ODETTA Paintings
Color: Beige
Patricia Fabricant, Rosefade, 2005, Watercolor on paper, 30 x 22, Color Pattern
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Watercolor, Archival Paper, Oil
Patricia Fabricant, 100420, 2020, Gouache On Panel, 16 x 12 inches, P&D Movement
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Gouache, Panel
Audrey Stone, Study for Center Flow, 2018, Color Field, Abstraction
By Audrey Stone
Located in Darien, CT
Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...
Category
2010s Color-Field Animal Paintings
Materials
Acrylic, Synthetic Paper
Tayo Heuser, Nomad, 2013, Ink on handburnished paper, Abstraction, Meditative
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Pigment, Paper, Ink, Handmade Paper
Tayo Heuser, Transverse Wave, 2016, ink on wood, Geometric Abstraction, Meditate
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Wood Panel, Gesso, Ink
Tayo Heuser, Precession, 2016, ink on wood panel, Meditative, Geometric Abstract
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...
Category
2010s Suprematist Abstract Paintings
Materials
Gesso, Ink, Wood Panel
Anne Russinof, Gestural 23, 2019, Acrylic, Monotype, Color Field, Abstraction
By Anne Russinof
Located in Darien, CT
Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling...
Category
2010s Color-Field Abstract Paintings
Materials
Paper, Acrylic
Alexandra Rutsch Brock, Sonne, 2020, gouache, thread, 15 x 8 in
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Alexandra Rutsch Brock, Currents, 2020, gouache, thread, 8 x 8 in
By Alexandra Rutsch Brock
Located in Darien, CT
These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces.
Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA.
Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Thread, Gouache, Archival Paper
Ellen Hackl Fagan_Technicolor Bubble Wrap II_2020_paint, ink, plaster
By Ellen Hackl Fagan
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of paintings and sculptures that have been created since the spring of 2014.
Using domestic construction materials from her garage, ext...
Category
2010s Arte Povera Abstract Paintings
Materials
Ink, Acrylic, Pigment, Plaster
Tom Martinelli, Eye-Mind No. 1218, 2018, acrylic, canvas, 17.75 x 13.5 inches
By Tom Martinelli
Located in Darien, CT
Tom Martinelli works with simple rounded shapes, fields of color and the character of a painted edge. Using stencils, paint rollers and spray paint he ...
Category
2010s Suprematist Abstract Paintings
Materials
Canvas, Acrylic
Tom Martinelli, Yep (Eye-Mind No. 0717), 2017, acrylic, canvas, 22 x 18 inches
By Tom Martinelli
Located in Darien, CT
Tom Martinelli works with simple rounded shapes, fields of color and the character of a painted edge. Using stencils, paint rollers and spray paint he ...
Category
2010s Suprematist Abstract Paintings
Materials
Canvas, Acrylic
Lizbeth Mitty, Nickle Beach, 2017, oil on canvas, 6 x 8 inches, Symbolist
By Lizbeth Mitty
Located in Darien, CT
Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY.
Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope.
By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...
Category
2010s Symbolist Still-life Paintings
Materials
Canvas, Oil
KK Kozik, Sunny, oil on linen, 22 x 31 inches
By KK Kozik
Located in Darien, CT
KK Kozik is an artist living and working in Sharon, CT and Brooklyn, NY. Her paintings have ben exhibited widely in the United States and abroad and have been reviewed in publications such as The New York Times, Artforum, The New Yorker and Art in America, among others. Images of her commission for the New York MTA, stained glass windows at the Rockaway Beach...
Category
2010s Symbolist Still-life Paintings
Materials
Crayon, Rag Paper, Linen, Oil
Steven Baris, Chunkchain A9, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A8, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A6, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A5, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Steven Baris, Chunkchain A4, 2019, oil on mylar, 14 x 14 inches
By Steven Baris
Located in Darien, CT
Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....
Category
2010s Abstract Geometric Abstract Paintings
Materials
Mylar, Oil
Diane Englander, Red and Buff on Orange XI, 2017, Mixed Media
By Diane Englander
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category
2010s Arte Povera Mixed Media
Materials
Mixed Media, Acrylic, Cardboard
Diane Englander, Red and Buff on Orange 4, 2017, Mixed Media
By Diane Englander
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category
2010s Mixed Media
Materials
Acrylic, Cardboard, Graphite, Mixed Media
Diane Englander, Red and Buff on Orange 3, 2017, Mixed Media
By Diane Englander
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category
2010s Arte Povera Mixed Media
Materials
Mixed Media, Acrylic, Cardboard
Diane Englander, Red and Buff on Orange 1, 2017, Mixed Media
By Diane Englander
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category
2010s Arte Povera Mixed Media
Materials
Acrylic, Cardboard, Mixed Media
Bob Seng, Exit 350, 2002, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Bob Seng, Exit 326, 2000, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Bob Seng, Exit 323, 2000, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Bob Seng, Exit 442, 2002, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Susan Bee, Caterpillar and Landscape, gouache, collage, ink, colored pencil
By Susan Bee
Located in Darien, CT
Susan Bee's drawings are made up of collage elements including children’s stickers and imagery, ink, gouache, watercolor, crayon, and colored pencil. The richness of the imagery in ...
Category
Early 2000s Feminist Figurative Paintings
Materials
Crayon, Ink, Watercolor, Gouache, Archival Paper, Synthetic Paper, Color...
