Felix Edward Pratt and Richard Pratt

This stylish set of English 19th century cast iron Neoclassical Revival garden urns were acquired from a Palm Beach estate. Note: Dimensions of square bases are 8.25" width x 8.1...

Middle Kingdom miniature porcelain vases are the perfect accent for any space. This broad collection interpreted in black and white creates a sculptural presence, yet can also contai...

A rare pair of bell shaped candlesticks in rosso antico, with black decoration of ‘Boys at Play’.

A stylish and finely made Art Nouveau pottery twin handled candlestick decorated in Majolica glazes by Eichwald and dating from around 1910. The lightly potted candlestick stands rai...

Large pair of Neoclassical (made in the Victorian Period), sterling silver column-form candlesticks, Sheffield, England, year-hallmarked for 1898, Henry Wigful - maker. Each candlestick measures 11 1/6 inches high x 5 1/4 inches deep x 5 1/4 inches wide. Columns are swirled in design. The capital of each column is designed with acanthus leaves. The base of each candlestick is decorated with profiles of the Green Man (a good luck symbol...

Hallmarked in Sheffield in 1921 by Thomas Bradbury & Sons, this handsome pair of Antique Sterling Silver Candlesticks. feature Neoclassical Revival capitals, removable sconces, and p...

All are signed and all have different but Classic Byron Temple glazes. Temple was part of the Mid-Century New Hope Studio School along with Paul Evans, Werner Jacobsen, Phillip Lloyd...

A stunning pair of antique English silverplated candlesticks by Elkington & Co, Birmingham, England, dated 1899. Marked "Elkington & Co" with hallmarks on base. These gorgeous candle...

Striking breath of fresh air sky blue matte finish vintage pottery vases having raised floral design.

Pair of antique jasperware vases by Adams Pottery, circa 1780 English, c. 1780 Height 27cm, diameter 10cm This remarkable pair of neoclassical blue jasperware vases stands as a testament to the sublime artistry and finesse of William Adams, an eminent member of the illustrious Adams pottery family of the 18th century. The vases showcase an exceptional three-dimensional frieze in crisp white relief, vividly portraying scenes from classical mythology. Central to these intricate designs are Apollo, the Greek god of sun and music, and Cupid, the divine symbol of love and attraction. The high-relief technique lends the figures a sense of dynamic realism, setting them vividly against the blue jasperware, and are excellent examples of neoclassical decorations. Complementing the classical friezes are formal borders that encircle the shoulders of each vase. These meticulously crafted embellishments contrast brilliantly with the blue Jasper, accentuating their own elaborate detailing. Adding to the grandeur of these pieces are the tall plinth bases, which are graced by classical figures emblematic of the four seasons, also in white relief. These figures not only augment the classical look of the vases but also represent the perennial cycle of life and the passage of time. The bases also feature classical friezes to the sides and bottom. Each vase proudly bears the unmistakable 'ADAMS' impression, signifying their provenance and certifying their authenticity. This signature mark is a cherished attribution to their creator, William Adams, and his significant contribution to the heritage of pottery. William Adams, a favoured pupil of the legendary Josiah Wedgwood, established his own pottery in 1789 and became renowned for his work with Queensware, painted china glaze ware, transfer ware, basalt, and jasperware until his death in 1805. The Adams family...

Cup in bronze and marble. Function to the lost wax, 20th century. On a square base resting on scrolls and decorated with plant motifs stands the cup, made up of a base and handles w...

A beautiful 'sage' green and white English Wedgwood Jasperware matte stoneware vase in the Neoclassical style, England, 1973. Vase has Renaissance/Neoc...