The Marbro Lamp Company Vases and Vessels

Large Swedish Mid-Century Modern white ceramic table lamp base / vase designed by Vicke Lindstrand for Upsala Ekeby. The form of the piece is elegantly conceived; it is tapered and fluted. The under glaze of the white exterior has burnt reddish tones which come through along the edges and give the piece depth and warmth. Furthermore, it is equipped with a pre-set drilled hole near the mouth which allows room for an electrical cord and for this piece to be used as a table lamp or a vase. Stamped: V.L. on base. Additional References: NK, Nordiska Kompaniet, Axel Einar Hjort, Carl Marmstrom, Orrefors...

Stunning Pair Traditional Japanese Imari Bulbous Form Porcelain Vases of medium to large proportions, now converted to a pair of electric Table Lamps, complete with ormolu stepped ci...

Franklin Mint vase table lamp "Garden of Royalty" by Louis Nichole, world-famous artist, dated 1999. This luxurious lamp is of fine white porcelain with ...

Superb "antique" ceramic vase in the shape of an amphora, with a very beautiful iridescent enamel finish in blue-green / turquoise color. This vase features a finely crafted bronze frame of good quality, in the German Art Nouveau / Jugendstil style. Recently mounted lamp: new electricity. Art Nouveau, France, circa 1900. Attributed to Paul Milet (1870-1950), son of the ceramist Félix Optat Milet and himself a ceramist, trained in the laboratory of the Manufacture de Sèvres. He worked in the factory founded by his father, which he gradually took over. Paul Milet exhibited in Paris and Sèvres. His productions were also distributed through the stores La Samaritaine and Les Galeries Lafayette. Then history repeats itself and it is Paul...

An extraordinary piece to inspire your collection. This vintage Chinese “globular shape” vase has been adapted into a beautiful table lamp. Polished brass meets the crackled black an...

A signed VeArt Venezia green over white case glass with black accent cone vase or table lamp from 1983 in the Menphis style.

Made for the European market in the Meiji period, this lovely Japanese Satsuma porcelain vase has been converted into a table lamp and mounted on a wooden base. Decorated with delica...

Stunning pair traditional Japanese Imari circular form hand painted Porcelain Vases of quite compact proportions, now converted to a Pair of Electric Table Lamps. First half of the N...

A pair of early 20th century Imari style porcelain vases converted to table lamps, with later brass mounts and fittings. Wired.

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...

Elegant Chinese Famille Rose Vase and Gilt Bronze Mount, Side Table Lamp antique . Very fine 19th century Chinese Famille rose Baluster vases with ...

Table lamp brutalist ceramic in grey spiral tones made in Denmark original green shade. Dimensions shade 40-27 cm, Vase 53-10 cm. Height 59 cm.