Wolf Kahn Paintings

Oil on canvas painting by Ferdinand Kaufmann. Signed by the artist in the lower left corner. Mountain landscape painting, likely of Colorado or California in summer with a rushing...

HOUSES AT SUNSET Size: 44 x 62 cm (including frame) Oil on canvas A stunning mid century modernist oil landscape painting depicting rows of houses at sunset. The rooftops of the ho...

Jerusalem Israeli landscape cityscape with the Har Habayit, The Western Wall plazas. Kotel Hamaaravi. Size includes frame. canvas is 14 X 11 Edward Ben Avram (born 1941) is an India...

CITY TOUR Size: 64.5 x 56 cm (including frame) Oil on Canvas A lively and energetic city street scene composition, executed in oil onto canvas and dated 1998 by Swedish artist Uno V...

CALM SHORE Size: 55.5 x 63 cm (including frame) Oil on canvas A beautiful and expressive composition of a coastline, executed in oil onto canvas and dated 1960. The painting captur...

The Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’ Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze. The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...

THE GREEN TREE Size: 44 x 77 cm (including frame) Oil on Canvas A captivating mid-century modernist style landscape composition, executed in oil onto canvas. At the forefront of th...

La Place de Furstenberg French School, mid 20th century titled verso, signed front and back oil on canvas, framed framed: 26 x 31 inches canvas: 21 x 26 inches provenance: private c...

Helen Young (American, 1888-1968[?]) French Harbor Scene Oil on canvas, 28 3/4 x 23 3/4 inches; Framed: 35 x 30 Signed at lower left: “Helen Young” H...

Paper, 2020, Daniel Blagg, Oil on canvas, 38 x 58" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewers to re-consider objects that ...

BOATHOUSE Size: 54 x 48 cm (including frame) Oil on canvas A soothing and restful modernist style river landscape composition, executed in oil and dated 1971. The composition pres...

Moonlite, 2021, Daniel Blagg, Oil on canvas, 38 x 58" By meticulously depicting forgotten road signs and roadside debris, Daniel Blagg invites his viewers to re-consider objects th...