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19th-Century Neo-Classical Table
Located in New York, NY
This table’s bold, graphic, and geometrical marquetry in satinwood and rosewood recalls the paintings of Bridget Riley and other 1960s Op Art artists. The patterning even extends to...
Category
Antique 1840s Czech Neoclassical Tables
Materials
Brass
Pair of 1920s French Sconces
Located in New York, NY
Madcap, whimsical, spritely, over-the-top -- these are just a few of the adjectives that spring to mind in describing this stylish pair of 1920s French sconces. Their steel frames a...
Category
Vintage 1920s French Art Deco Wall Lights and Sconces
Materials
Steel
1930s Venini Chandelier
By Venini
Located in New York, NY
This late 1930s Venini chandelier has two rings of curved-glass elements suspended from a brass frame. It appears to glow magically from within because the glass elements are infuse...
Category
Vintage 1930s Italian Modern Chandeliers and Pendants
Materials
Brass
Pair of John Vesey "Maximilian Lounge Chairs"
By John Vesey
Located in New York, NY
The “Maximilian Lounge Chair” was John Vesey’s finest and most celebrated chair design — it was also his most expensive one to produce, and appeared in a 1959 issue of Vogue. The aluminum frame was wrought rather than cast, solid rather than assembled, and polished to a seamless satiny sheen. An industrial-aluminum screen supports the black-leather upholstery tufted in a pattern that harks back to the 19th century. So too does the chair’s form that’s based on low-slung Latin American planters’ chairs. One that belonged to the ill-fated Emperor Maximilian of Mexico...
Category
Vintage 1950s American Modern Chairs
Materials
Aluminum
Large 1920s Danish Porcelain Sculpture
By Arno Malinowski
Located in New York, NY
This 1927 Royal Copenhagen porcelain sculpture is exceptionally large in scale, and appears to represent an Amazon with her hound. It is remarkable for the...
Category
Vintage 1920s Danish Neoclassical Revival Figurative Sculptures
Materials
Porcelain
Pair of 18th-Century Italian Console Tables
Located in New York, NY
This pair of Italian Neo-Classical console tables were carved, painted battleship-grey, gilded, and topped with slabs of Carrara marble. Each has a carved cartouche — one with a pair...
Category
Antique Late 18th Century Italian Neoclassical Credenzas
Materials
Marble
Paul Poiret's Two Editions de Luxe
By Paul Poiret
Located in New York, NY
Paul Poiret's career began in the Belle Epoque, when fashion was defined by imprisoning corsets, restrictive tailoring, and ethereal colors. Opening his own fashion house in 1904, he...
Category
Antique Early 1900s French Art Deco Books
Materials
Paper
1934 Remie Lohse Photograph for Vogue
By Remie Lohse
Located in New York, NY
Remie Lohse was born in Puerto Rico, studied painting in Denmark, and settled in New York in 1928, where he became a professional photographer. In the 1930s he was a freelancer who specialized in advertising and magazine features, and shot covers for Vogue. If he often focused on the high life, seen in this couple stepping out on the town, he also shot humble subjects. He was more interested in his art than a particular milieu, and many of his photographs are little masterpieces. His contemporary Gilbert Seldes, the noted Vanity Fair media critic and “public intellectual” (not to mention father of actress Marian Seldes), featured Lohse in his 1934 book 'This is New York, The First Modern Photographic Book of New York.' In 1939 Lohse came out with his own book titled 'The Miniature Camera in Professional Hands.'
Our photograph was one of three shot by Lohse for a 1934 Vogue article titled “High Spots and Low Music." If the photograph (image size 4 1/4" x 6") show a couple making the nocturnal rounds of Manhattan restaurants, bars, and jazz clubs, the story itself also covers the daytime meeting places of the ladies who lunch. The twist is that Lohse’s model was the author herself, Elena Mumm Thornton, and her husband James Worth...
Category
Vintage 1930s American Art Deco Photography
Materials
Paper
Mughal Indian Miniature
Located in New York, NY
This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time.
The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...
