Raf Simons

“Consumed” was the culmination of a two-year treatise which began with AW2001’s "Riot Riot Riot,” and continued through SS2002 “Woe Onto Those Who Spit on th...

RAF SIMONS x ADIDAS "Detroit High" SS 2019 boots comes in a black & red rubber featuring combat style, patch details, and a lace up closure. New With Tags. Marked: 9 Measurements...

Vintage RAF SIMONS Spring 1995 Debut Collection jacket comes in a navy blue cotton featuring a bomber style, olive stripe trim, spread collar, and a full z...

“Consumed” was the culmination of a two-year run that began with AW2001’s "Riot Riot Riot,” and continued through SS2002's “Woe Onto Those Who Spit on the Fear Generation…” and AW2002's “Virginia Creeper.” Throughout these collections, Raf Simons abandoned his mediations on schoolboys and the upper class in favor of the in-your-face-angst of the working class. Where he once employed the visuals of bygone rockstars, borrowing niche images of Peter Murphy and Kraftwerk which were intended to hold significance merely to a select few, he was now reclaiming mass imagery such as Playstation and Jaws to craft a statement about where such monoculture was shepherding society. “Consumed” visualized the future as a dystopian cityscape in which brands became one’s identity. The clothes were covered with directionless collages of logos, while atop them models wore Coke cans and Marlboro packs...

Raf Simons’ fall 1997 collection leaned heavily into his prep school background — Raf himself was the son of an army man and attended Catholic school. Cable k...

Spring 2006 celebrated the tenth anniversary of Raf Simons’s eponymous label. The occasion was marked by a retrospective book, and an unusually decadent runway show held at the Boboli Gardens in Florence. The season was titled “Icarus Surgit,” after the notorious figure of Greek lore who flew too close to the sun. The idea of flight was evidently on Simons’ mind during the creative process, which resulted in a runway full of lightweight, oversized fabrics of lace and mesh, many of which featured cut-outs, slashes, and other open details. This design is adopted from spring 2003's "Consumed" collection. It fits in seamlessly to a collection that focused on open skin, and garments that moved when in motion — oversized trousers...

“Consumed” was the culmination of a two-year run which began with AW2001’s "Riot Riot Riot,” and continued through SS2002 “Woe Onto Those Who Spit on the Fear Generation…” and AW2002 “Virginia Creeper.” Throughout these collections, Simons abandoned his mediations on schoolboys and the upper class in favor of the in-your-face-angst of the working class. Where he once employed the visuals of bygone rockstars, borrowing niche images of Peter Murphy and Kraftwerk which were intended to hold significance merely to a select few, he was now reclaiming mass imagery such as Playstation and Jaws to craft a statement about where such monoculture was shepherding society. “Consumed” visualized the future as a dystopian cityscape in which brands became one’s identity. The clothes were covered with directionless collages of logos, while atop them models wore Coke cans and Marlboro packs...

“Consumed” was the culmination of a two-year run which began with AW2001’s "Riot Riot Riot,” and continued through SS2002 “Woe Onto Those Who Spit on the Fear Generation…” and AW2002 “Virginia Creeper.” Throughout these collections, Simons abandoned his mediations on schoolboys and the upper class in favor of the in-your-face-angst of the working class. Where he once employed the visuals of bygone rockstars, borrowing niche images of Peter Murphy and Kraftwerk which were intended to hold significance merely to a select few, he was now reclaiming mass imagery such as Playstation and Jaws to craft a statement about where such monoculture was shepherding society. “Consumed” visualized the future as a dystopian cityscape in which brands became one’s identity. The clothes were covered with directionless collages of logos, while atop them models wore Coke cans and Marlboro packs...

“Consumed” was the culmination of a two-year run which began with AW2001’s "Riot Riot Riot,” and continued through SS2002 “Woe Onto Those Who Spit on the Fear Generation…” and AW2002 “Virginia Creeper.” Over the course of these collections, Simons abandoned his mediations on schoolboys and the upper class in favor of the in-your-face-angst of the working class. Where he once employed the visuals of bygone rockstars, borrowing niche images of Peter Murphy and Kraftwerk which were intended to hold significance merely to a select few, he was now reclaiming mass imagery such as Playstation and Jaws to craft a statement about where such monoculture was shepherding society. “Consumed” visualized the future as a dystopian cityscape in which brands became one’s identity. The clothes were covered with directionless collages of logos, while atop them models wore Coke cans and Marlboro packs...

Raf Simons’ “Riot! Riot! Riot!” came after a one year hiatus. The clothing pivoted away from the prep school-influenced work of his past, and in many w...

Raf Simons Black Bomber Jacket from the Spring/Summer 2009 menswear collection. Features dual welt pockets at front, zip pocket at sleeve, woven lining and zip closure at center fron...

2000s Jil Sander by raf simons black cocktail dress. Marked size 38 small- medium