Thomas Nozkowski Prints and Multiples

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Artist: Joan Mitchell (American, 1925-1992) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Orig...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982: Rare Basquiat announcement card published by Annina Nosei Gallery to advertise the release of ‘Basquiat Anatomy’ (a suite ...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came o...

In excellent condition from an edition of 50, this piece is beautifully framed in museum-quality materials. Al Held is best remembered for his large-scale paintings of bright, hard-e...

Zao Wou-ki - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A Catalogue ...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States and Italy. Many of the leading, ground-breaking American abstract artists experienced success in post-war Europe. Nevelson was notably well-embraced in Italy arguably because of parallels to Arte Povera in her work. She had an important and enduring connection to Italy, beginning with representing America at the Venice Biennale in 1962. Nevelson would then exhibit at the legendary Studio Marconi in Milan during the succeeding decades. This fruitful relationship led Nevelson to start working with Italian printmakers during the 1970s. This impressive aquatint is a paradigm of both the era and Nevelson's later printmaking, notable for its use of metallic elements, color, and collage. This work features unexpected shades of magenta, lime green, and rust, which punctuate her signature monochromatic black forms that sweep the surface of the page creating an intriguing architectural form. This work is an example from Nevelson's 1973 portfolio, "Aquatints Portfolio (B. 116)" which comprised six aquatints with metallic elements. Click here to see another example from this body of work. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1958. Signed o the plate on the lower. The print suite was realized i...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1950. The print suite was realized in 1985 in a limited edition of 2500...

Original Edition Offset Lithograph on archival paper. Edition: 1,500. Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: Published by Whitney Mus...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking. "Reflections V" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of fluorescent turquoise and fuschia that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

(after) Nicolas de Staël - Abstract Composition - Pochoir Published in the deluxe art review, XXe Siecle 1959 Dimensions: 32 x 24 cm Publisher: G. d...