ODETTA Mixed Media
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Style: Abstract
Linda Turner, Art Meditation 5, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Mixed Media
Materials
Archival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
Linda Turner, Art Meditation 7, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Mixed Media
Materials
Archival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
Linda Turner, Art Meditation 12, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Mixed Media
Materials
Archival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
Linda Turner, Art Meditation 18, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Mixed Media
Materials
Archival Ink, Watercolor, Gouache, Archival Paper, Pencil, Color Pencil
Linda Turner, Meditation Is Play, Collage, Pattern and Decoration, Automatism
Located in Darien, CT
Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...
Category
2010s Abstract Geometric Mixed Media
Materials
Watercolor, Pencil, Archival Ink, Gouache, Archival Paper, Color Pencil
Barbara Hocker, Woven Water XXIV, encaustic, photograph, watercolor, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Mixed Media, Watercolor, Encaustic, Panel, Digital, Monotype
Barbara Hocker, Woven Water XXII, encaustic, photograph, monotype, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Digital, Monotype, Mixed Media, Encaustic
Barbara Hocker, Whirlwind Waterfall, 2021, encaustic, photography, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Digital, Monotype, Thread, Wood, Mixed Media, Encaustic, Panel
Barbara Hocker, Water Verse XVI, 2022, encaustic, photography, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Mixed Media, Encaustic, Panel, Digital, Monotype
Barbara Hocker, Water Verse XIV, 2022, encaustic, photography, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Mixed Media, Encaustic, Digital, Panel, Monotype
Barbara Hocker, Water Verse V, 2019, encaustic, photography, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Mixed Media, Encaustic, Digital
Barbara Hocker, Water Moments III, 2019, encaustic, photography, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Mixed Media, Encaustic, Digital
Barbara Hocker, Water Moments 1, 2019, encaustic, photography, Naturalism
Located in Darien, CT
Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art.
Nature is facing many challenges right now. Hock...
Category
2010s Abstract Impressionist Landscape Photography
Materials
Digital, Mixed Media, Encaustic
Susan Hensel_Skewed Geometry 8_digital embroidery_11.5 x 11.5 inches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Thread
Susan Hensel_Skewed Geometry 7_digital embroidery_11.5 x 11.5 inches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Thread
Susan Hensel_Skewed Geometry 6_digital embroidery_12x12in_
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Thread
Susan Hensel_Skewed Geometry 2_digital embroidery_12x12in_
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Thread
Susan Hensel_Skewed Geometry 1_digital embroidery_12x12in_
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Thread, Fabric
Susan Hensel_Hard Geometry 6_embroidery on fabric mounted on painted Arches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Acrylic, Archival Paper
Susan Hensel_Hard Geometry 4_embroidery on fabric mounted on painted Arches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Acrylic, Archival Paper
Susan Hensel_Hard Geometry 3_embroidery on fabric mounted on painted Arches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Acrylic, Archival Paper
Susan Hensel_Hard Geometry 2_embroidery on fabric mounted on painted Arches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Acrylic, Archival Paper
Susan Hensel_Hard Geometry 1_embroidery on fabric mounted on painted Arches
Located in Darien, CT
Susan Hensel designs images in the computer using specialized software. It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...
Category
2010s Abstract Geometric Mixed Media
Materials
Fabric, Acrylic, Archival Paper
Alexandra Rutsch Brock, Bridges, 2020, gouache, thread, 8 x 15 in
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Alexandra Rutsch Brock, Eden, 2020, gouache, thread, 8 x 15 in
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Alexandra Rutsch Brock, Sonne, 2020, gouache, thread, 15 x 8 in
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Alexandra Rutsch Brock, Currents, 2020, gouache, thread, 8 x 8 in
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Alexandra Rutsch Brock, Connections, 2020, gouache, thread, 8 x 8 inches
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Alexandra Rutsch Brock, Seeing Breathing, 2020, gouache, thread, 8 x 15 in
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Pat Lay, DM44161212, 2016, Digital Print Mounted on Panel
By Pat Lay
Located in Darien, CT
In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...
Category
21st Century and Contemporary Abstract Geometric Mixed Media
Materials
Panel, Archival Paper, Inkjet, Paint
Nancy Baker, Moss, 2017, paint, paper, wood panel, digital print
By Nancy Baker
Located in Darien, CT
Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...
Category
2010s Abstract Geometric Mixed Media
Materials
Paint, Paper, Wood Panel, Digital
Nancy Baker, Registration 1, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Registrating Green, 2017, paper, acrylic, archival digital print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Fewer Answers 2, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Fewer Answers, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, 8th Amendment, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, 2nd Amendment, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Magic Carpet, 2017, acrylic paint, paper
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic
Nancy Baker, 19th Amendment, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows he...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Pink Golden Section, 2017, paper, acrylic paint
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres. This collapsible, frantic universe parallels the global climate created by our current administration.
