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Period: Early 1900s
Starlight Soap - Original Lithograph (Les Maîtres de l'Affiche), 1900
By Georges Meunier
Located in Paris, FR
Georges MEUNIER
Starlight Soap, 1900
Original Lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
INFORMATION : Plate ...
Category
Early 1900s Art Nouveau Figurative Prints
Materials
Lithograph
Study of a Young Boy - Original Signed Sanguine Charcoal Drawing - 1903
By Gustave Poetzsch
Located in Paris, FR
Gustave Poetzsch (1870-1950)
Study of a Young Boy, 1903
Original sanguine charcoal drawing
Signed bottom right
on tinted paper 30 x 23 cm (c. 19 x 13 in)
Stamp of the Estate auctio...
Category
Early 1900s Realist Nude Drawings and Watercolors
Materials
Charcoal
The Ice Skater - Original Lithograph (Les Maîtres de l'Affiche), 1895
By Louis Rhead
Located in Paris, FR
Louis John RHEAD (1857-1926)
The Ice Skater
Original lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
INFORMATION : Plate 200 of "Les Maîtres ...
Category
Early 1900s Art Nouveau Figurative Prints
Materials
Lithograph
Theater : Sarah Bernhardt with Flowers - Original Watercolor, Handsigned
By Georges Jules Victor Clairin
Located in Paris, FR
Georges Clairin
Sarah Bernhardt with Flowers
Original watercolor with tempera
Signed bottom right
On paper 47 x 25 cm at view (c. 19 x 10 in)
Presente...
Category
Early 1900s Art Deco Portrait Drawings and Watercolors
Materials
Tempera, Watercolor
Imagerie de Wissembourg - Christmas Santa Claus - Lithograph and stencil - 1906
Located in Paris, FR
Imagerie de Wissembourg
Christmas Santa Claus, c. 1906
Lithograph, woodcut and stencil
Drawing by C. Burckardt
On paper 43 x 32.5 cm (c. 17 x ...
Category
Early 1900s Realist Figurative Prints
Materials
Lithograph, Stencil
Naked Woman Bathing - Original Etching Handsigned
By Suzanne Valadon
Located in Paris, FR
Suzanne Valadon
Naked woman bathing
Handsigned original engraving (drypoint and vernis mou)
Signiture printed in the plate
On BFK Rives vellum at view ...
Category
Early 1900s Modern Nude Prints
Materials
Etching
Nude Woman and a Bear Head - Lithograph, 1902
By Alphonse Mucha
Located in Paris, FR
Alphonse MUCHA
Nude woman and a bear head
Lithograph
Printed signature bottom left
On heavy paper 45.5 x 33 cm (c. 18 x 13 inch)
Plate n°18 of the portfolio...
Category
Early 1900s Art Nouveau Figurative Prints
Materials
Lithograph
Art Nouveau French Cameo Glass 'Umbels Vase' by Emile Gallé, Nancy - 40 cm
By Emile Gallé
Located in Paris, FR
Emile GALLE
Tall Cameo Glass Vase with Umbels ornaments
Crafted in Nancy (Lorraine) c. 1905
Bearing Galle signature in cameo
Made of white opalesce...
Category
Early 1900s Art Nouveau Figurative Sculptures
Materials
Glass
Art Nouveau French Cameo Glass 'Umbels Vase' by Emile Gallé, Nancy - 63cm High
By Emile Gallé
Located in Paris, FR
Emile GALLE
Tall Cameo Glass Vase with Umbels ornaments
Crafted in Nancy (Lorraine) c. 1905
Bearing Galle signature in cameo
Made of white opalescen...
Category
Early 1900s Art Nouveau Figurative Sculptures
Materials
Glass
Thinking Women - Lithograph 1902
By Alphonse Mucha
Located in Paris, FR
Alphonse MUCHA
Thinking Women
Lithograph
Printed signature bottom left
On heavy paper 45.5 x 33 cm (c. 18 x 13 inch)
Plate n°1 of the portfolio Figures Decoratives published by La L...
Category
Early 1900s Art Nouveau Figurative Prints
Materials
Lithograph
Young Girl with Pink Ribbon - Original Charcoals Drawing
By Gustave Poetzsch
Located in Paris, FR
Gustave Poetzsch (1870-1950)
Young Girl with Pink Ribbon
Original charcoals and pencil drawing
Stamp of the Estate auction sale on the back
On linen vellum 26 x 20 cm (c. 10.5 x 8 ...
