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Bernini Furniture

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Period: Late 20th Century
Creator: Bernini
20th Century Carlo Scarpa Set of Six Chairs mod. Kentucky
By Carlo Scarpa, Bernini
Located in Turin, Turin
Carlo Scarpa (1906- 1978) was an Italian architect and designer heavily influenced by the history of Venetian culture, materials and landscape. in 1926 obtained his diploma of Profes...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Faux Leather, Wood

Carlo Scarpa "1934" Dining Chair for Bernini, 1977, set of 6
By Bernini, Carlo Scarpa
Located in Lonigo, Veneto
Carlo Scarpa "1934" dining chair for Bernini, walnut and reddish brown leather, Italy, 1977, set of six. Initially designed for Scarpa's own Venetian house in 1934, this model came ...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Walnut

Dining Table in walnut, laminate and steel by Silvio Coppola for Bernini, Italy
By Bernini, Silvio Coppola
Located in amstelveen, NL
Beautiful table designed by architect Silvio Coppola and produced by Bernini. Of considerable ingenuity is the mechanism that allows the central part of the table to rise. Equipped w...
Category

1970s European Mid-Century Modern Vintage Bernini Furniture

Materials

Steel

Carlo Scarpa Walnut and Black Leather Chairs for Bernini, Italy, 1977
By Bernini, Carlo Scarpa
Located in Sacile, PN
Carlo Scarpa walnut and black leather chairs mod. 1934/765 for Bernini, 1977. 765 is planned by Carlo Scarpa in 1934, year from which the chair will ta...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Walnut

Dining table “Scuderia” by Carlo Scarpa for Bernini,  70s, 80s
By Bernini, Carlo Scarpa
Located in Padova, IT
Born in Venice in 1906, Carlo Scarpa studied architecture at the city's Academy of Fine Arts, where he graduated in 1926. He taught architectural drawing at the Academy, where he hel...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Walnut

Libreria Zibaldone di Carlo Scarpa per Bernini Anni 70-80 in noce
By Bernini, Carlo Scarpa
Located in Milano, IT
Libreria con ante in vetro a scorrimento verticale mediante contrappeso, legno impiallacciato noce. Buone condizioni.
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Walnut

Zibaldone bookcase by Carlo Scarpa for Bernini Anni 70-80 in walnut
By Bernini, Carlo Scarpa
Located in Milano, IT
Bookcase with vertically sliding glass doors by counterweight, walnut veneer wood. Good conditions.
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Walnut

Francesco Fois for Bernini 'Click' Dining Table in Maple and Metal
By Bernini, Francesco Fois
Located in Waalwijk, NL
Francesco Fois for Bernini, 'Click' dining table maple, metal, Italy, 1986 The table model Click, conceived by Francesco Fois for Bernini in the year 1986, stands as a testament to...
Category

1980s Italian Post-Modern Vintage Bernini Furniture

Materials

Metal

"Maya" chairs designed by Giotto Stoppino for Bernini in the 1970s, Set of four
By Bernini, Giotto Stoppino
Located in Milano, IT
A collection of four Maya chairs crafted by Giotto Stoppino for Bernini during the 1970s, these chairs have undergone recent reupholstering with a luscious,...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Steel

"Locanda" Double Bed with Night Stands by Franco Poli for Bernini, Italy. 1980s
By Franco Poli, Bernini
Located in Milan, IT
"Locanda" double bed with night stands by Franco Poli for Bernini. Solid wood frame with high quality details. Each night stand features a drawer...
Category

1980s Italian Vintage Bernini Furniture

Materials

Walnut

Credenza 'Scuderia' Carlo Scarpa per Bernini, in noce marrone, anni 70
By Carlo Scarpa, Bernini
Located in Milano, IT
Credenza disegnata da Carlo Scarpa e prodotta da Bernini a partire dal 1977 presenta quattro ante con elementi laterali a doppio cilindro. Arredo di grande qualità, è realizzato in l...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Nutwood

Carlo Scarpa Walnut and Leather "Scuderia" Dining Room Set for Bernini, 1977
By Carlo Scarpa, Bernini
Located in Vicenza, IT
Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Plastic, Walnut

Gaetano Pesce Broadway Chair
By Gaetano Pesce, Bernini
Located in TOURS, FR
Broadway chair by Gaetano Pesce Model 543, created in 1993 for Bernini Epoxy resin back and seat Stainless steel structure
Category

1990s Italian Bernini Furniture

Materials

Metal

Gianfranco Frattini Walnut 813 “Ovunque” Wardrobe for Bernini, 1981
By Vico Magistretti, Bernini
Located in Vicenza, IT
813 wardrobe, from the “Ovunque” series, designed by Gianfranco Frattini, and produced by the Italian manufacturer Bernini in 1981. Made of walnut. Excellent vintage condition. Gi...
Category

1980s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Walnut

Silvio Coppola for Bernini Midcentury Italian Sideboard
By Silvio Coppola, Bernini
Located in Brooklyn, NY
A midcentury Italian sideboard by Silvio Coppola for Bernini. Upper cupboards open to reveal removable trays. Lower cabinets feature adju...
Category

