Luis Eades Art

Title: Caprice 3 Medium: Oil on canvas Size: 12 x 15 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: YiJian Wang...

Title: Caprice 2 Medium: Oil on canvas Size: 15.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: YiJian Wang...

"Nineties Triangles and Swirls" is an abstract painting triptych by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a classy gamut of colors. The u...

JANET AMENT DE LA ROCHE (American 1916-2000) "Still Life of Table with Lemons and Vase of Flowers," Oil painting on canvas wrapped board in carved gilt wood frame Hand signed L/R, "de la Roche," and signed verso Provenance: Private Collection, Pearland, Texas. Dimensions: framed 15 X 19.5 sight 12 X 16 Janet Ament De La Roche (1916-2000) was active/lived in California. She is known for Post impressionist, abstract figurative painting. This painting while clearly figurative bears the influence of the emerging Abstract expressionist movement. Janet Ament De La Roche was born in Hollywood, CA on December 31, 1916. Janet first studied in Los Angeles at Otis and Chouinard art institutes. While studying at Jepson Art Institute in 1947, she met and soon married artist, Victor Di Gesu. Janet de La Roche was often called one of the last Bohemians. She was an artist as well as an avid Flamenco dancer. The couple spent four years in Europe and further studied in Paris at Académie de la Grande Chaumière and Andre Lhote Institute, and in Barcelona at Escuela de Bellas Artes de San Jorge .She also studied with the artist, Ejnar Hansen. as well as with Earl Kerkam, Yves Brayer, Jean Aujame, Edouard Goerg, F.Tolles Chamberlin and George Stanley. Upon returning to California in 1956, they settled on the Monterey Peninsula and built a home in Pacific Grove. She exhibited widely and with much success, including at the Salon d'Automne (1954), the Salon des Artes Decoratifs, Museum of Modern Art, Paris, (1955), the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art. She was the winner of the Prix Othon Friesz. She was included in the exhibit at the Pacific Grove Art Center, A Salute to 14 Major Artists, (Other “Legacy” artists include, Janet Ament, Carolyn berry, Joan Savo, Justine Weber, Virginia Conroy, George Degroat, Eldon Dedini, Sam Colburn, Alex Gonzalez...

Artist: Alec Cumming Title: Forms Inside the Moment Medium: oil on paper Size: 69cm x 99cm (27” x 38”) Year: 2016 Alec Cumming Exhibited at Alec Cumming...

Right as red, this painting is delicious with color. And that accent of the blue/green leaf is just the perfect accent. Red Floral - Oil Paint By Marc Zimmerman This masterpiece is...

Oil on board painting by Paul Kauvar Smith (1893-1977) of a still life of flowers on a table in an interior scene with a mirror in the background. American Modernist still life painting with zinnias and abstract paintings in an artists studio. Presented framed, outer dimensions measure 27 ⅝ x 31 ¾ x 1 ⅛ inches. Image size is 19 ½ x 23 ½ inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Private collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: In 1915, Paul Kauver Smith studied commercial art and design at the St. Louis School of Fine Art for two years. His studies were interrupted by World War I during which he served as a corporal in the U.S. Army. After the war he returned to the School of Fine Art and also studied at the Washington University School of Fine Arts in St. Louis with Fred G. Carpenter, himself a student of Jean-Paul Laurens at the Colarossi Academy in Paris. Carpenter was known as a marvelous colorist who "thought every inch of a painting should be fascinating…and should be as interesting close up as from a distance." His approach is reflected in many of Smith’s paintings, both representational and abstract in style, done later in Colorado. In 1921, Smith relocated to Denver where he studied for two years at the Denver Academy of Fine and Applied Arts, formerly located in Brinton Terrace on 18th Street in Denver’s Capitol Hill neighborhood. His teacher was John E. Thompson, another important influence as a pioneer of modernism in Denver. The Academy hired Smith as an instructor in 1923 and that same year the Denver Art Museum included his work for the first time in its 29th annual juried exhibition. He later had two solo shows at the museum, which added his work to its Anne Evans Collection. In 1959 the museum reproduced Houses at Victor, for its Western Heritage Exhibition catalog. During the year of 1928 he witnessed the Articles of Incorporation of the Denver Artists Guild, comprising most of the city’s professional artists. He also belonged to the American Artists Professional League, also organized in 1928 by fifteen members of the Salmagundi Club in New York to protect artists’ interest and promote traditional American art. He was one of some two dozen Colorado artists designated to participate in the Public Works of Art Program (PWAP, 1933-34), the first federally-sponsored program for artists during the Great Depression. Around 1928 Smith became the "Hermit of Stuart Street," and remained a life-long bachelor. One painting, View from My Window, depicts his immediate neighborhood. Living for more than thirty years at 1039 Stuart Street in West Denver, he gave up creature comforts that most people take for granted to have the freedom to devote his life to the pursuit of art. In the first twenty-five years of his career, his paintings focused on the Colorado landscape and its mining towns with their decaying buildings as relics of the past. His piece, Miner’s House at Victor, Colorado illustrates the description of his work in this genre as described by Denver artist and art writer, Arneill Downs, "The jewel-like shapes and colors the artist uses gives the most decrepit objects style. The decaying buildings of ghost towns, grouped together on canvas, glow like a patchwork quilt." Smith described his technique as "I start lean and finish fat." He worked first with turpentine as a medium and ended up with pure pigment put on with a palette knife. In addition to Colorado scenes...

An international flower of summer, the sunflower offers an aura of hope and renewal. This contemporary perspective of the sunflower feels somewhat surrealistic, much as the times we ...

Gustavo Úbeda (1930-1994) - Picasian scene - Oil panel Oil measurements 41x50 cm. Frameless. The painting by Gustavo Úbeda Romero (Herencia, 1930 – Sao ...

Oil on canvas. Image size, 24H x 30L. Signed verso.

Bright and expressive abstract painting of flowers by Allie Bill Skelton (American, 1942-1986). This piece is unsigned, but was acquired with a collection of other Allie "Bill" Skelton works. Unframed. Image, 12”H x 9”W, oil on artists canvas board. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Initialed lower left, 'RCW' for Richard Whitten (American, born 1958) and dated, lower right, in Roman numerals, 2009. Formerly in the collection of the Triton Art Museum, Santa Clara, California. Whitten's early work may loosely be termed geometric abstraction, but he is best known for his later representational paintings that combine his interest in architecture, invented machinery and toys. Whitten is also known for his toy-like sculptures. His paintings and drawings are essentially representational but have strong ties to geometric abstraction. A native of New York City, Richard Whitten first attended the Collegiate School before studying economics at Yale where he received his BA in 1980. He then constructed a personal painting program at Yale where he studied with Gretna Campbell...