letters. Provenance: The Fine Arts Museums of San Francisco (Donated by Mrs. Richard McCreery in 1950). M.H. de Young Memorial Fine Arts Museum, Golden Gate Park, San Francisco. Christie's New York, 31 December 1969, Sale Property of the Fine Arts Museums of San Francisco, Sold for the Benefit of Museum Acquisitions Funds. Lot 80A for $20,700 Canvas Height: 104 ¾ inches (266.1 cm). Camvas Width: 68 ½ inches (174 cm). Frame Height: 132 inches (335.3 cm). Frame Width: 87 ½ inches (222.3 cm). The work of Raimundo de Madrazo, an artist who lived in Paris the greater part of his life, is among the most representative and influential of the ‘school’ of Spanish painters resident in Paris during the nineteenth century.” (Carlos González and Montse Martí, Spanish Painters in Paris 1850-1900, London, 1989, p. 53). The wonderful imagination and artistic genius of Madrazo y Garreta established his fine reputation, and created an international demand for his exquisite portraiture. This particular work features an elegant woman who gracefully exits a litter, situated within a lovely fairytale setting of a fantastical vista dominated by verdant and blue-green hues. Isabelle McCreery was a member of the noted Gold Rush pioneer McCreery family of Irish background who settled in San Francisco in the mid nineteenth century. She later lived in Burlingame, an early San Francisco...

The Linden table lamp features a black linen shade and lamp body, solid hardwood maple base, and brass details. The tabletop fixture references the C...

Inspired by the croquis and contour drawings of our creative director, the Lawrence Pendants evoke elegant simplicity with a refined sense of play. Mad...

Passages of butter yellow, rose and light green float on a washed spring yellow ground in this elegant abstract painting by Milly Ristvedt. Milly Ristvedt (b. 1942, Kimberley, BC) MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe...

Titled in pencil lower left: "Howard"; signed and dated in pencil lower right: "John Thompson 2018". Titled, dated, and signed verso: "Howard / (c) 2018 / John Thompson". A fine impr...

An original abstract expressionist oil painting by American female artist Irene Zevon created and dated in 1959. This piece entitled "Musical" is a prime example of Zevon's relation...

Artist Ger Stallenberg likes to get lost in his landscapes. The artist born in Maastricht (1959) studied at the Academy of Visual Education in Tilburg. Ger Stallenberg is inspired b...

LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

A vase of pink tulips set against a deep pink tablecloth and a bright turquoise chair against a midnight blue wall is the subject of this delightful oi...

Cast iron bar cart with two tiers, the trays are covered in two-tone mirror.

Versace Vanitas Gilt, Hand-carved Chaise Lounge, Gianni Versace, 1994. Left armed chaise. Iconic, rare piece from the hallmark Vanitas Collection by Gianni Versace in 1994. Original ...

Yrjö Kukkapuro molded fiberglass swivel armchair in organic shape with red woven fabric. Fabric shows some moderate fading and age. Fabric is present...

Italian Mid-Century Modern two-seater sofa by Eugenio Gerli for Tecno, 1966 Two-seat sofa on wheels, model D142, from the 142 series or the Clamis seri...

Single Dinamarquesa chair, designed by Italian-born architect Carlo Fongaro (1915-1986) and produced by Probjeto, who signed one of the most popular lines of modern Brazilian furnitu...