James Coignard Furniture

Entrancing depiction of a pair of Siamese Cats by renowned Indian artist Kaiko Moti.

Artwork titled "The Susquehanna" by Caroline Stone (American, b. 1936) is an etching with color on paper, created in 1983. The piece is signed and numbe...

Mimmo Rotella silkscreen printing Title “Marilyn The magnificent prey” Mimmo Rotella silkscreen print taken from the poster of the film "The magnificent prey" with Marilyn Monroe. The silkscreen is made in 125 copies. This is 45 out of 125. Dry stamp of the Mimmo Rotella Foundation and numbering at lower left. Signature at lower right. This artwork, never before on the market, comes from a private collection and is beautified by an impressive original frame in silvered wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...

Carborundum Etching with collage by James Coignard ( France 1925-2008). Signed and numbered 2/75. Framed . Dimension with out frame 29" x 23".

A captivating modern inspired carborundum etching on etching on Moulin de Larroque paper with applied collage and threaded twine by James Coignard. Hand signed bottom right with an annotation of 1/50 on the bottom left. From the “Otage et Rouge” series. Published late 1970s. Image was used as the cover the of the exhibition poster for Nahan Galleries in New Orleans, 1979. Geometric forms in bright bold colors create a dynamic composition. Taking inspiration from early 20th century art movements such as Constructivism, this painting makes a modern statement. From a private collection. Dimensions: 46.25""h x 32.25""w x 1”d (framed). In very good vintage condition. James Coignard (1925- ) is a painter...

Carborundum etching mix-media on paper by the Great French artist, James Coignard signed. And on the left corner EA Epreuve d’Artiste Artist Proof. Good condition. Framed 1970s.   

Lithograph by Truyard, depicting a feather among sticks. Signed and numbered. (144/150) Framed.

James Coignard b. Tours 1925, d. Cannes 2008. Color lithography. Composition. "Personnage et noir", 1980. 90 examples. Signed on the back: J. Coignard. Sheet size 45 cm. X 39 cm....

For your consideration is a framed poster, signed by James Coignard, circa 1978. In excellent condition. The dimensions are 20" W x 28.5" H.  

Original 1970's etching by Listed artist Al Kaufman , framed in glass and oak with COA signed an numbered Sandalwood title.

"ROUGE PAD" (GLENN 134), an etching with aquatint, printed in colors, hand-signed in pencil, titled, and numbered in pencil 25/78 by James Rosenquist, American 1978 (Signed on front,...

Original Jean Lurçat etching. Signed by the artist and numbered 44/85 in pencil. Born July 1, 1892, Bruyères, Fr. Died Jan. 6, 1966, Saint-Paul-de-Vence, Fr. French painter an...