David Morrison Still-life Drawings and Watercolors

David Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few. 'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society). Artist Statement My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations. The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches...

David Morrison was born in Council Bluffs, Iowa in 1956. He received his MFA in Printmaking from the University of Wisconsin-Madison in 1985. A visiting lecturer and guest artist at numerous universities, he is very involved in the world of printmaking, specifically stone lithography, and he is the Professor Emeritus at Indiana University’s Herron School of Art and Design in Indianapolis. Morrison has exhibited widely, and his work is included in numerous public collections including The Whitney Museum of American Art, The New-York Historical Society, The National Gallery of Art, The Smithsonian American Art Museum, The Nelson-Atkins Museum of Art, the Figge Art Museum, the Arkansas Museum of Fine Arts, the Portland Museum of Art, Collection of Eau Palm Beach Resort & Spa, to name a few. 'David Morrison’s drawings are in the Old Master tradition of still-life and natura morte, whose surface beauty with its signs of decay warn viewers about the transitory nature of all life. In many ways the artist’s refined drawings can be connected to the works of John James Audubon in the N-YHS collection, which, along with their birds, showcase fruit, leaves, and flowers whose signs of decay allude to the cycle of nature and the temporal nature of life. Audubon also tended to isolate his birds and settings against empty white backgrounds. Morrison’s portrayals of leaves also tie into the poetic celebration of nature and landscape found in the works of the Hudson River School. Most profoundly they relate to Asher B. Durand’s obsession with trees (see the 2010 Durand catalogue and the essay “‘A Magnificent Obsession’: Durand’s Trees as Spiritual Sentinels of Nature”). Nevertheless, in the case of the over-lifesize measurements and the leaf's and branch's isolation on the page, Morrison's watercolors are contemporary and modern in appearance, yet profoundly evocative of both past and future.' (Roberta Olson, Curator of Drawings The New-York Historical Society). Artist Statement My drawings of tree branches and trunks embrace nature. I love the springtime when there are eruptive explosions of buds with new leaves and berries. I am seduced by the sensual shape and color of the buds protruding from the branches. I love the firecracker explosion of the red and yellow berries of the crabapple. My drawings capture a moment of this existence. I am also fascinated with fallen tree branches with their scarification left by diseases, infestation, decomposition and storm damage. My drawings capture the degeneration cycle of plant materials and how they echo the living conditions of man and nature. I am interested in capturing the reality of their existence, with all the imperfections, echoing their fragile existence in nature, not an idealized beautification of nature like botanical illustrations. The drawings are hyper realistic: they capture minute details of the subjects that I portray, but they are only an illusion of the actual reality. I became obsessed with drawing branches...

David Morrison's freshly bloomed Magnolia and Iris drawings further his play with artifice and hyperrealism. Cream and rose-colored blossoms seem to jump boldly from their branches. ...

Ever-interested in delicate and often toiling labor, David Morrison’s newest body of work stems from his practice as a master gardener. David’s methodical cultivation of irises and b...

David Morrison’s new series of drawings are regal in their naturalism. Morrison uses his extreme attention to detail to give equal weight to both the fruit's delicate features and si...

The latest drawings from David Morrison are master classes in translucence and negative space. Magnified to larger-than-life proportions, Morrison’s networks of delicate membranes an...

The latest drawings from David Morrison are master classes in translucence and negative space. Magnified to larger-than-life proportions, Morrison’s networks of delicate membranes an...

Ever-interested in delicate and often toiling labor, David Morrison’s newest body of work stems from his practice as a master gardener. David’s methodical cultivation of irises and bonsai plants...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

Ever-interested in delicate and often toiling labor, David Morrison’s newest body of work stems from his practice as a master gardener. David’s methodical cultivation of irises and bonsai plants...

David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawings are often mistaken for a photograph from afar - on approach, they dissolve into a mesmerizing display of mark-making.This new body of work plays with the boundaries between organic and manufactured: the metal imposters are resplendent as they perch, pert and expectant, on wilting greenery. Yet another layer of irony, the toy birds...

David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawin...

David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawin...

David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawin...

In "Firewood Series No. 2," David Morrison uses colored pencils to capture the finest details of a frayed and peeling piece of birch wood. With his careful and methodical handling of...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

In his hyperrealist drawing, "Paper Wasp Series No. 2," David Morrison uses colored pencil to render, in overwhelming detail, an abandoned wasp nest. He crea...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

In "Firewood Series No. 3," David Morrison uses colored pencils to capture the finest details of a frayed and peeling piece of birch wood. With his careful and methodical handling of...

David Morrison challenges the idea of what is cherished in nature by celebrating the beauty of the over-looked and the imperfect. Found broken branches, a peeling sycamore tree, bug-...

Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...

In "Firewood Series No. 5," David Morrison uses colored pencils to capture the finest details of a frayed and peeling piece of birch wood. With his careful and methodical handling of...

Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...

Artist David Morrison creates hyperrealistic, yes abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...

Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...

Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...

Artist David Morrison creates hyperrealistic, yet abstracted, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and a...