Category
Antique 18th Century Indian Anglo-Indian Paintings
Materials
Paper
Joe Eula Watercolor of a Sunflower
By Joe Eula
Located in New York, NY
From the 1950s to the 80s, Joe Eula cut quite a figure on the New York scene as a graphic, costume, fashion, stage-set, and film-set designer, as well as a stylist, party giver, and, briefly, a model agency macher. In addition, he was an artist. You could say that Eula was the art director extempore of Manhattan. And if you’ve never heard of Eula (or hadn’t before David Pittu played him in the recent Netflix Halston series), it’s because he was famous as an eminence grise, to employ a contradiction in terms. That’s why Andy Warhol called him, in typical Warholian hyperbole, “the most important man in New York.”
Eula came from a hardscrabble background in South Norwalk, Connecticut. After serving in World War II, he took classes on the GI Bill at the Art Students League, and formed a partnership with photographer Milton Greene to produce features for Life and Look magazines, and a couple of films, with Greene behind the camera, and Eula painting backdrops and styling. On his own, Eula illustrated Eugenia Sheppard’s famous newspaper fashion column, did illustration work for Vogue and Harper’s Bazaar, designed ballet costumes and sets for Jerome Robbins, an album cover for Miles Davis, and a benefit invitation for Cesar...
Category
Vintage 1980s American Modern Contemporary Art
Materials
Paper
Two Japanese Bronze Shells
Located in New York, NY
These charming bronze shells were cast in Japan in the 19th century. They lived for many years in the collection of the Paris artist Pierre Le-Tan. One of...
Category
Antique 19th Century Japanese Edo Scholar's Objects
Materials
Bronze
Salviati Miniature Glass Tazza
By Antonio Salviati
Located in New York, NY
In 19th-century Venice, glassmaking studios were pokey little family affairs. The craft was passed on from father to son, and conducted in a studio, with an assistant or two, and per...
Category
Antique 1880s Italian Classical Roman Urns
Materials
Glass
1930s Italian Bench
By Pier Luigi Colli
Located in New York, NY
This 1930s Italian bench is so over-scaled, and monumental in appearance, that it seems to have been made for the large room it was destined, rather than the comfort of a typical sitter. As such, it would function equally well as a low side table or a high cocktail table. We’ll allow the buyer to determine its use.
The designer was Pierluigi Colli, and the fabricator Martinotti, the Turin furniture and interior decorating firm that was established in 1831, and exhibited at the 1876 Philadelphia Centennial Exhibition and the 1904 St Louis World’s Fair. Colli’s family owned a textile company that supplied Martinotti with upholstery fabrics, suggesting nepotism had something to do with his being hired as the firm's director in 1926. Nevertheless, he proved himself worthy as a designer and a businessman. Having studied in Paris at the Ecole des Arts Decoratifs, he befriended leading French designers, and arranged for Martinotti to retail Lalique glass and Jean Perzel lighting. In addition, the quality of their work, and Colli’s dedication to the modern design movement, prompted Carlo Mollino, Gio Ponti, and Gino Levi-Montalcini, among others, to have Martinotti fabricate some of their furniture. Colli’s claim to fame, however, is his own work as a designer, and his ability to master the vocabularies of every trend from Art Deco to midcentury modern.
During the Great Depression, when nearly every nation floundered economically, fascist Italy...
Category
Vintage 1930s Italian Modern Benches
Materials
Other
Louis XVI Stool by Claude Sené
By Claude I Sené
Located in New York, NY
One could be forgiven for thinking Claude Sené was a poor speller and dyslexic, since his stamp has a ‘G’ initial for Claude, and an inverted ‘N’ in Sené. ...
Category
Antique 1770s French Louis XVI Benches
Materials
Wood
Pair of 1930s René Prou Slipper Chairs
By René Prou
Located in New York, NY
These earthbound chairs appear to be weightless. Such is the illusion that the designer René Prou was able to create in 1930s Paris with the aid of a highly-skilled upholsterer. Befo...
Category
Vintage 1930s French Art Deco Slipper Chairs
Materials
Silk, Sycamore
Circa 1930 German Side Table
By Fritz August Breuhaus de Groot 1
Located in New York, NY
Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room.
Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...
