Georges D'Espagnat Art
French, 1870-1950
Georges d’Espagnat was born in 1870 in Melun, France. He was a painter, muralist, illustrator and theater designer. His family moved to Paris in the 1880s and at the age of 18 he declined the academic training of the Ecole des Beaux-Arts and chose instead to independently study the works of the Old Masters in the Louvre and attend classes at the free academy.
In 1891 d’Espagnat began exhibiting at the Salon des Refusees and in the following year exhibited four paintings at the Salon des Independants. He later exhibited at the Salon of the Societe Nationale as well. Although associated with many of the greatest names in 20th century art, and though his work has at various times been identified as Fauve, Nabis or Impressionist, he retained his own individuality. He was influential in the art circles of his time with the likes of Matisse, Gauguin, Picasso, Pissarro and Chagall. d’Espagnat also became closely acquainted with many of the Impressionists and Post-Impressionists including Renoir, Vuillard, Andre, Bonnard and Denis. In 1895 he had his first solo show in Paris and three years later a show at Durand-Ruel Gallery. He was part of a group exhibition in 1907 at the Marcel Bernheim Gallery along with Bonnard, Cezanne, Matisse, Pissarro, Rouault, Suerat and Toulouse-Lautrec while in 1926 his works were a part of another exhibition at the same gallery along with Andre, Bonnard, Braque, Chagall, Matisse, Picasso and Signac.
In 1903 d’Espagnat was one of the founding members of the Salon d’Automne and, a year later, became the vice president. In 1906 he collaborated on the illustrations for Remy de Gourmont’s Sixtine, and later worked with Alphonse Daudet on his book, L’Immortel. Traveling extensively throughout his lifetime, D’Espagnat visited Britain, Germany, Italy, Portugal, Morocco and Spain.
His work can be found in many museums including the Museum of Fine Arts, Boston; the Musee Royal des Beaux-Arts, Brussels; the Metropolitan Museum of Art, New York; the Art Institute, Chicago; the Pushkin Museum, Moscow and the Musee d’Orsay.(Biography provided by Wiscasset Bay Gallery)
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Item Ships From: Europe
Grand Bouquet de Fleurs - Post Impressionist Still Life Oil - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a white vase filled with red and white tulips. A beautiful piece in the artist's distinctive hand.
Signature:
Signed upper left
Dimensions:
Framed: 33"x28.5"
Unframed: 26"x21.5"
Provenance:
A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request
Private French collection
From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Nu allonge - Post Impressionist Nude Figurative Oil - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance.
Signature:
Signed lower right
Dimensions:
Framed: 16"x20"
Unframed: 9"x13"
Provenance:
A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request
Private French collection
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style.
D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Panel
Plage a Belle Ile - Post Impressionist Landscape Oil by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years.
Signature:
Signed lower right
Dimensions:
Framed: 23"x26"
Unframed: 15"x18"
Provenance:
Private French collection
A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request.
This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style.
D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Panel
Au Jardin - Post Impressionist Floral Landscape Painting by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Stunning signed landscape oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. This good-sized piece depicts garden filled with blue, red, pink and purple flowers.
Signature:
Signed lower left
Dimensions:
Framed: 39"x46.5"
Unframed: 32"x39.5"
Provenance:
Galerie Des Granges - Geneva - May 1982
Christie's - London 21st June 1993
A certificate of authenticity for this work from Mr. Jean-Dominique Jacquemond is available upon request
This work will be included in the forthcoming catalogue raisonne of the work of Georges D'Espagnat under preparation br Mr. Jacquemond
From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Canvas
Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers.
Signature:
Signed lower right
Dimensions:
Framed: 28"x20"
Unframed: 21"x13"
Provenance:
Doyle New York - May 2003
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
La Toilette - Post-Impressionist Nude Oil Painting by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir.
Signature:
Signed lower right
Dimensions:
Framed: 45"x34"
Unframed: 37"x26"
Provenance:
Private collection - Netherlands
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style.
D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Oil, Canvas
Vase de Fleurs - Post Impressionist Still Life Oil Painting - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a ceramic vase placed on a wooden stall filled with pink peonies and yellow flowers. A beautiful piece in the artist's distinctive hand.
Signature:
Signed: Signed lower left
Dimensions:
Framed: 24"x21"
Unframed: 16"x13"
Provenance:
To be included in the forthcoming Georges d’Espagnat Catalogue Raisonné being prepared by Jean-Dominique Jacquemond.
From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...
Category
Early 20th Century Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her.
Signature:
Signed upper left
Dimensions:
Framed: 30"x26"
Unframed: 22"x18"
Provenance:
Private French collection.
Exhibition stamp verso
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
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Arbres dans le jardin - Post Impressionist Oil, Landscape by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
Signed post impressionist oil circa 1930 by popular French painter Georges D'Espagnat. The piece depicts tall trees, with a low brick wall leading to a garden beyond. There are figures standing at the wall. The trees branches are bustling with green leaves and white clouds are rolling through the blue sky in the distance. Brushed in the artist's distinctive style.