Category
Early 1900s Realist Portrait Drawings and Watercolors
Materials
Pencil, Charcoal
Baby Boy - Original Charcoals Drawing
By Gustave Poetzsch
Located in Paris, FR
Gustave Poetzsch (1870-1950)
Baby Boy
Original charcoals and pencil drawing
Stamp of the Estate auction sale on the back
On grey vellum 22 x 26 cm (c. 9 x 1...
Category
Early 1900s Realist Portrait Drawings and Watercolors
Materials
Pencil, Charcoal
Carriage coming from a Small Village - Original Signed Charcoals Drawing
By Gustave Poetzsch
Located in Paris, FR
Gustave Poetzsch (1870-1950)
Carriage coming from a Small Village, c. 1900
Original charcoals and pencil drawing
Signed bottom right
Stamp of the Estate auction sale on the back
On...
Category
Early 1900s Realist Figurative Drawings and Watercolors
Materials
Charcoal, Pencil
Boy with Long Blond Hair - Original Charcoals Drawing
By Gustave Poetzsch
Located in Paris, FR
Gustave Poetzsch (1870-1950)
Boy with Long Blond Hair, c. 1900
Original charcoals and pencil drawing
Stamp of the Estate auction sale on the back
On cream vellum 23.5 x 31 cm (c. 9...
Category
Early 1900s Realist Portrait Drawings and Watercolors
Materials
Charcoal, Pencil
Young Girl with the Cats - Original handsigned etching - 30 copies
By Jacques Villon
Located in Paris, FR
Jacques VILLON
Young Girl with the Cats (Minne et les chats buvant), 1907
Original etching
Handsigned in pencil
Limited to 30 copies
On linen...
Category
Early 1900s Realist Figurative Prints
Materials
Etching, Aquatint
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The artwork is depicted through confident strokes ...
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No Reserve
H 12.6 in W 9.45 in D 0.04 in
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H 15.56 in W 12.01 in D 1.97 in
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H 9.45 in W 12.6 in D 0.08 in
"LA CHAINE SIMPSON" by Toulouse-Lautrec from Les Maitres de l'Affiche
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TOULOUSE-LAUTREC, HENRI DE
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"LA CHAINE SIMPSON"
Original lithograph from "Les Maitres de L'Affiche" series
Printed by Imprimerie Chaix, Paris
Bearing MDL stamp lower right, from issue #60, 1900. Plate #238
Unframed Size: 11 3/8 x 15 3/4”
The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "In her recent excellent biography of Lautrec, Julia Frey indicates that 'Henry, the frustrated athlete, was compulsively familiar with the vocabulary and technical aspects of a variety of sports in which he could participate as a spectator: horse and bicycle racing, wrestling, yachting, bullfighting. He watched them all with the same intensity that he watched a line of dancers or a circus bareback rider, attracted by the beauty of movement, but also by the smells, sounds and excitement of the spectacle (Frey, p.353) His 'insider' knowledge of the cycling field shows up abundantly in this poster for the French agent of the Simpson bicycle chain company. In the foreground is the champion cyclist Constant Huret. In the background are Tristan Bernard, the sports impresario who was a close friend of Lautrec, with Louis Bougle, the French agent who adopted the name 'Spoke.' A touch of levity is added by what appears to be a 'bicycle-built-for-ten' in the upper-left corner, in fact it's two five-seaters, known at the time as 'quints.'"(Rennert, PAI-XXII, 35)Henri de Toulouse-Lautrec came from an aristocratic background, having been born the son of an earl.Even as a schoolboy he showed a talent for drawing. By 14 he had suffered two horse back riding accidents, combined with a serious bone disease which eventually left him crippled for life. His body continued to grow but not his legs, he would remain only five feet tall and suffer pain and embarrassment his entire life.At the age of 18, Lautrec moved to Montmartre in Paris to study art seriously. He worked with artists Louis Anquentin, Emile Bernard, Degas, Van Gogh and others. He became a frequenter of the the cafes, cabarets and brothels of the neighborhood, drawing from them inspirations for his artistic themes. As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall performers, with whom he became friends, such as Yvette Guilbert, La Goulue Jane Avril, May Milton, May Belfort...
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