Eisenhauer Gallery Art

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Since summer 2004, I have lived in southern Italy, in the region of Puglia, the province of Bari, in a town called Altamura. A two-week restoration project of the Jesce Masseria brought me here. My plan after that was to set up an atelier in Paris and spend my days painting the pretty and elongated noses of the Parisians. Two weeks was all I planned to be in Altamura. I am drawn like love to this countryside where I live now. Olive trees are woven in the ochre-colored hills that extend from Altamura. The vista is a tapestry of silver and saffron threads, a palette of the subtle hues of a faded fresco. The air is perfumed by tomatoes drying in the sun and the fermenting juices pressed from the fleshy grapes. Underneath a lapis blue sky, the prehistoric looking "ferula" plant unfolds on the plains like a congregation of nomads crossing a desert. I sense this countryside has fought to survive. The land is raw, brutally honest, and as passionate as the works of Van Gogh. The people of Altamura are tireless workers and the gatekeepers of traditions. I am drawn to their vitality and passionate spirit. I am intrigued by their dark ebony eyes, antique profiles, beautifully weathered skin and stone chiseled hands. A subtle, caramel color saturates my canvases as I paint the very old and the very young - Il Viaggio dela Vita! My mother's family emigrated from northern Italy in the early nineteen hundreds. When they arrived in Canada, it took only three generations for my family's stories to fade and language to be lost. Here, I am discovering the soil that seeded my family. My Nonna (grandmother) would be so pleased to know that I am happy here...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Ar...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

“I am inspired by the simple everyday interaction of the animals in their environment: the way the light dances across the form, the harmony of color relationships and the shapes of light and shadow. I prefer early-morning light or late afternoon settings, with extreme backlighting. My focus is on the farm animals, their character and the use of color, light and texture to convey a mood.” Cheri Christensen was born in Enumclaw, Washington, a small rural town of horse, dairy, and cattle ranches at the foot of Mt...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

“I am inspired by the simple everyday interaction of the animals in their environment: the way the light dances across the form, the harmony of color relationships and the shapes of light and shadow. I prefer early-morning light or late afternoon settings, with extreme backlighting. My focus is on the farm animals, their character and the use of color, light and texture to convey a mood.” Cheri Christensen was born in Enumclaw, Washington, a small rural town of horse, dairy, and cattle ranches at the foot of Mt...

A painter of people, landscapes, animals, and abstracts, who is inspired by the culture and surroundings of the all the places she has lived. Raised in the suburbs of Chicago, and en...

In his work, Tetteh condenses the internal sentiments and tensions of his characters and focuses them, using the eyes as the outlet for expression. In this way his subjects become independent bodies, bold and daring. By examining the psychological conditions we as humans are prone to experience, and then exhibiting them through physiological manifestations of that experience, Tetteh’s work is processual in nature, approaching each personality with care and consideration. His experiments are not only in content but in form, colour, and texture, manipulating paint through swift brush strokes and thick impasto. Theophilus Tetteh...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Large-Scale Work on Paper of Courtyard and Trees Chinese Tradition A Chinese painter cannot avoid confronting and interpreting the Classics. Whether we invoke them by heart or emul...

Michael-Che Swisher's work is inspired by her love of animals. As a child, she dragged home every injured squirrel, bunny, and bird. As a adult, she became a volunteer wildlife rehab...

David Konigsberg was born in Warren PA and lives and works in Brooklyn NY. His rural and urban experience play out in a love for both landscape and conceptual narrative, genres he of...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Abstract oil painting with blue, white and orange. The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Throug...

Michael-Che Swisher's work is inspired by her love of animals. As a child, she dragged home every injured squirrel, bunny, and bird. As a adult, she became a volunteer wildlife rehab...

“Spending a lifetime of summers on Martha's Vineyard my work has evolved into natural forms of coastal scenes. My connection to the island developed a deep concern with natural forms...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...

After and extensive period in Graphic Design and Marketing, Calleri decided to move to Flagstaff and take advantage of the history, scenery, people and especially the astounding ligh...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

A native of North Carolina, the United States, Stewart's first keen sense of art came through drawing classes that he attended as a child. "At this early age, I began to tap into the vein of classical drawing and painting which was to set the foundation for a life of art later." Stewart received a degree in Art History and Anthropology from the University of Tennessee in 1974. A number of years of study at New York's Art Students League followed, beginning in 1978. His teachers included such notables as Robert Beverly Hale, Robert Phillips, Robert Maione...

Impasto oil painting of a grey bird on a gold background. Michael-Che Swisher's work is inspired by her love of animals. As a child, she dragged home every injured squirrel, bunny, ...

Impasto oil painting of a yellow bird on a green background. Michael-Che Swisher's work is inspired by her love of animals. As a child, she dragged home every injured squirrel, bunn...

Abstract oil painting in vibrant reds with yellow, blue, orange and purple. The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist’s work raises absurd situations within a framework of the everyday world and leaves the content on its own to the free interpretation of the observer. The artist was born in Montevideo, Uruguay in 1974. As self-taught painter, Garcia produced an immense body of work in his early years. During the mid-1990s, under an art scholarship with the University of Uruguay, he studied under master engraver Eduardo Fornasari, master painter Clever Lara and acclaimed ceramicist Susana Pizzurno. In 1998, Garcia obtained a grant from the Museum of American art of Maldonado for drawing and painting studies with the master painter Miguel Angel Battegazzore. He worked as an assistant to the Argentinean painter Rogelio Polesello for exhibition at the Museum of American art of Maldonado, Uruguay. For the exhibition, he produced murals for Juvenalia 98 and the subsequent exhibition at La Rural del Prado in Montevideo, Uruguay. The numbers and sometimes words you see in Santiago Garcia’s paintings are based on Divine Proportion, which is a mathematical ratio that ultimately determines the patterns and proportions of the painting. Also, numerology, each number has significance and meaning. Sometimes that meaning is subjective and not explainable. The words seen on the canvas are meant to have a subliminal effect that is up to the viewer to interpret. What’s important to note about the work is that they are “new figuration”, or “magic realism”. “New figuration” refers to the revival of figurative art in Europe and America in the 60’s following a period dominated by abstraction. The work shows a passion for the human (or animal or shoe) form. Garcia’s paintings often incorporate seemingly contradictory elements that he brings into harmony. Some of his paintings show animals in absurd situations where the modern world clashes with the wild in a context that allows the viewer to finish the work according to their own vision. He feels that the paintings should not be explained, but left to the viewer. Other paintings depict converse shoes...

"Menemsha Kayak" Brightly Colored Boats on a Beach with Muted Seascape Hues “Never taking anything for granted, I am so grateful to be able to paint ev...