Maison Gerard Furniture

This box clad in silver plate and adorned with a bone, which curves up like a flourish, is typical of Redmile whose works combined an appreciation for antique sophistication with an ...

Signed. This box clad in silver plate and adorned with a cedar and agate, is typical of Redmile whose works combined an appreciation for antique sophistication with an unusual flair.

These candlesticks curve up from their brass bases in the natural shape of the horns from which they're made. Typical of Redmile, they combine his appreciation for antique sophistica...

This sconce, with its ostrich egg ornaments, and delicate, symmetrical arms, is typical of Redmile whose works combined an appreciation for antique sophistication with an unusual fla...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

This unique vase by Swedish ceramist Claes Thell possesses the kind of rough beauty for which he is well-known the world-over among enthusiasts of Scandinavian ceramics. Thell deve...

Glazed ceramic vase from Walla°kra, founded in 1864. Inscribed.

Set apart from traditional wall hangings and tapestries, this work by Liberta Wilms is defined by volume. With cascading layers of woven cotton, the piece unfolds before the viewer. ...

This series by Gérard Haas is many things at once, functional and Avant Garde, elegant and expressive, thanks to the artist's surprising use of reclaimed materials. Finding beauty in...

This series by Gérard Haas is many things at once--functional and Avant Garde, elegant and expressive--thanks to the artist's surprising use of reclaimed materials. Finding beauty in...

A striking table lamp in gilt gazed ceramic, likely by Bitossi (for Bergboms). Measures: Height of body 10", height with shade 22".

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

This series by Gérard Haas is many things at once functional and Avant Garde, elegant and expressive thanks to the artist's surprising use of reclaimed mat...

Signed by the artist. A perfectly balanced abstract sculpture by Italian designer Marcello Fantoni glazed in colors ranging from off white to blueish-gray, which conveys, above al...

A metallic glazed ceramic table lamp by Bitossi for Bergboms, Sweden. Please note that the shade pictured is not included.

This plush tapestry of wool, cotton, and linen by the French textile artist Françoise Giannesini is arranged as if in the pattern of a colorful to...

This series by Gérard Haas is many things at once--functional and Avant Garde, elegant and expressive--thanks to the artist's surprising use of reclaimed m...

This series by Gérard Haas is many things at once--functional and Avant Garde, elegant and expressive--thanks to the artist's surprising use of reclaimed m...

This series by Gérard Haas is many things at once--functional and avant garde, elegant and expressive--thanks to the artist's surprising use of reclaimed m...

This series by Gérard Haas is many things at once, functional and Avant Garde, elegant and expressive, thanks to the artist's surprising use of reclaimed m...

This series by Gérard Haas is many things at once--functional and avant garde, elegant and expressive--thanks to the artist's surprising use of reclaimed m...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker...

A playful table in an assemblage of metals and glass.

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Claude Boeltz’s candelabras possess the asymmetrical, numinous beauty of lightening, mimicking the natural phenomenon in hue, form, and arrangement.    

A metallic glazed ceramic table lamp by Bitossi for Bergboms, Sweden. Please note that the shade pictured is not included.

A beautiful oak and ceramic coffee table by famed French ceramist Jacques Blin, this piece features his beautiful, stripped down design aesthetic and his characteristic cave painting...

A pair of large rectangular mirrors, framed in wood with a geometric, copper-toned finish in a repeating, crisscrossing geometric.

With a top of glass and a base of white-painted resin modeled into a cylinder of latticed ribbons, this table, in the style of Tony Duquette, possesses a unique beauty.   

These square coffee tables have two tiers each, the top in clear and the bottom in smoked glass, a slight variation mirrored by Valsecchi's use of chrome in both silver and gold tones.

This series by Gérard Haas is many things at once--functional and avant garde, elegant and expressive--thanks to the artist's surprising use of reclaimed m...

An irregularly shaped hexagonal lamp in lavender hued crystal, a half-century old creation of the famed glass firm Daum that seeks to convey motion itself, as if depicting all sides of a moving object...

An irregularly shaped hexagonal lamp in lavender hued crystal, a half-century old creation of the famed glass firm Daum that seeks to convey motion itself, as if depicting all sides of a moving object...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as an artist. Disciplines lik...

With a top of glass and a base of bronze-colored resin modeled into a cylinder of latticed ribbons, this table, in the style of Tony Duquette, possesses a unique dark beauty.

A black walnut étagère with four adjustable shelves, finished to a satin sheen. First created in Massachusetts by master craftsman Michael Coffey, and fabricated by the artist in 201...

This series by Gérard Haas is many things at once, functional and Avant Garde, elegant and expressive, thanks to the artist's surprising use of reclaimed materials. Finding beauty in...

Edition number 1 of 8. Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as ...

This series by Gérard Haas is many things at once functional and Avant Garde, elegant and expressive thanks to the artist's surprising use of reclaimed materials. Finding beauty in d...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

Yngve Blixt got his start producing souvenirs in the 1950s; by the end of his life he was a key member of a collective whose members included some of Sweden's most esteemed ceramists...

This extraordinary Italian floor lamp, a work of marvelous simplicity and elegance, is composed of brass, possesses a sinuous, elegant base, and features a show-stopping shade modele...

Glazed ceramic vase by Jacques Blin.

This series by Gérard Haas is many things at once--functional and Avant Garde, elegant and expressive--thanks to the artist's surprising use of reclaimed materials. Finding beauty in...