Benjamin Furniture

Irish George III Style fluted mahogany peat bucket with brass hardware. Almost identical to buckets in The Gerstenfeld collection.

A fine George III mahogany stick barometer by noted London makers William & Samuel Jones. The mahogany-veneered case has an austere form with only the moulded caddy top and the u...

This pair of antique decanters are unsigned, but presumed to have originated from England and date to approximately 1825 and done in a period...

A George III English mahogany and brass bound wine cistern, circa 1780-1800, of tapering cylindrical form, with three brass bands, turned brass handles an...

George III Bell Top Bracket Clock Fine flame mahogany case with ormolu mounts and ormolu caryatids standing on bracket feet. Silvered dial with subsidiary dial for strike/silent,...

A late George III antique mahogany longcase clock of eight day duration. The ogee shaped silvered brass dial, reminiscent of Dutton, ...

Oval hinged top over a conforming brass strapped case with brass handles, raised on square tapered legs with casters. Ex Naill Smith Antiques.

An exceptionally rare George III miniature twin fusee mantel clock, circa 1790. The mahogany break arch case with brass sound frets to the sides and detailed decoration to the front of the case, with decorative fern patterned swept feet and top carry handle. The rear winding movement of diminutive proportions, with pull repeat, and profusely engraved backplate with swags of flowers and the Prince of Wales feathers in a central cartouche, currently converted from verge to anchor escapement. The white painted arched dial inscribed with the name of the maker, Hunter, London. This probably represents Thomas & William Hunter...

Fine quality Georgian grandfather clock, having arched, silvered dial signed by Robert Wood, London with rocking ship automaton set in the painted estuary, seconds and date subsidiar...

A fine and unusual English, George III mahogany and satinwood inlaid bracket clock. The twin fusee movement most unusually chiming the quarters on two bells as well as striking the hours. Signed on the dial and the backplate James Duncan...

A fine and rare 18th century George III silver-gilt vase by Daniel Smith and Robert Sharp, London 1770. Based on a design by the Italian printmaker Stefano della Bella (1610-1664). The design was adapted by the architect Robert Adam (1728-1792). The overall form of the vase and some of the ornaments, such as the drapery swags, figural masks and acanthus leaves on the body, are based on a design by the Italian printmaker Stefano della Bella (1610-1664). He produced about 1,400 prints during his lifetime which were very influential, particularly a series of designs for vases in Raccolta di Vasi Diversi, published between 1639 and 1648. The design was adapted by the architect Robert Adam (1728-1792), whose drawing, now in Sir John Soane's Museum in London and was copied by the highly-fashionable silversmithing partnership Daniel Smith and Robert Sharp. Daniel Smith and Robert Sharp’s partnership ran from 1763-1788. They supplied high-quality silver and silver gilt in the Neo-classical style to the most fashionable retailers and clients, including the Prince Regent. They were the principal manufacturers of a series of magnificent race cups, one of which was designed by the architect Robert Adam (1728-1792) and another is in the Royal collection Robert Adam (1728-1792) was arguably the most famous eighteenth century British architect and designer, whose remarkable career in partnership with his brothers James and William has been thoroughly documented elsewhere and whose major commissions can still be seen at Harewood House...

Origine ceramics are one off pieces, designed by the French artist Benjamin Poulanges who is represented by Galerie Negropontes. Multi-faceted artist Benjamin Poulanges offers a ...