Arthur John Trevor Briscoe Prints and Multiples
British, 1873-1943
Muirhead Bone was born in Partick, a suburb of Glasgow in 1876. As a young man, he was apprenticed to a firm of architects and in the evenings attended classes at the Glasgow School of Art. Aware his vocation was art, and not architecture, he devoted his time almost exclusively to drawing. He continually sketched the streets, buildings, and slums of Glasgow imbuing the urban decay with dignity and sentiment he so admired in the work of the Dutch artists whose townscapes he had studied in the Glasgow Corporation Art Galleries. Bone moved to London in 1901, holding his first exhibition at the Carfax Gallery in 1902. His success both critically and financially was rapid. His status as an etcher in the early years of the last century placed him among the world's most celebrated artists. It is not an exaggeration to say that his international reputation among collectors and the curators of the 'Great Print Rooms' of Europe and America was without parallel. He was appointed the first Official War Artist in World War I and was the doyen of War Artists in the Second World War. He was instrumental in the foundation of The Imperial War Museum and became a Trustee of The Tate and The National Gallery. He was knighted for his services to art in 1937.(Biography provided by Allinson Gallery, Inc.)
to
5
6
4
2
5
1
Overall Height
to
Overall Width
to
6
6
4
3
1
1
1
1
1
6
4
8
981
773
652
625
6
4
4
Artist: Arthur John Trevor Briscoe
The Helmsman
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Drypoint, Etching
The Trawler
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Trawler. 1926. Etching. Hurst 176. 9 7/8 x 13 7/8 (sheet 11 3/8 x 15 3/4). Edition 75, #71. Mat line outside the image; otherwise excellent condition.A fine impression with plate tone, printed on antique cream laid paper. Signed and numbered in ink. Housed in a 16 x 20-inch archival mat, suitable for framing.
In 1899 Briscoe acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
1920s Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Drypoint, Etching
Make Fast, Plate 2.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...
Category
1920s Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Drypoint, Etching
On the Yard, plate 3.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Laver 139, Hurst 246. 8 7/8 x 13 7/8 (sheet 11 1/2 x 16 1/4). Trial proof. No published edition. An extremely rich impression with plate tone printed on 'antique laid paper countermarked 'DS&Pine 17940 with a Strasbourg lily watermark. Signed and annotated 'trial' in pencil. An exceptional proof of the greatest rarity.
Housed in a 16 x 20-inch archival mat, suitable for framing.
In 1899 Briwcoe acquired a studio in Malden, Essex, and bought a 3-ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast, and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
Early 20th Century Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Etching
The Anchor
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Anchor. 1930. Etching. Hurst catalog 268 state ii. 7 x 6 3/4 (sheet 10 3/4 x 7 5/8). Edition 275. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark. As published in J. Lauer's volume, A complete catalogue of the Etchings and Drypoints of Arthur Briscoe. One spot in the right-hand sheet; otherwise in excellent condition. Signed in ink Housed in a 16 x 20-inch archival mat, suitable for framing.
The Roaring Forties is the name given to strong westerly winds found in the Southern Hemisphere, generally in the areas between the latitudes of 40 and 50 degrees south in the Southern Hemisphere, where the prevailing winds blow persistently from the west. The roaring forties have strong, often gale-force, winds throughout the year. They were named by the sailors who first entered these latitudes. Norman Wilkinson also etched the subject.
In 1899 he acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
1920s Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Drypoint, Etching
Mending the Trawl, plate 3.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Hurst 166. 6 7/8 x 11 3/4 (sheet 9 x 13 1/2). Edition 75, #73. A rich impression with dramatic plate tone, printed on cream laid paper with a foolscap watermark. Signed and numbered ...
Category
Early 20th Century Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Etching
Related Items
Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Archival Paper, Drypoint, Etching
No U-Turn
By Art Werger
Located in Palm Springs, CA
Medium: Mezzotint
Year: 2023
Edition: 25
Image Size: 9.25 x 6.25 inches
Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each...
