Karl Albert Ufer Art

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Spring Shade 20 x 16 OIL ON CANVAS FRAMED $2500 PAINTED 2022. Frame photo is only to show frame. Artist Statement Throughout my ...

A luminous, oil on canvas painting by Texas plain air painter Manuel Garza (American, B. 1940) measuring 24 by 36 inches. The painting depicts an idyllic nature scene set in Central Texas in the spring. The landscape features majestic oak trees, green mesquite bushes, prickly pear cacti, and fields of the Texas State flower: bluebonnets. The vast landscape expands into the distance beneath a blue sky with fluffy white cumulous clouds. The painting is beautifully framed and ready to hang in a modern, brown wood and gold leaf frame measuring 42 by 30 inches. Manuel Garza (American, B. 1940) ​ Manuel Garza has made his vocation the painting of Central Texas Landscapes. Born in the Hill country, his parents were migrant farm workers. He traveled all over Texas and as far north as Michigan with his family, working along side them in the fields. It was while picking cotton...

Vintage marine seascape oil painting of waves crashing on rocks along the California coast by Charles Partridge Adams (1858-1942). Colors include blue,...

"Grey Day on the Bay" by Lu Haskew Oil 24x28" framed, 16x20" image size Signed lower left When Lu visited her sister in Oregon she always made a point of visiting the ships at dock ...

"Plowing the Fields" is an early 20th Century American Impressionist landscape by Pennsylvania Academy graduate and teacher Henry McCarter. The 20" x 24...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

An original oil on board painting measuring 11 x 14 inches by Polish/American artist Leonard Rodowicz, signed lower right.

"Snowy Landscape w Cardinal" by Manuel Garza Oil on Canvas 16 x 20 inches Framed size 24 x 28" A serene, naturalistic rendition of a forested Texas l...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministry of Arts and Culture in Warsaw. This recognition is the ultimate achievement for Polish artists. Immediately after reaching this stature, Jan was in demand for numerous individual and collective exhibitions. From 1981 through part of 1988, he worked throughout Europe. During this time period he was invited to exhibit in Switzerland and in England where he had a one-man show. His travels brought him to the United States for a short vacation that has turned into his newfound home. His work was particularly well received in Michigan where he had three one-man shows, two of which were in Grosse Pointe and Harbor Springs...

Housed in a period, hand carved, gold leaf frame. Dimensions: 28 x 36 inches Signed and dated Robert Wood ‘42 Provenance: Private Collection, Cleveland, Ohio Dr. S. Robbins, Cleve...

Signed and dated lower left: Hayley Lever / 1905