John R. Grabach Art

The human element in nature is a connecting thread in Jeffrey Long’s broad swathe of paintings done over the past five decades. His paintings, expressed in various visual languages, abstract, representational, figurative, narrative, and metaphorical, are meant to bring order to direct experience. Jeffrey Long’s paintings balance elements of Modernist design with traditions from tribal and Asian art. The “Mosaic” and “Moderne” paintings present boundless associations of color and shape in syncopation. The “Numbers” series brings together mid-Twentieth Century biomorphic design and collage. The warp and weft of weaving are referenced in the “Rip Rap”, “Orchard” and “Kaokoland” paintings. The “Shelters” series introduces representational aspects. Rooflines and architecture are integrated into geometric abstraction. Jeff Long...

These earlier works by Stan Brodsky are reminiscent of Fairfield Porter. Stan Brodsky found his path into painting through the landscape. In his paintings of the 1970's, the horizo...

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Leigh Ann Van Fossan's "Nocturne" is an original, handmade oil painting that depicts sailboats floating in the darkness as their lights and the moon casts glimmering reflections on t...

AFFECTION Size: 41 x 33 cm Oil on board A tender and captivating mid-century figurative painting, executed in oil onto board and dated 1944. A female figure in a flowing red dress ...

George Raab (American, 1866 - 1943) Signed: G. Raab 1912 (Lower, Right) " Doctor Lake ", 1912 Oil on Canvas 18" x 22" Housed in a 3" Period Carved Frame in the style of Newcomb ...

Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed). A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies...

graphite, conte crayon and charcoal on Arches paper 30 x 20.5 inches unframed Signed 'Beard 2006' lower left corner Atelier stamp in lower left, next to signature Unique figurative life study drawing of a standing male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...

Wonderful English mid century oil painting Portrait of Golden Retriever puppy or dog. Kate Gray was a British animal portrait painter during the last half o...

" Summer Landscape ", c. 1900 - 1910 Oil on Canvas 13 1/2" x 18 1/4" Housed in a 1 1/2" Frame Overall Size: 16 1/2" x 21 1/8" Appears to be in very good condition.

A rare work on paper by Ben Fenske. A sketch of a female nude, posing. Drawn from direct observation using a live model. White chalk is used to create highlights. Not framed. Wrapped...

Signed lower right, 'Wuthrich', and accompanied by the original certificate of authenticity. Oil portrait of a jester dressed in black, white and emerald harlequin with bells on his collar and fool's hat, seated on a stone wall with the full moon hanging low in the coral and wine-red sky behind him. Raised in a family that supported Wuthrich's interest in the arts, Dan Wuthrich has been painting since he was eight and at eleven had artwork featured in a Wisconsin newspaper article. After high school, Wuthrich continued his fine art studies at the Layton School of Art from 1954-1959 and at the University of Wisconsin-Milwaukee in 1961 taking courses in printmaking, English, speech and psychology. While maintaining his painting career, Wuthrich established a professional career as an engineer from 1965 to 1991, working for American Motors...