Signature:
Signed lower left
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Unframed: 24 x 29 inches and framed measures 31 x 36 inches
Provenance:
Private French collection, the authenticity of the work has been confirmed by Jean Dominique Jacquemond
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
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By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful still life oil on canvas circa 1925 by French post impressionist painter Georges D'Espagnat. The work depicts a white jug filled with white and red blooms, placed on a re...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Fleurs - Post Impressionist Oil, Still Life Flowers by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautiful still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts red and pink ornamental poppies in a tall white and blue vase.
Signature:
Signed upper right
Dimensions:
Framed: 31"x27"
Unframed: 24"x20"
Provenance:
Private French collection
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Orchard - Post-Impressionist Oil, Figures in Landscape by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful oil on canvas circa 1901 by popular French post impressionist painter Georges D'Espagnat depicting a summer landscape. A mother in pink dress and head scarf holds her chi...
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Vernouillet - Post-Impressionist Oil, Autumn Landscape by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A stunning oil on canvas by French post impressionist painter Georges D'Espagnat depicting a tree-lined path. The colours of the leaves are changing from green to red as the season m...
Category
Early 1900s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
4 Paintings for Nelson: Fleurs - D'Espagnat, Charreton, Bernard, Pinchon
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
This listing includes four paintings for Nelson- see details below form individual listings (original 1stDibs reference numbers included).
1. Georges D'Espagnat- Fleurs: A wonderful still life oil on original canvas by French post impressionist painter Georges D'Espagnat depicting red and white roses in a jug vase placed on a blue tablecloth and with books beside it. Signature: Signed upper right Dimensions: Framed: 30"x26", Unframed: 22"x18", Provenance: Private French collection. Circa 1920
Medium: Canvas, Oil. Condition: Good, Very good original condition.
From Listing: LU41537029982 (Seller: LFA606), Price £6550
Details in this listing relate to this painting.
2. Victor Charreton- Autumn in the Village: A stunning and wonderfully coloured oil on board by French impressionist painter Victor Charreton a figure on a path beside cottages in autumn time. The artist is renowned for painting the different seasons and his use of colour to portray them and this is an exceptional example. Signature: Signed and dedicated lower left. Dimensions: Framed: 22"x31" Unframed: 17"x26" Provenance: Private French collection. Circa 1900
Medium: Canvas, Board. Condition: Good, Very good original condition.
From Listing: LU41536969892 (Seller: LFA0471), Price: £9,950
3. Émile Bernard- Vegetables & Jug
"Nature Morte"
A wonderful oil on board by French post impressionist painter Emile Bernard depicting an aubergine and tomatoes in decorative dish on a table with a red pepper in front and a shiny metal jug behind.
Signature: Signed lower left. Dimensions: Framed: 24"x21", Unframed: 18"x15"
Provenance: Galerie Charpentier - Exhibition Emile Bernard 1943
Creation Year: 1904
Medium: Oil, Board
Period: 1900-1909
Condition: Good, Some light crazing to paint otherwise very good.
From Listing: LU41538093432 (Seller: LFA0630 ), Price £7,200
4. Robert Pinchon...
Category
Mid-20th Century Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Paysage de campagne - Post-Impressionist Oil, Landscape by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautiful oil on canvas circa 1930 by French post impressionist painter Georges D'Espagnat depicting a summer landscape. A red roofed-cottage is nestled within lush green trees, with red and white flowers scattered on the ground and in the bushes in foreground and white clouds rolling through the blue sky above.
Signature:
Signed lower left
Dimensions:
Framed: 25"x31"
Unframed: 18"x24"
Provenance:
Private French collection
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...
Category
1930s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Nu avec des fleurs - Post-Impressionist Oil, Nude & Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers.
Signature:
Signed lower right
Dimensions:
Framed: 28"x20"
Unframed: 21"x13"
Provenance:
Doyle New York - May 2003
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...
Category
1910s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Fleurs - Post Impressionist Oil, Still Life Vase of Flowers - Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful still life oil on original canvas by French post impressionist painter Georges D'Espagnat depicting red and white roses in a jug vase placed on a blue tablecloth and with...
Category
Mid-20th Century Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Flowers & Fruit - Post Impressionist Oil, Still Life by Georges D'Espagnat
By Georges d'Espagnat
Located in Marlow, Buckinghamshire
A wonderful still life oil on canvas circa 1920 by French painter Georges d'Espagnat. The piece depicts vases of flowers, a blue and a red teapot and a plate of fruit on a table in a blue interior. Titled "Fleurs, Pommes et Prunes" on original artist's label verso.
Signature:
Signed lower right
Dimensions:
Framed: 35"x42"
Unframed: 29"x36"
Provenance:
Private collection - Geneva
To be included in the forthcoming Georges d’Espagnat Catalogue Raisonné being prepared by Jean-Dominique Jacquemond.
From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France.
In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948).
D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...
Category
1920s Post-Impressionist Georges D'Espagnat Art
Materials
Canvas, Oil
Georges D'espagnat art for sale on 1stDibs.
Find a wide variety of authentic Georges D'Espagnat art available for sale on 1stDibs. You can also browse by medium to find art by Georges D'Espagnat in paint, oil paint, canvas and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Post-Impressionist style. Not every interior allows for large Georges D'Espagnat art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Elie Anatole Pavil, Victor Charreton, and Édouard Leon Cortès. Georges D'Espagnat art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $4,000 and tops out at $248,500, while the average work can sell for $11,500.