1970s Italian Rustic Vintage Bernini Furniture

Materials

Wood, Walnut

Model 795 Bookcase by Carlo Scarpa for Bernini
By Carlo Scarpa, Bernini
Located in Brooklyn, NY
More than just a bookcase but rather a small architectural masterpiece that is the focal point of any space, the Model 795 bookshelf (sometimes called the “Serie 1935” or “Liberia 19...
Category

Late 20th Century Mid-Century Modern Bernini Furniture

Materials

Metal

Gianfranco Frattini for Bernini Six Walnut and Black Leather Chairs, Italy 1981
By Gianfranco Frattini, Bernini
Located in Sacile, PN
Gianfranco Frattini for Bernini set of six walnut and black leather chairs, Italy 1981 circa. This set, designed by Gianfranco Frattini for Bernini, is characterized by a splendid co...
Category

1980s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Wood

Vittorio Introini Modular Furniture for Bernini, 1970s
By Vittorio Introini, Bernini
Located in Parma, IT
Modular furniture by Vittorio Introini for Bernini 1970s. In wood open-pore painted in unusual silver color, the modules are free-standing and can b...
Category

1970s Italian Modern Vintage Bernini Furniture

Materials

Steel

Carlo Scarpa Cognac Leather “Kentucky” Dining Chair for Bernini, 1977, Set of 5
By Carlo Scarpa, Bernini
Located in Vicenza, IT
Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Walnut, Leather, Plastic

Franco Poli Table “Cangrande” in Walnut for Bernini, Italy 1970s
By Franco Poli, Bernini
Located in Almelo, NL
Franco Poli Table “Cangrande” in Walnut for Bernini, Italy 1970s A superb solid walnut wood table with a lovely beveled crystal top with sandblasted frosted bands by Italian designe...
Category

Late 20th Century Italian Mid-Century Modern Bernini Furniture

Materials

Glass, Walnut

Carlo Scarpa Mid-Century Brown Walnut “Scuderia” Dining Table for Bernini, 1977
By Carlo Scarpa, Bernini
Located in Vicenza, IT
“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Walnut

Italian Modern Wooden Glass Bookcase Zibaldone by Carlo Scarpa for Bernini, 1974
By Carlo Scarpa, Bernini
Located in MIlano, IT
Italian modern Wooden and glass Bookcase mod. Zibaldone by Carlo Scarpa for Bernini, 1974 Bookcase mod. Zibaldone with structure in veneered wood and glass. This particular bookcase ...
Category

1970s Italian Modern Vintage Bernini Furniture

Materials

Metal

Mid Century Mode, G. Frattini for Bernini, Armchair in Walnut and Black Leather.
By Gianfranco Frattini, Bernini
Located in Catania, IT
This elegant armchair was designed by Gianfranco Frattini and produced by Bernini. For its eccentric design, Bernini was inspired by the style of the 1950s. Note the flowing lines of...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Walnut

Amazing, Gianfranco Frattini for Bernini, Chair in Walnut and Black Leather.
By Gianfranco Frattini, Bernini
Located in Catania, IT
This elegant dining chair was designed by Gianfranco Frattini and produced by Bernini. For its eccentric design, Bernini was inspired by the style of the 1950s. Note the flowing line...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Walnut

Italian Mid-Century Modern Armchairs Altopiano by Franco Poli for Bernini, 1970s
By Franco Poli, Bernini
Located in MIlano, IT
Italian Mid-Century Modern armchairs Altopiano by Franco Poli for Bernini, 1970s Two armchairs Altopiano, upholstered in their original gray leather: fully upholstered, with wooden legs in a hemisphere with slightly lighter leather on one of the two seats. Designed by Franco Poli for Bernini, 1970s. Excellent condition, vintage patina leather...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather

Set of 4 chairs  “Kentucky” model by Carlo Scarpa  for Bernini 70s, 80s
By Bernini, Carlo Scarpa
Located in Padova, IT
Apparent formal simplicity for a very complex project. Direct reference to craftsmanship, Kentucky chair combines naturalness with the value of masterfully crafted leather; the visib...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Wood

1970, Set of 4 Chairs with Armrests by Bernini, Walnut Wood and Black Leather
By Bernini
Located in Milan, IT
Set of 4, vintage 1970s chairs, designed by architect Antonio Virgilio for Bernini. The chairs with armrests have a walnut wood structure with seat...
Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Wood

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1970s Italian Post-Modern Vintage Bernini Furniture

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Bernini Operaperta Coffee Table, Italy, 1978
Bernini Operaperta Coffee Table, Italy, 1978
H 13.78 in W 51.19 in D 25.6 in
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1970s Italian Mid-Century Modern Vintage Bernini Furniture

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1970s Italian Mid-Century Modern Vintage Bernini Furniture

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1970s Italian Mid-Century Modern Vintage Bernini Furniture

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Category

1970s Italian Mid-Century Modern Vintage Bernini Furniture

Materials

Leather, Wood

Bernini furniture for sale on 1stDibs.

Bernini furniture are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. There are many options to choose from in our collection of Bernini furniture, although brown editions of this piece are particularly popular. Many of the original furniture by Bernini were created in the mid-century modern style in europe during the 20th century. If you’re looking for additional options, many customers also consider furniture by Pier Luigi Colli, Massimo and Lella Vignelli, and Studio BBPR. Prices for Bernini furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $1,098 and can go as high as $29,500, while a piece like these, on average, fetch $6,675.

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