Vladimir Ullianoff Art

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...

Samir Sarkar - Untitled - 13.5 x 10.5 inches (unframed size) Mixed Media on Paper. Style : He says, “All my paintings have people wearing some headgear that has a face painted on ...

Louis Recchia's "Cherry Pie" is an original, hand made mixed media painting that depicts a single slice of cherry pie in the foreground as the rest of the p...

The Lute Player, the Flute Player and Singers making Music • 18thC Oil on iron sheet, ca. 32 x 26.5 cm • Later Frame, ca. 40 x 34 cm Here we have a...

"Filter" by Megan Gibbons, oil on canvas, 48 x 36 inches, $3750. - My work focuses on the meaningfulness in ordinary moments. The beauty of common, tran...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s San Pedro Post Office: History of Writing Mural South, Preliminary Mural Maquette right panel...

Bratin Khan - Christ Charcoal & Pastel on Canvas, 30 x 24 inches, 2009 The anecdotes and narratives of Krishna's life are generally titled as Krishna Leela. He is a central character in the Mahabharata, the Bhagavata Purana and the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero, and as the universal supreme being. His iconography reflects these legends, and shows him in different stages of his life, such as an infant eating butter, a young boy playing a flute, a young man with Radha or surrounded by women devotees, or a friendly charioteer giving counsel to Arjuna. He is sometimes accompanied by cows or a calf, which symbolise the divine herdsman Govinda. Alternatively, he is shown as a romantic and seductive man with the gopis (milkmaids), often making music or playing pranks. Style : Marked for the refined handling of line work and palette, his painterly compositions, reflect influences of folk art and Bengal School. The renderings are poetic and the narratives mythical, folklore-inspired or religious. His curvaceous and languid figures, often accompanied by a surrounding halo, are set amidst a natural habitat. The imagery features Buddha, Krishna, other legendry icons as well as pretty damsels and lotus flowers. Figures dominate the whole thinking process of his paintings with different subjects such as mermaids, musicians (Classical Musicians , Rajasthani Folk Singers and Baul Singers) and mythological figures appearing in his works. He was deeply influenced by the life Sri Aurobindo and thus enlightened beings. Such as Buddha, Jesus and Krishna are also a recurring theme in his Golden Man series. His focus on detail and remarkable skill over the line make his style unique. He uses a traditional method of tempera painting which goes back to the Indian miniature though the material he uses is totally contemporary. Knowledge of the wash technique further enables him to create a soft, twilight effect in his paintings. About the Artist and his work : Born : 1969, West Bengal. Education : 1993 Bachelor of Fine Arts (Painting), Visva Bharati University, Santiniketan. Selected Solo Exhibitions : 2000 - Classic Source, Mumbai. 1999 - Rightlines Art Gallery, Bangalore. 1993 - Grindlays Bank Gallery, Kolkata. Selected Group Exhibitions : 2007 - ‘A Brush with Durga’ ,Gallery Kolkata, Kolkata. 2002 - 'Gems of Bengal Art...

Forgive Us Our Sins, Sacre-Coeur (Sacred-Heart in English) depicts a high fashion model on the Paris runway. St. Genevieve, patron saint of Paris, is scrawled on the canvas, graffiti style. Created in three vertical panels that reference the classic style of altar pieces, it is elevated by the lower panel. The prettiness of the model is in contrast to the grittiness of spray paint that is superimposed on the work. This lower panel has been treated with a high gloss resin, in contrast to the matte finish of the rest of the work. Scrawled in the lower left portion of the painting, the text reads Pardonne nos péchés, or forgive us our sins. This monumental work is rendered in realism, but ultimately expressed as a defaced modern commodity. The spray painted graffiti is transformed into a series of balloon like images, festive till one realizes they came from a paint gun...

The Goldfish Bowl by Richard Miller (1875-1943) Oil on canvas 37 ½ x 29 ¾ inches unframed (95.25 x 75.565 cm) 46 ⅝ x 36 ¼ inches framed (118.428 x 97.155...

Shuvaprasanna Bhattacharya - Untitled - (unframed size) Pen & Ink on Paper , 11 x 8 inches , 2009 (Delivered) One of the most popular series of the Master Artist, The Golden Flute is the artists more romantic renedition of Art. The iconic figures of Krishna, Radha, and Ganesha that found lyrical expression in the Icons series are modern representations and sophisticated idealizations of the same images in the popular media. Krishna is a cosmic musician, and the tune he creates by playing his transcendental flute is embodied with cosmic energy. When Krishna is depicted as being between the age of 5 and 8, it is always with his flute. Therefore, during this period, he is aptly called Murlidhara (murali means “flute,” and dhara means “hold”), signifying the one who holds the flute. He is never without it, whether he is with his mother, on the grazing grounds with his herd of cows, among his cowherd companions or roaming around on the Jamuna banks. Gopis lose their selves in this tune. For them, music becomes the voice of love, which is too passionate and secretive. Style : The city of Kolkata has always figured prominently in his work. His themes come from his personal interactions with its urban milieu - its sickness and sordidness, its violence and vulnerability and all that compounds its existential agony. Shuvaprasanna has depicted varying moods of the city and its people, its places, and all its facets that make the city distinctive. He doesn't merely portray reality as 'matter of fact' and his presentation of reality often has dream-like elements in it. In terms of technique, Shuvaprasanna boasts a precise, finely executed style that yields an unmistakable visual intensity. He works comfortably in an assortment of media, including oil on canvas, charcoal, and mixed media. About the Artist and his work : Born : In Calcutta, 1947. Education : Graduated from Indian College of Art (R.B. University, Calcutta) in 1969. Exhibitions : Shuvaprasanna has had several gallery and museum exhibitions, including at the Tao Art Gallery and at the Chawla Art Gallery, Square One Mall. Several works by the artist have been sold at auction, including 'ABODE' sold at Waddington's 'Fine Prints & Photography Auction' in 2014. There have been many articles about Shuvaprasanna, including 'An exclusive edifice' written by Kunal Ray for The Hindu in 2014. Selected Solo Exhibitions : 2011 - Shuvaprasanna: Recent Works, CIMA, Centre of International Modern Art, India, Kolkata 2010 - Summer Show 2010, CIMA, Centre of International Modern Art, India, Kolkata 2007 - ‘Madhura: The Golden Flute’, organized by Indian Contemporary at Visual Arts Centre, Hong Kong 2006 - ‘The Divine Flute’, Aicon Gallery, USA 2002 - ‘Icons and Illusions’, Gallery ArtsIndia, New York 1998 - ‘An Appreciation of Ted Hughes’, Exhibition of Crow Paintings...

"Shipwright" by Megan Gibbons, oil on canvas, 36 x 36 inches, (Framed Size: 37.5 x 37.5 inches) $3100. - My work focuses on the meaningfulness in ordina...

Sever Frentiu (Săcuieni 1931 - Bucharest 1997) - Male portrait. 65.5 x 39.5 cm without frame, 76.5 x 50.5 cm with frame. Mixed media on paper, in a wooden frame. - Work signed low...