Alfred Kill International Furniture

The leather armchair in black leather shows a minimal, attractive patina and is in very good condition. The leather of the armchair and the ottoman is soft with minimal signs of wear...

The Tulip chair was designed by Jorgen Kastholm and Preben Fabricius in 1964, manufactured by KIll International. The original name given by Kill International to this chair was the ...

High back (executive) version of the Model FK 6725, leather 'Bird' chair, also commonly referred to as the 'Tulip' chair, designed by Preben Fabricius and Jørgen Kastholm, manufactur...

This leather armchair model FK 6727, 'Bird', also called 'Tulip', is height adjustable and was designed by Preben Fabricius and Jørgen Kastholm, manufactured in Germany by Alfred Kil...

Tulip swivel desk chair model 6726 by Danish designers Preben Fabricius & Jørgen Kastholm on signature three-legged rotating seat on base with metal casters. Designed in 1966. Se...

High back executive chair model FK6725 designed by Preben Fabricius and Jorgen Kastholm, manufactured by Kill International, Germany, 1964. This so called bird chair is still in fant...

A very rare reclining black leather, aluminium and chrome Tulip chair by Preben Fabricius and Jørgen Kastholm for Kill International. Origina...

Bespoke 1969 executive desk, model JK 212, by Jørgen Kastholm with complimentary chair An exceptional Bespoke midcentury executive desk constructed in Wenge, stainless steel and chrome with matching black leather chair designed by Jørgen Kastholm for Kill International. Jørgen Kastholm, the prolific Danish architect and industrial designer, met Preben Fabricius in 1961 and began a partnership that generated some of the most sought after designs of the 20th century. Despite only working together for just 7 years they produced a stunning array of chairs, sofas, tables and desks for Alfred Kill of Kill International. Primarily concerned with functional design paired with a minimalist aesthetic their work is instantly recognizable and this is especially so given that they chose to feature steel and leather in their work when many of their Danish counterparts preferred to use wood. Many of their designs are still produced today by Walter Knoll. All their desks are based on a stainless steel main frame, often with chrome legs and always joined by black hex head machine screws. The frame is then configured with additional wooden cabinets and usually finished with a thick glass top or wooden top. As such there are numerous variations on this theme but I have never see another desk like this before. This particular desk is often mis-attributed as being designed by both Fabricius and Kastholm but was actually designed exclusively by Kastholm for Kill in 1969 after he and Fabricius decided to go their own ways. On that basis it is far rarer than the desks they designed together. It most definitely still has all the main elements, as previously described, but also features a black leather panel to the top and a floating bookshelf at the back. This makes it truly unique and was no doubt made as a bespoke item for a particular client. Whilst they did make some desks in Rosewood often the wood in many other listings is mis-attributed. Generally, both for their large conference tables and desks, they preferred to use Wenge which is an exotic tropical hardwood favoured for its strength, durability and figuring. You’ll understand why that strength was important when you see the filing cabinet to the left as it’s monumentally heavy! The desk benefits from fully extendable draws and the original locks and keys and the backs and fronts of the cabinets are finished in black as are many of their desks cabinets. The desk comes supplied with a complimenting chair that matches the desk very well (although the designer is unknown). But this is why I again believe the whole set was bespoke for a client as it features some interesting details. Most noticeable is that the chair is made to the exact dimensions of the desk so that it can be fully pushed under to save space and fits exactly between the cabinets (as well as the arm height being exactly the same height as the cabinets too). Less noticeable, but equally important, is that because of this exact fit it means the key barrels have been recessed into the cabinets to allow space for the chair. You might not consider that terribly significant but if you look at pretty much every desk they made that had lockable draws the key barrels always stick out around 2 cm from the cabinet; so this piece has been specifically designed for purpose. The desk can of course be supplied without the chair (a reduction of £500 would apply) but it would be a shame to separate them as they have been together for over 50 years. But apart from that the chair choice is of fundamental importance, which again is not immediately obvious on first sight. For example, I do have one of the classic Fabricius and Kastholm ‘Tulip...

A sleek black leather and solid chromed steel daybed that reflects the Bauhaus movement designed by Horst Bruning and produced by Alfred Kill International of Germany. Designed in 19...

Eight buket armchairs model FK 6725 'Bird' by Jörgen Kastholm & Preben Fabricius, manufactured by Alfred Kill, Kill International, Fellbach, Germany, c. 1960. The armchairs are in go...

Beautiful and rare green color leather swivel desk chair by Danish designers Jorgen Kastholm & Preben Fabricius on signature three-legged base with metal casters, made by 1st manufac...

One of the most refined modern design Danish armchairs is this model 6720 arm chair by Designers Preben Fabricius & Jørgen Kastholm from 1965. This arm chair was designed part of a m...