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Kamyki original decorative wall mirror (18 pieces), Zieta DImensions: Ø 7-20 cm Material: stainless steel. Color: Emerald Dimensions of the set : H. 76 cm W. 150 cm D. 6 cm About the Gradient collection: Mirrors by Zieta Studio cross the border between art and technology and reflect Oskar Zięta’s research on the physical qualities of steel. Their uneven surfaces, with artistic deformations suggesting softness...

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #clay #sun #energy #moon #female JUANA MARTÍNEZ (Tlalpujajua, Michoac...

This is a one of a kind original artwork by local San Diego artist, Ron Carlson. This sculpture has a rhino at the top and depicts rhino skulls within the container. This reliquary s...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

Zofia Butrymowicz (1904-1987, Warsaw, Poland) was one in a select group of Polish textile artists who were first introduced in Chicago, USA in the 1970s by legendary dealers Anne and Jacques Baruch. Butrymowicz's body of work continues to influence the fiber art world to this day. "New experiments in art have always been of interest to me" Butrymowicz once observed, "whether I agree with them or not, and therefore I never pass by and I am never indignant at any expression in art. I strongly believe that in the wide range of experiments there will also be some elements of the development of culture." During the post-war period, when the countries of Eastern Europe were locked down behind the Iron Curtain, weavers there found materials in short supply. As a result, many of these artists turned to unconventional materials such as metal, paper and reeds. Zofia Butrymowicz, of Poland, recognized for innovative works in 60s and 70s, used heavy, irregular wools, barely spun at all. In 1969, she visited Canadian weaver, Mariette Rousseau-Vermette and her husband, painter and ceramicist, Claude Vermette, outside Montreal where the couple lived and worked. Zofia and Mariette had both been participants in International Tapestry Biennials in Lausane, Switzerland in the 60s and in Wall Hangings at the MoMA in New York in 1969. Butrymowicz stayed with the Vermettes for several months, using Mariette’s looms to create tapestries that were displayed with Claude’s ceramics at a local gallery. Butrymowicz used wool from Mariette’s source. Mariette was particular about the color and intensity of her wool — she worked with technicians to perfect the spinning and dyeing so that the wool had a silky luster and dyed “more beautifully” than mechanically spun wool. The wool was a marked departure from the material Butrymowicz had access to in Poland. She “painted” her weavings with colors and shadings of yarns, including only a shimmering suggestion of a shape, often a circle, as she had done in the past, but the glisten and sumptuousness of the yarn in these works set them apart from her previous weavings. Selected exhibitions: Central Museum of Textiles, Lodz, Poland; Museum of Contemporary Art, Chicago, Illinois; National Museum, Poznan, Poland; National Museum, Warsaw, Poland; Skopje Museum of Contemporary Art, Poland; Exempla, Munich, Germany; Museum of Modern Art, Pasadena, California; Pierre Pauli...

“Whole” is a series of formal painting explorations with geometry and color as central themes. “Whole” takes its name from the general believe in contemporary society that we all lac...

IWONA DELIŃSKA (born in 1963) She studied interior design and painting at the Academy of Fine Arts. She received her diploma in 1992. For many years she was desigining clothes, espec...

Kamyki original decorative wall mirror (6 pieces), Zieta DImensions: Ø 7-20 cm Material: stainless steel. Dimensions of the set : H. 40 cm W. 61 cm D. 6 c...

As a student and instructor of glass blowing for over twenty years, Andrew Madvin has an extremely unique vision when it comes to contemporary glass. Studying at many different schools across the United States, including the world-renowned Pilchuck Institute in Seattle Washington, has had a great impact in the precision and innovation of his craft. His most recent endeavor has been a series of work, appropriately titled “Thorn Vessels...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

Bernar Venet Sculpture (Monograph - hand signed and inscribed), 2013 Lavishly illustrated hardback monograph with dust jacket (signed and inscri...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...