Susan Bee, Skeleton Dance, 2005, gouache, collage, ink, colored pencil
By Susan Bee
Located in Darien, CT
Susan Bee's drawings are made up of collage elements including children’s stickers and imagery, ink, gouache, watercolor, crayon, and colored pencil. The richness of the imagery in ...
Category
Early 2000s Feminist Figurative Paintings
Materials
Crayon, Ink, Watercolor, Gouache, Archival Paper, Synthetic Paper, Color...
Susan Bee, Girl With Umbrella, 2003, gouache, collage, ink, colored pencil
By Susan Bee
Located in Darien, CT
Susan Bee's drawings are made up of collage elements including children’s stickers and imagery, ink, gouache, watercolor, crayon, and colored pencil. The richness of the imagery in ...
Category
Early 2000s Feminist Figurative Paintings
Materials
Crayon, Ink, Watercolor, Gouache, Archival Paper, Synthetic Paper, Color...
Susan Bee, Winged Fairies, 2006, gouache, collage, ink, crayon, colored pencil
By Susan Bee
Located in Darien, CT
Susan Bee's drawings are made up of collage elements including children’s stickers and imagery, ink, gouache, watercolor, crayon, and colored pencil. The richness of the imagery in ...
Category
Early 2000s Feminist Figurative Paintings
Materials
Crayon, Ink, Watercolor, Gouache, Archival Paper, Synthetic Paper, Color...
Susan Bee, Bowers ofFlowers, 2006, gouache, collage, ink, crayon, colored pencil
By Susan Bee
Located in Darien, CT
Susan Bee's drawings are made up of collage elements including children’s stickers and imagery, ink, gouache, watercolor, crayon, and colored pencil. The richness of the imagery in ...
Category
Early 2000s Feminist Figurative Paintings
Materials
Crayon, Ink, Watercolor, Gouache, Archival Paper, Synthetic Paper, Color...
Susan Bee, Big Wave, 2006, gouache, collage, ink, crayon, colored pencil, col
By Susan Bee
Located in Darien, CT
Susan Bee's drawings are made up of collage elements including children’s stickers and imagery, ink, gouache, watercolor, crayon, and colored pencil. The richness of the imagery in ...
Category
Early 2000s Feminist Figurative Paintings
Materials
Crayon, Ink, Watercolor, Gouache, Archival Paper, Synthetic Paper, Color...
Black on Buff, Rust and Blue 1 2017, 33 x 32 inches, acrylic, reused cardboard
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Acrylic, Cardboard
Sylvia Schwartz_2, 2018, fabric, silicone, plastic, 14" x 13" x 2"
By Sylvia Schwartz
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Found Objects, Silicone, Fabric, Plastic
Sylvia Schwartz, Dressing-up_Detail, 2018, canvas, fabric, paint, plastic
By Sylvia Schwartz
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Fabric, Plastic, Found Objects, Acrylic
Macyn Bolt, Shift II, 2018, Minimalist, acrylic on canvas, 20 x 24 x 2 inches
By Macyn Bolt
Located in Darien, CT
At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. Wi...
Category
2010s Minimalist Abstract Paintings
Materials
Canvas, Acrylic
Lester Rapaport, Robin's Passing, acrylic on canvas, 54 x 84 inches
By Lester Rapaport
Located in Darien, CT
Lester Rapaport
Robin’s Passing, painted in 2015 is composed of an atmospheric sprayed background and a central paint dripped spirit figure. Rapaport has been playing with dripped ...
Category
2010s Minimalist Abstract Paintings
Materials
Canvas, Acrylic
Lydia Viscardi, Coverup Pink on Green_2018_Altered digital print
By Lydia Viscardi
Located in Darien, CT
In a court of law, relying solely on memory is highly unreliable. Lydia Viscardi was drawn to these discarded trial documentation photographs of wrecked cars with the same fascinatio...
Category
2010s Other Art Style Paintings
Materials
Found Objects, Color Pencil, Digital
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_Yellow Static I, 2017
By Ellen Hackl Fagan
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016.
Using domestic...
Category
2010s Abstract Abstract Paintings
Materials
Rag Paper, Ink, Acrylic, Pigment
Audrey Stone, Purple Flow, 2017, Acrylic Paint
By Audrey Stone
Located in Darien, CT
Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...
Category
2010s Color-Field Abstract Paintings
Materials
Acrylic
Steven Baris, Ruse Of Transparency 13, 2014, plexiglass, acrylic paint
By Steven Baris
Located in Darien, CT
Steve Baris is interested in the interconnections of the built environment and spatial experience.
His artwork is a response to a largely overlooked type of landscape that is emerg...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plexiglass, Acrylic
Emily Berger, Garden, 2016, paper, ink
By Emily Berger
Located in Darien, CT
These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Ink, Synthetic Paper
Emily Berger, Wellfleet #3, 2014, Paper, ink
By Emily Berger
Located in Darien, CT
These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Paper, Ink
Elizabeth Riley, Digit and the Falling Moom, 2017, Polyester, Acrylic Paint
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Arthropod, 2017, Polyester, Paper, Acrylic Paint, Inkjet Print
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Video Feet, 2017, Paper, Acrylic Paint, Inkjet Print, Polyester
By Elizabeth Riley
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Mixed Media
Materials
Paper, Acrylic, Inkjet, Polyester
