Eduardo Chillida Abstract Prints

Etching, 1975 Handsigned by the artist in pencil and numbered 41/50 Publisher : Maeght Editeur (Paris) Printer : Atelier Morsang (Paris) Catalog : Van der Koelen 75001 91.00 cm. x 63...

Eduardo Chillida Tasende gallery poster (Hand Signed), from the Robert and Ruth Vogele Collection, 1983 Offset Lithograph (Hand signed by Eduardo Chillida) 34 3/4 × 23 7/20 inches H...

Eduardo Chillida (Spain, 1924-2002) 'Estampa V', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqua...

Eduardo Chillida (Spain, 1924-2002) 'Korapillo II', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5 Unframed ID: CHI1038-013 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Eduardo Chillida (Spain, 1924-2002) 'Bidegin', 1972 etching, chine colle on paper Velin Arches 250 g. 29.8 x 21.9 in. (75.5 x 55.5 cm.) Edition of 50 copies. Original 67 of which 50 belong to the regular edition. P/A: 7, H.C.: 7 Unframed ID: CHI1038-011 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P.I 1959-1972. Chorus – Verlag. pp 314 – 315. Nr 72015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew...

Eduardo Chillida (Spain, 1924-2002) 'Munich', 1994 etching, aquatint on paper gray Eskulan 31.5 x 23.9 in. (80 x 60.5 cm.) Edition of 119 (of which 98 correspond to the Arabic numbered edition). P/A: XX (20) Unframed ID: CHI1038-009 Hand-signed by author It appears reviewed in the catalog raisonné “Eduardo Chillida – Opus P.III. 1986-1996”, Chorus – Verlag. Page 278, cat. 94015. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Eduardo Chillida (Spain, 1924-2002) 'Korapillo I', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 62 of which 50 belong to the regular edition. P/A: 7, H.C.: 5 Unframed ID: CHI1038-012 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 288 – 289. Nr 82002. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Engraving, 1969 Handsigned by the artist in pencil and numbered 21/75 Publisher : Erker- Presse (Saint Gallen) Catalog : Koelen 69008 62.50 cm. x 94.50 cm. 24.61 in. x 37.2 in. (pap...

Affiche n°87 is a beautiful lithograph realized by Eduardo Chillida in 1964. Hand-signed and numbered by the artist on the lower left in pencil. Edition 11/25.Editions Maeght, Pari...

This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...

Eduardo Chillida - Original Lithograph 1982 Dimensions: 38 x 28 cm Printed signature Source: Derrière le miroir (DLM) 250 Text on verso, no show-through Eduardo Chillida was born on...

Within this outstanding aquatint etching, Eduardo Chillida depicts his sculptural and structural ideas in a two dimensional artwork. By regarding it, the beholder gets an idea of Chi...

EDUARDO CHILLIDA 1924-2002 1924 - San Sebastián - 2002 (Spanish/Basque) Title: Place I Leku I, 1969 Technique: Original Hand Signed and Numbered Etching on Chiffon de Mandeure Wo...

Concordancia is a beautiful lithograph realized by Eduardo Chillida in 1960. Lithograph on vellum BFK Rives. Editions Maeght, Paris. Hand-signed and numbered by the artist on the l...

Chillida, Eduardo (Spanish, 1924-2002). ISATSORATU II. Etching and embossing on heavy paper, 1998. Edition of 50, Numbered 19/50 and signed in pencil. 3 7/8 x 8 inches, 98 x 203 mm. ...

EDUARDO CHILLIDA 1924-2002 1924 - San Sebastián - 2002 (Spanish/Basque) Title: Musical Instrument II Joiki II, 1987 Technique: Original Hand Signed and Numbered Etching on BFK Rives Wove Paper Paper size: 56 x 38 cm. / 22 x 14.9 in. Image size: 7.5 x 6.5 cm. / 3 x 2.6 in. Additional Information: This original etching is hand signed in pencil by the artist “Chillida” at the lower left margin. It is also hand numbered in pencil from the edition of 100, at the lower right margin. There were also 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was printed by Taller Hatz, San Sebastián and published by Polígrafa S. A., Barcelona. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. Note: The contributing artists were: Sergi Aguilar, Frederic Amat...

"Galerie Maeght - 5 Livres Graves" is an original lithograph poster by Eduardo Chillida. The poster features one of Chillida's signature abstract designs as well as some information ...

Chillida, Eduardo. BARCELONA I. Koelin 71018. Lithograph on Guarro paper, 1971. Edition of 75 numbered 51/75 and signed in pencil. 28 1/8 x 19 5/8 inches, 715 x 498 mm. In excellent ...

"Emparatza" is an original etching by Eduardo Chillida. This abstract etching depicts minimal black shapes on a distressed white and gray background. The artist signed the piece. 8...

Eduardo Chillida (1924 - 2002) Zedatu III, 1961 aquatint, ed. of X AP 19 5/8 x 25 5/8 in. (49.8 x 65.1 cm)

Eduardo Chillida (1924-2002) Zedatu II, 1991 aquatint, ed. of X AP 19 5/8 x 25 5/8 in. (49.8 x 65.1 cm)

Eduardo Chillida (1924-2002) Zedatu III, 1991 aquatint, ed. of X AP 19 5/8 x 25 5/8 in. (49.8 x 65.1 cm)

Signed in pencil, numbered from the edition of 150. Printed by Atelier Maeght, Levallois. Published by Maeght, Paris. (Koelen 60002).