Category
2010s Arthur John Trevor Briscoe Prints and Multiples
Materials
Mezzotint
Charlotte, Lady Milnes
By George Romney
Located in Mount Vernon, NY
Description: Antique signed mezzotint by Henry Scott Bridgwater (1864-1950) after painting "Charlotte, Lady Milnes," c. 1788-1792, by British artist George Romney (1734-1802) who was...
Category
Late 19th Century Arthur John Trevor Briscoe Prints and Multiples
Materials
Engraving, Mezzotint
The Old Smyth Gate, Charleston, South Carolina
By Alfred Hutty
Located in Middletown, NY
A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House.
Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
Category
Early 20th Century American Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Laid Paper, Drypoint, Etching, Handmade Paper
Salvador Dali - The Beloved Feeds Among the Lilies - Signed Aquatint
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI (1904-1989)
THE BELOVED FEEDS AMONG THE LILIES, 1971
Board for the series "The Song of Songs hymns"
Aquatint and dry point on wove paper...
Category
1970s Surrealist Arthur John Trevor Briscoe Prints and Multiples
Materials
Drypoint, Aquatint
H 22.25 in W 14.97 in D 0.04 in
FLY PSA "For a Song" original 1967 vintage travel poster
Located in Spokane, WA
Original vintage travel poster: FLY PSA, "For a Song"; "How' ya gonna keep 'em down on the ground…." Flower power and psychedelic design on this Fly Pacific Southwest Airlines r...
Category
1960s American Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Offset
H 28 in W 20.5 in D 0.05 in
Madison and 50th (GE building on left, Waldorf Astoria and East River)
By Martin Levine
Located in New Orleans, LA
The inspiration for the piece comes from the beautiful New York Magazine logo.
Madison and Fifth is a artist's proof from an edition of 120. The piece was commissioned by the Madis...
Category
2010s American Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Etching, Aquatint
Original "Niagara", Marilyn Monroe, 1953 vintage movie poster half-sheet
Located in Spokane, WA
Original “Niagra” vintage movie poster 22” x 28” half-sheet for Marilyn Monroe film. (1953) Profession acid-free paper backed for conservancy and entirely unrestored original U.S. 22” x 28” half-sheet poster, long considered the best layout for this title due to the horizontal art of Marilyn Monroe posing atop Niagara Falls. Very Fine.
Looking for Marilyn Monroe, Niagra original vintage movie poster for your home theater?
Are you looking for a gift for your husband? A vintage poster could be an excellent choice. We are selling this 1953 original vintage half-sheet movie poster with Marilyn Monroe in “Niagra”. Are you looking for a new wall decor to add some personality to your home? We have a huge collection of vintage posters...
Category
1950s American Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Offset
H 22 in W 28 in D 0.05 in
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...
Category
Early 20th Century American Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Catherina Dorothea Viehman (Six Fairy Tales from the Brothers Grimm) Hockney
By David Hockney
Located in New York, NY
Catherina Dorothea Viehman (from Six Fairy Tales from the Brothers Grimm)
Etching and aquatint on W S Hodgkinson paper watermarked "DH" and "PP"
Paper 1...
Category
1960s Modern Arthur John Trevor Briscoe Prints and Multiples
Materials
Aquatint, Etching
The Bride of Lammermoor
By John Everett Millais
Located in Mount Vernon, NY
Description: c. 1882 Mezzotint with stipple and etching on chine colle. After 1878 painting by Sir John Everett Millais R.A (1829-1896); e...
Category
Late 19th Century Arthur John Trevor Briscoe Prints and Multiples
Materials
Engraving, Mezzotint
Arthur John Trevor Briscoe prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Arthur John Trevor Briscoe prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Arthur John Trevor Briscoe in etching, drypoint, engraving and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Arthur John Trevor Briscoe prints and multiples, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of William Lionel Wyllie, R.A., R.I., R.E., Robin Tanner, and Carlo Carrà. Arthur John Trevor Briscoe prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $600 and tops out at $2,250, while the average work can sell for $1,250.
Artists Similar to Arthur John Trevor Briscoe
William Lionel Wyllie, R.A., R.I., R.E.