Category
Vintage 1920s German Modern Side Tables
Materials
Marble
Art Deco Desk by Ernest Boiceau
By Ernest Boiceau
Located in New York, NY
This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer.
Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...
Category
Vintage 1920s French Art Deco Desks
Materials
Bronze, Other
1935 Jansen Dining Table
By Maison Jansen
Located in New York, NY
The January 1935 issue of Plaisir de France featured two dining tables by Jansen. The editors saw fit to present the same photograph of one of the two once again in the book Decoration de France, a 1949 compilation of articles and images previously published in the magazine. This photograph shows the table before an antique Chinese screen, extravagantly set with Lalique glass, and a fantastical Misia...
Category
Vintage 1930s French Art Deco Dining Room Tables
Materials
Bronze, Other
Baltic Commode, Circa 1800
Located in New York, NY
This mahogany commode has the fluted rails and canted corners typical of case furniture made along the coasts of the Baltic and North Seas around 1800. More difficult to pinpoint, however, is the exact place of its making, since this geographical region stretches from Germany to Russia, and north from Poland to Scandinavia. That said, a strikingly similar, if slightly plainer commode in a private German collection bears an old paper label that identifies it as having been made in the city of Altona. It also bears the seal of King Christian VII of Denmark who reigned until 1808. At the time, Altona was in the independent Duchy of Schleswig-Holstein, located between Denmark and Prussia. Both nations tried to annex the Duchy, and in 1848 it was ceded to Prussia, which became part of Germany in 1871.
A North Sea port, Altona was a member of the Hanseatic League, an association of seaports that was established in the 14th century to foster trade and police the high seas. Around 1800, the aforementioned King Christian of Denmark, who was also the Duke of Schleswig-Holstein, allowed Jews to freely settle in Altona to increase the tax base. This allowed them to conduct business in neighboring Hamburg, a larger financial hub that maintained quotas. The prosperous Jewish families of Altona built villas there, and decorated them with furnishings that were made locally and imported. Many of those makers owned copies of furniture-pattern books, which were widely disseminated among these seaports, accounting for the difficulty in determining if a piece was made in Altona, Stockholm, or St. Petersburg.
We can’t trace our commode to a Danish king or a known Altona merchant, but we can link it to the New World empire builders...
Category
Antique Early 1800s German Neoclassical Commodes and Chests of Drawers
Materials
Brass
Chandelier Attributed to Bagues
By Maison Baguès
Located in New York, NY
This 1930s French chandelier adapts an Ancien Regime form to Cafe Society taste. The arms are3 trimmed with cut-glass arabesques, the frame is steel rath...
Category
Vintage 1930s French Rococo Chandeliers and Pendants
Materials
Steel
1920s Swedish Grace Sculpture
Located in New York, NY
This abstract 1920s Swedish sculpture of painted-and-gilded plaster, on a painted-wood base, is pleasing from all angles. At the time and place where it...
Category
Vintage 1920s Swedish Modern Abstract Sculptures
Materials
Plaster, Wood
17th Century Rosa di Tivoli Painting on Slate
By Philipp Peter Roos (Rosa di Tivoli)
Located in New York, NY
A ram lowers its horns in a face off with a barking dog that rises on its haunches. An ox turns its head to watch the row. An annoyed ewe glances over its shoulder, but the two behin...
Category
Antique 1680s Italian Baroque Paintings
Materials
Slate
16th Century School of Fontainebleau Engraving
By Master F.G.
Located in New York, NY
This 16th century French engraving illustrates an episode in the Trojan War – although the actual one illustrated is in question. According to recent scholarship, it depicts the corp...
Category
Antique 16th Century French Renaissance Prints
Materials
Paper
19th Century Chinese Screen
Located in New York, NY
This Chinese standing screen has a main panel, and a lower panel flanked by two smaller ones, which were made in the 19th century as fretwork window panels for a house. In the 20th century they were salvaged, assembled, and mounted in a matching hardwood stand as a freestanding screen...
Category
Antique Late 19th Century Chinese Qing Furniture
Materials
Hardwood
Pair of 1920s Rock-Crystal and Amethyst Sconces
By Armand Albert Rateau
Located in New York, NY
Baguès main claim to decorative-arts fame is their collaboration, which began in 1919, with the designer Armand Rateau. Today he’s identified with the Art Deco style, and celebrated ...
