Richard Roth Art

Andy Warhol, Flowers 1964/2022 ( red, yellow, orange on blue) Matt 250gsm conservation digital paper 90 x 90 cm Throughout Andy Warhol’s career he often returned to subjects that...

Jean-Michel Basquiat, Mecca, 1982 (Framed) Monte Carlo 300gsm watercolour paper. This premium paper is made on a traditional cylinder mould machine by St Cuthbert's Mill in Somerset where they have been making fine papers on the same site since the 1700's. They are the only commercial paper mill in England to still use this paper-making process Paper size: 99 x 100cm Framed size: 103 x 104cm During the 1980s, New York was a central hub for underground artists, hence Jean-Michel Basquiat's depiction of the Empire State Building in his version of 'Mecca'. Basquiat also situated his personal motif, the three point crown, directly above the word 'Empire', representing his sudden rise to fame as his artwork was propelled from the streets of downtown New York to high end art...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Coach Stop Poster Screenprint poster c. 1970 16x17.8 cm Printed for London Transport These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.). Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer who introduced him to Jack Beddington the head of advertising at Shell Mex...

This print featuring Jersey City Apartment (2019) was produced in 2019, in conjunction with the exhibition Jonas Wood at Gagosian, 555 West 24th Street, New York. The exhibition incl...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Sell...

Patrick Hughes (b.1939) Jazz 2016 hand painted multiple with archival inkjet 43.5 x 91.5 x 18.5 cm edition of 50 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct f...

Manufacturer: Obey Giant Edition Details: Year: 2020 Class: Art Print Status: Official Run: 300 Technique: Screen Print Paper: Cream Speckletone Size: 24 X 24 Markings: Signed & Numb...

Nelson Mandela, The Cell, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Cell print, he told Anna and Laura from Belgravia Gallery of his desire to become a full time artist when he retired. This sketch depicts the view into Nelson Mandela’s prison cell through the open cell door...

This is an original 19th century hand-colored lithograph entitled "Dendera, Dec 7th, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...

This is an original 19th century hand-colored lithograph entitled "View from Under the Portico of the Temple of Dendera" by David Roberts, from his Egypt and Nubia volumes of the lar...

Nelson Mandela, The Ward, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family...

This is an original 19th century hand-colored lithograph entitled "Church of St. Helena, Bethlehem" by David Roberts, plate 43 in volume II from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print depicts a view of the interior of the Church of St. Helena (also known as the Church of the Nativity), near the altar. The church is located in Bethlehem, in the West Bank of Palestine. Roberts visited the site between April 4-6, 1839. Men, women and children dressed in colorful traditional local garb are involved in various activities, some praying at the shrine, as part of a religious service, others talking in small groups or resting on the steps. The church was originally commissioned in 327 by Constantine the Great and his mother Helena over the site that was traditionally considered to be located over the cave that marks the birthplace of Jesus. Constantine was the first Roman emperor to convert to Christianity. He made Christianity the official religion of Rome. He founded Constantinople, which became the most powerful city in the world. The Church of the Nativity site's original basilica was completed in 339, but it was destroyed by fire during the Samaritan Revolts in the 6th century. A new basilica was built 565 by the Byzantine Emperor Justinian...