Monique Tachdjian Art

Watercolor on Archival and Heavy paper - Original Watercolor, Light, Trees, France This is a watercolor inspired by a forest in France, the work is in very good condition and is sig...

Gustav Melcher (German, 1898-?) Segelschiffe vor Venedig - Sailing ships off Venice • India ink, water colour wash • Visible image ca. 11.5 x 18 cm • Glased Frame ca. 20 x 25 cm • Verso various inscriptions • Signed lower right Gustav Melcher was a German painter and a pioneer in film, film criticism and film theory and created this clever little picture of the skyline of Venice with various vessels. Going by the various inscriptions an the backing paper, this drawing was made in 1918 when Gustav was twenty years old and passed on three years later to Gertrud Melcher on the 1. 2. 1921. I have no reasons to doubt this information. The small drawing is still in its unopened frame, so maybe there is more information to be discovered , however this will be the privilege of the next owner. The picture also has retained its original antique frame – note that it has lost over the years various sections of the gesso decoration. The very precisely executed drawing is most enjoyable to look at and doing so, remember you are looking through the eyes of a young man, who saw this foreign sea cape over a century ago. Thank you for your interest and please note, that I offer free worldwide shipping on all my items. Gustav Melcher began his studies at the Düsseldorfer Kunstakademie under Peter Janssen and Eduard von Gebhardt. Originaly he was interested in figurative and portrait painting, but after time he decided to pursue the depiction of land- and marinescapes. Durin his studies the young artist undertook trips to visit England, Scotland, Belgium and France and he joined the artist society Malkasten. It was in those days he would hold speeches to his colleges about this new invention called ‘Kintopp’ – Melcher was a great advocate of the moving pictures...

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Watercolour on Hahnemühle Fine Art paper 300Gsm Artist : Gabriel Riesnert...

Carlo Brancaccio ( Naples 1861 – 1920 ), The visit of the King of Persia Mozaffar al-Din Shah Qajar to the Ostend hippodrome Watercolor on paper cm 74,5...

Cedar Breaks Saturation 11 x 11 inches (Framed size: 18 x 17.75 inches) watercolor on paper (painted using lightfast pigments, acid-free paper and archival framing materials) $1,850 Landscape: Cedar Breaks National Monument, Utah. Colorful eroded sandstone cliffs. - Rebecca Livermore...

'Ebren Ha Dor, Shifting Sky'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ The dancing light and rapidly changing skies, hung high above the...

"Utah Layers" by Rebecca Livermore, watercolor, 10 X 15 inches (Frame size: 17 1/4 X 21 3/4 in.), $2150. "Quiet places are my usual subjects. We liv...

Neapolitan gouaches appeared in the eighteenth century when tourism in the Naples area was developing: the discoveries of Herculaneum and Pompeii made this city a mandatory stop on the Grand Tour, the journey made by wealthy Europeans to complete their education. Generally small in size for ease of transport and affordable in price, these gouaches were the ideal travel souvenir that these tourists of the early days were bringing back to capture the idyllic landscapes they had discovered during their journey and to share them with family and friends upon their return at home. The Bay of Naples and the eruptions of Vesuvius are the favourite themes of these views. Here we have a view of the Ovo Castle, which was rebuilt on the island of Partenope, in the middle of the Bay of Naples and about a hundred metres from the shore by the Normans in the 12th century on antique ruins...

'Northside,' 2021 by Doug Blagg. Watercolor on paper. 26 x 34." $2,4000. This is a Contemporary American watercolor of a vintage car and Los Angeles home with a Texas-based landscape...

Dutch School, 17th Century. In the manner of Herman van Swanevelt (1603-1655). Title: An Italianate Landscape. This work closely relates to a group called the Italianate painters. Th...

Watercolour, Acrylic Painting and Charcoal on paper. Work Title : "Motif(s)" (series) Artist : Fabien Granet (FR) The work is signed and dated on the back of the work. Unique work. Size : H26xW21cm. With archival Mat, framed in a 30x24 cm frame. Born in 1970 the artist lives and works in France. The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France. " The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real." Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures. The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real. In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making. Solo exhibitions : 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que? Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art...