Robert Cottingham Figurative Prints

JR Au Palais De Tokyo, 28 Aout 2020, 16h12, Paris, France, 2020 Contemporary, 21st Century, Lithograph, Limited Edition Lithograph Edition of 180 70 x 100 cm (27.5 x 39.5 in.) Signed on the bottom right corner (stamp and lead), numbered on the bottom left corner Accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher The piece is offered unframed. Edition number might vary from what is shown in the images. The street artist and photographer JR started out his artist practice in the streets of Paris. Using the pseudonym JR, the artist is keeping his identity hidden from the public. As part of the "Jusqu'ici tout va bien", an exhibition by students from the Kourtrajmé school that JR is in charge of the art section of the school, JR created a pasting on the facade of the Palais de Tokyo, in Paris, through an anamorphic image. The collage was visible from August until September 2020, between the buildings of Clichy-Montfermeil and the Eiffel Tower, whose shadow is outlined on the visual in anamorphosis. What is very characteristic of JR’s art is the impermanence nature of the project, which the only way that the installation is captured, is through the creation of this lithograph - commemorating its presence, as the sun dries the glue, and the wind and rain tears the fragile paper with every moment. JR JR is a photographer and artist whose identity is unconfirmed. After he found a camera in the Paris subway...

WAITING IN THE WINGS is an original hand drawn lithograph by the photorealist American painter Douglas Hofmann printed using hand lithography techniques on archival Arches paper, 100...

This one is titled "Walk in a Broken Lake" and depicts a surreal figure of a robed woman walking in an abstract landscape in yellow, green, red and blue with a Salvador Dali esque quality about it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

Serigraph on paper titled "Gothic Towers" by Edward (Eduardo) Arcenio Chavez (1917-1995) from circa 1955 of an abstract tower structure with orange, brown, greens and white. Presented framed, outer dimensions measure 25 ¼ x 17 ½ x 1 ½ inches. Image sight size 18 ½ x 11 ¼ inches. Print is clean and in very good vintage condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Wagonmound, New Mexico, Eduardo Chavez...

No Reply Portfolio by KAWS. Screenprint on wove paper. Each of the 10 screen prints are hand signed, dated and numbered by the artist. Edition PP 3/5. (Pr...

A silkscreen print by Robert Indiana of his iconic Love in red, blue, and green. Artist: Robert Indiana, American (1928 - ) Title: Philadelphia Love Year: circa 1996 Medium: Silkscr...

Deborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...

AFTERNOON REHEARSAL is an original hand drawn lithograph(not a photo reproduction or digital print) by Douglas Hofmann printed using hand lithography techniques on archival Arches pa...

Impressed design layered with mulberry paper by Patricia A. Pearce (American, b. 1948). This pieces is unsigned, but was acquired directly from the artist with a collection of other ...

Water Drops, from The Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea, 1988. Silkscreen in colors on paper. Hand signed, dated and numbered by the artist. Image size 3...

Jerusalem's People in Public A folio of photographic images printed on art paper. This Portfolio is hand signed by the artist. Lawrence Salzmann "This portfolio has been especially prepared to salute the 30th anniversary of the State of Israel" Consolidated-Drake Press, Philadelphia, 1978, first edition A portfolio of 7 black-and-white photographs with printed titles, each separate sheet measuring 12 1/2" x 9 1/2", enclosed in a folder: High quality printing press. Subjects include: Samuel the Prophet Quarter; Me'a She'arim Street; Yafo Road photo; Allenby Square; Suleiman Road. Laurence Salzmann is a native of Philadelphia who has worked as a photographer/ filmmaker since the early 1960's. His projects document the lives of little known groups in America and abroad. He looks at the lives of people ranging from occupants of single room occupancy hotels in New York City to transhumant shepherds in Transylvania, residents of a Mexican village, and Philadelphia Mummers. His photographic study of a nearly extinct Jewish community in Romania was published as The Last Jews of Radauti by Dial/Doubleday in 1983, with text by Ayse Gürsan-Salzmann. His most recent work in Cuba is soon to be published in book form by Blue Flower Press...

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...