Aziz + Cucher Figurative Prints

"Untitled" screenprint by artist Georgy Litichevsky (Georgij Litischewskij) from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families ...

Montreux Jazz Festival, 1983 Keith Haring Screenprint in colours, on wove Printed by Serigraphie Uldry Bern, Switzerland Published for the Montreux Jazz Festival Sheet: 100 × 70 cm...

Screenprint on Lanaquarelle watercolor paper. Hand signed, numbered from the edition of 50 and dated in pencil. Published and printed by Gemini G.E.L., Los Angeles, with their blind...

Pop art scene of abstracted Greek pillars and green leaves. Drawings in black and white, pale blue, red and grey compose this colorful print. Layers of p...

Artist: Donald Sultan Title: Visual Poetics Portfolio: Visual Poetics Medium: Screenprint Date: 1998 Edition: 170/395 Frame Size: 19 1/4" x 19 1/4" Sheet Size: 16 1/4" x 16 1/4" Sign...

Gavin Dobson Dipping Ricky Limited Edition Screen Print Edition of 50 Sheet Size: H 70cm x W 50cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of...

This artwork titled "Vacance" 1980 is an original color serigraph on paper by renown artist Hiro Yamagata (Japanese, b. 1948) It is signed and numbered 204/300 in pencil by the artis...

Pool boy – Gold [2022] Limited edition and hand signed by the artist Cymk screen print and rose gold leaf Edition number 40 Image size: H:50 cm x W:35 cm Complete Size of Unframed W...

Numbered, signed and dated in graphite lower left margin. Published by Cirrus Editions, Los Angeles. Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol II. S. Engber...

Gavin Dobson Burlesque – Dirty Gold 70cm x 50cm Print on Fabriano paper 310 gsm with a deckled edge. Edition of 50 Signed and numbered. (Please note that in situ images are purely ...

Visual poems, the works in Vicuña’s 'PALABRARmas' series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña treats words as embodied entities whose forms can be parsed to reveal subliminal meanings across a variety of languages. For the series title, Vicuña has invented the word “palabrarmas,” a fusion of “palabra” (Spanish for “word”) and “armas” (“weapon”). At the same time, “palabrarmas” also suggests an even wider range of meanings, bearing similarities, for instance, to a portmanteau of the the verb “apalabrar” (“to agree on”), and the word “más” (more). Just as Vicuña emphasizes the capacity of words to cause violence and destruction, so she also suggests that they can be potent tools of reconciliation and understanding. In 'Sol y dar y dad' (1974/2016), Vicuña again looks to language as she considers notions of truth and community, and she extracts from “solidaridad” (Spanish for “solidarity”) the word “sol” (“sun”) and the Spanish verb “dar” (“to give”). Another edition of this work was exhibited as part of 'Cecilia Vicuña...

Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña t...