Roger Mühl Paintings

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Itzchak Tarkay (1935 – June 3, 2012) De grands amis Original Acrylic on canvas 2005 Image 40 W x 51.5 H in., Framed 46 W x 57.5 H in. Itzchak Tarkay (1935 – ...

The Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’ Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze. The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Abstract Moonlit Landscape, signed and dated "Douvos"

oil on canvas

Janssart, pseudonym Wouter W. Janssen As early as the age of six, the talented Wouter painted the blossoming blossom trees in his parents' garden. At fourteen, he painted a portrait of his teacher at school and was rewarded with a ten for ‘drawing’ on his diploma. His fascination with painting of the 15th and 16th centuries led to a nearly perfect copy of "El Greco's Madonna" at age 16. This love of artistic expression continued to grow over the years, fuelled in part by the success of his creations. At the age of eighteen, this passionate painter decided to devote his life entirely to fine art, combining his studies at art school with working in a restoration studio. Here he discovered the secrets and painting techniques of the old masters, it fuelled his interest in art history and art movements. The extraordinary thing is that so coincidentally the history of painting became synchronized with his artistic life. Wouter Janssen studied the painting technique of his favourite painter Rembrandt for more than ten 10 years. He became wanted to unravel the mystery of the master. The paints used at that time were naturally rubbed by himself to approximate a historical effect. In a subsequent episode, he immersed himself in the technique of Romanticism. His paintings, mostly landscapes, were made in the style of the Dutch Romantic School. And led to unprecedented success in America. For example, with one-man exhibitions on Rodeo Drive in Beverly Hills. After watching a documentary on the life of Vincent Van Gogh, Wouter Janssen wondered what it would be like to paint in an impressionist style. It came naturally, after consuming half a bottle of gin, with extraordinary results as a result. The urge to complete the historical circle was further completed by his transition to Zero Art...

This square edge filled canvas presents a mesmerizing yet relaxing spectrum of perfectly blended pigment. “I'd Slay Another Dragon for You” is from the “Mindfulness Circle” series by artist Ethan Blu...

Collections: Robert Isaacson; James Draper, New York, 2014. Exhibited: Cambridge, The Fitzwilliam Museum, Beggarstaffs: William Nicholson and James Pr...