Modern Drama

Amongst the most popular Vladimir Kagan designs, these Nautilus swivel lounge chairs are sculptural, comfortable and fun, and were recently professionally reupholstered in cozy Ivory Boucle. Corkscrew shape with sloped back and scrolled arm. The Nautilus chairs swivel making them a good choice for open floor plans - you may align your sight with any person or object in the room simply with a gentle swivel. Matching contoured Ottoman is on casters and seamlessly rolls into place like a puzzle piece inviting you to relax and put your feet up with a good book or a glass of your favorite vino. Fabric is highly durable; it's texture provides for ventilation to keep warm in winter and cool in summer. Want to see more beautiful things? Scroll down below and click "View All From Seller" or favorite our shop to get your 1stDibs on our new inventory. Nautilus Swivel Chairs: 36” W x 33” D x 29” H (Seat Height 17”) Ottoman: 33” W x 21” D x 17” H Photographed along with and also currently available in our shop: Post Modern Karl Springer Style ottoman...

Fantastic pair of newly produced square swivel chairs. Comfortable cushioned seats with low profile back cushion. Sits on walnut wood swivel base. ...

Mid-Century Modern Nautilus Style Swivel Chairs, Kidney-Shape, White Boucle Pair Mid-Century Modern Barrel / swivel / lounge chairs newly upholstered in a white faux fur. Nautilus st...

A high sculptural look that's modern with curvy plush all over cushioning is what you'll get with this ménage à trois set of swivel chairs attributed to Adrian Pearsall paired along with a sexy modern custom mushroom shaped ottoman. It all swivels - chairs and ottoman. Reminiscent of Vladimir Kagan and his crescent chair...

The Pillar Sectional Sofa is a stunning piece of furniture with a unique and captivating design. It is characterized by layered, asymmetrical design elements that create a sense of sophistication and simplicity. The deliberate imbalance in these design elements comes together harmoniously to make a minimal yet elegant design statement. The displayed fabric for the Pillar Sofa...

An early example of a classic form by Cedric Hartman in chrome and brass with a beautiful iridescent patina.

Selling a lovely modern sofa in super desirable bouclé fabric. Used only 2 years in a second home guest house in Palm Springs. The shade is super modern and chic. A firm seat with ro...

Amongst the most popular Vladimir Kagan designs, these Nautilus swivel lounge chairs are sculptural, comfortable and fun, and were recently professionally reupholstered in cozy Ivory...

Launch in first class comfort with this spaceship like pair of 1990s ivory white bouclé Post Modern swivel chairs by Preview. Gorgeous sculptural silhouette. Uber luxurious modern lo...

Twins sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Twins cu...

1970’s adjustable polish chrome floor lamp design by Casella. Can be rotated 360* and can be lower down to 39.25”or extend up to 54.25” high. It has a full range dimmer built in ...

A very handsome and engaging circa early 2000s signed and numbered Brutalist cast bronze sculpture of a puma by world renowned San Francisco Bay Area sculptor and painter Bruce Hasson (b. 1954). The big cat—deemed a puma based on its similarity to the one in a titled sculpture from his "Plight of the Animals" series, but conceivably a mountain lion, panther, or particularly healthy domestic feline–lounges languidly upon a rectangular platform. A big paw hangs over the front, while a long tail extends well past the back, giving the sculpture wonderful dimensionality. As relaxed as its body looks, though, its eyes remain alert and sharply focused. Brutalist/Expressionist work displays fantastic and loose natural texture and character from top to bottom, having been initially crafted in clay of small built-up applied pieces. Calls to mind the works of Alberto and Diego Giacometti—both inspirations to Hasson—and especially the latter, whose work features many similarly executed animals. Verdigris finish is a fantastic shade of bluish-green, with hints of natural bronze intentionally peeking through in spots and adding to the depth of color. Numbered and signed “© 1/50 Hasson” in the artist’s hand in the casting on the side of the platform. The piece came to us untitled, and our research uncovered no other matching examples. We’ve dated it based on examples of his work that bear a similar theme and aesthetic; however, it could be from as early as the mid-to-late-1980s, another period during which he produced cast bronze animals. Dimensions listed are overall; platform is H 1.75 x W 9.5 x D 4.5. Single piece casting weighs a substantial 16 pounds. Bruce Hasson lives and works in the San Francisco Bay Area, and studied at the University of California-Santa Cruz before continuing at the Accademia di Belle Arti in Florence, Italy, and the Accademia Carrara in Bergamo, Italy. He draws his influences from a broad spectrum that includes artists and designers such as Naum Gabo, David Smith, and Isamu Noguchi, as well as early Latin American and Etruscan cultures. Per Berenson Fine Art: “After 1989, he has spent much time in Latin America, including Peru, where Machu Picchu made an indelible impression. He places great value in the sculpture of the Aztecs as well as the Incas. The Archaic Etruscan style, in all its primitive crudeness, beautiful simplicity and realism has also been a significant influence in the artwork of Bruce Hasson over the last 35 years.” Through the years, Hasson’s sculptures have often conveyed strong themes of peace, disarmament, and the conservation of nature. His 1,700 pound “Millenia Bell” was first installed at the Campidoglio in Rome during the 2000 Nobel Peace Prize Conference as a monument to human survival, and was struck by Soviet Union President Mikhail Gorbachev during its dedication. Notable public works in San Francisco by the artist include “The Ark” in Father Alfred E. Boeddeker Park, a powerful 1985 bronze drawing attention to the preservation of endangered animals and their natural habitats; and 1989’s “Trolleys” at the Polk-Bush Garage, 56 cast aluminum balustrades and a balcony based on the human form and transportation, and part of the San Francisco Arts Commission Collection. Across the bay at Berkeley City Hall you’ll find Hasson’s 2002 “Peace Bell...