Nancy Baker is compelled to put things together; underscoring the process of combining and interlocking forms in elegant configurations, she interweaves mathematical data in her constructions that speak to her need for stasis and a reliable reality. The recently new experience of living once again in an urban environment has made her sensitized to the dominating forces of infrastructure, and to those corresponding interstitial spaces that, arouse wonder and anxiety. The competition for space and sky has been instructive; her work reflects this struggle by recreating the battlefield in the studio, and attempting to tame it, and ultimately, to own it.
For the exhibit, No Regrets, Baker seizes upon current political anxiety that informs her series of works which employ text from the US Constitution, in addition to mathematical constructs such as Pi, and the Golden Section...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Pink Box, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Eternal Bar Codes, 2017, paper, acrylic paint
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Green Pi, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, 4th Amendment, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows he...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Levan Mindiashvili, 'Untitled 09 (Unintended Archeology)', 2015, Steel, Plaster
By Levan Mindiashvili
Located in Darien, CT
Levan Mindiashvili, in his second major exhibition, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity politics f...
Category
2010s Abstract Mixed Media
Materials
Steel
Levan Mindiashvili, 'Untitled (Unintended Archeology)', 2017, Plaster, Wood
By Levan Mindiashvili
Located in Darien, CT
Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...
Category
2010s Abstract Mixed Media
Materials
Plaster, Pigment, Wood, Neon Light
Nancy Baker, Battleship, 2017, paint, paper, digital pigment print
By Nancy Baker
Located in Darien, CT
Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...
Category
2010s Abstract Geometric Mixed Media
Materials
Paint, Paper, Digital Pigment
Elizabeth Riley, Hook Made From Ether, 2017, Acrylic Paint, Inkjet Print, Paper
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Digit and the Falling Moom, 2017, Polyester, Acrylic Paint
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Arthropod, 2017, Polyester, Paper, Acrylic Paint, Inkjet Print
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Video Feet, 2017, Paper, Acrylic Paint, Inkjet Print, Polyester
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Paper, Acrylic, Inkjet, Polyester
Elizabeth Riley, Rocking Shapes, 2017, Polyester, Acrylic Paint, Inkjet Print
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Polyester, Paper, Acrylic, Inkjet
Nancy Baker, Take Five, 2016, paint, paper, digital pigment print
By Nancy Baker
Located in Darien, CT
Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...
Category
2010s Abstract Geometric Mixed Media
Materials
Paint, Paper, Digital Pigment
Nancy Baker, Light of Snow, 2017, paint, paper, digital pigment print
By Nancy Baker
Located in Darien, CT
Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...
Category
2010s Abstract Geometric Mixed Media
Materials
Paint, Paper, Digital Pigment
Nancy Baker, Leaving the Noon Day Sun, 2017, paint, paper, digital pigment print
By Nancy Baker
Located in Darien, CT
Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...
Category
2010s Abstract Geometric Mixed Media
Materials
Paint, Paper, Digital Pigment
Pat Lay, KB0952-2-P, 2015, Mixed Media
By Pat Lay
Located in Darien, CT
Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content.
Pat Lay has used computer data and computer parts...
Category
2010s Abstract Geometric Mixed Media
Materials
Ink, Mixed Media, Handmade Paper, Digital Pigment, Screen
Pat Lay, DM410161212, 2016, Paint, Paper, Panel, Inkjet Print
By Pat Lay
Located in Darien, CT
In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...
Category
21st Century and Contemporary Abstract Geometric Mixed Media
Materials
Paper, Panel, Inkjet, Paint
Lourdes Rivera, Retrospect 1, 2015, Plexiglass, Wood, Oil Paint
By Lourdes Rivera
Located in Darien, CT
Lourdes Rivera's work focuses on the investment of individuality, the importance of such in respective social groups and the extent of its importance when in different cultural setti...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Plexiglass, Wood, Oil
Lourdes Rivera, Retrospect 2, 2015, Plexiglass, Wood, Oil Paint
By Lourdes Rivera
Located in Darien, CT
Lourdes' work focuses on the investment of individuality, the importance of such in respective social groups and the extent of its importance when in different cultural settings. Bei...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Plexiglass, Wood, Oil
Pat Lay, DM415161212, 2016, Acrylic Paint, Board, Digital Pigment Print
By Pat Lay
Located in Darien, CT
Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content.
Pat Lay has used computer data and computer parts...
Category
2010s Abstract Geometric Mixed Media
Materials
Acrylic, Board, Digital Pigment