Category
Vintage 1920s French Louis XVI Wall Lights and Sconces
Materials
Amethyst, Rock Crystal, Brass
1950s Baguès Chandelier
By Maison Baguès
Located in New York, NY
Our chandelier can be identified as Baguès, circa 1950, based on a similar model published in the magazine Plasir de France that very year. Stylistically, it represents what Baguès w...
Category
Vintage 1950s French Mid-Century Modern Chandeliers and Pendants
Materials
Brass
Italian Renaissance Chair
Located in New York, NY
Over the course of five centuries of use, this Italian Renaissance walnut chair has acquired a rich patina. Its austere form is relie...
Category
Antique 16th Century Italian Renaissance Chairs
Materials
Walnut
Pair of 1930s Veronese Glass Sconces
By Veronese, Jean-Gabriel Domergue
Located in New York, NY
Véronese was established in 1931 by Marcel Barbier. The firm was unique in having a design office in Paris and a glasswork on Murano. They developed a product line of clear translucent glass that was promoted through extensive advertising, and sold from striking modern showrooms in Paris and Nice. Their master glassblower was Giovanni Veronese, but the name was probably meant to evoke the 17th century Venetian painter Paolo Veronese, who depicted glassware and other luxury goods.
Launched during the Depression, Véronese devised a lean business model. Rather than having an in-house art director they commissioned designs from independent architects, like Marcel Roux...
Category
Vintage 1930s French Art Deco Wall Lights and Sconces
Materials
Aluminum
American Federal Silhouettes of Livingston Family Members
Located in New York, NY
Snipping a profile from paper with scissors, and mounting the result to a contrasting sheet of paper, became a popular diversion among the European and American upper classes in the ...
Category
Antique 1830s American Federal Decorative Art
Materials
Paper
18th Century Japanese Altar Table
Located in New York, NY
This lacquered 18th century Edo period altar table was probably made for the private shrine of an aristocratic home. There, it would have been placed before an image of a deity, and ...
Category
Antique Early 18th Century Japanese Edo Lacquer
Materials
Brass
Iberian Mirror
Located in New York, NY
The so-called Bilbao mirrors were made circa 1800 in Portugal and Spain and named after the city where many were crafted. On our shores they’re often mis...
Category
Antique Early 1800s Spanish Neoclassical Wall Mirrors
Materials
Mirror, Walnut
Art Deco Chinoiserie Chairs
Located in New York, NY
When new in the 1920s, this glamorous pair of 1920s chairs, which graft Asian and Art Deco styles, evoked the exotic orient for occidental buyers. Althou...
Category
Vintage 1920s English Art Deco Side Chairs
Materials
Giltwood, Lacquer
Louis XVI Chaise Percée
Located in New York, NY
An 18th century chaise percée, from the bathroom of Baron Max Fould-Springer, Palais Abbatial de Royaumont and by descent his sister Baroness Elie (Lilia...
Category
Antique 1780s French Louis XVI Armchairs
Materials
Mahogany
Adjustable Deck Chair by Jean-Pierre Hagnauer
By Jean-Pierre Hagnauer
Located in New York, NY
An Edwardian-style deckchair for a yacht in mahogany and brass with buttoned upholstery. The chair was one of several made in France for the Paris decorator, furniture designer, and ...
Category
Vintage 1950s French Edwardian Armchairs
Materials
Brass
Russian 19th Century Mahogany Table
Located in New York, NY
Every contour and plane of this exquisite tray-top, mahogany table on wheels is outlined with glinting brass stringing — a hallmark of Russian cabinetry in the late 18th and early 19...
Category
Antique 1840s Russian Louis Philippe End Tables
Materials
Brass
French 18th Century Trumeau Mirror
Located in New York, NY
A Louis XVI trumeau mirror with a carved panel representing an allegory of music. It depicts a violin stringed with metal wires, a tambourine, and other musical instruments suspended...
Category
Antique 18th Century and Earlier French Trumeau Mirrors
Materials
Wire
18th Century Giltwood Sculpture of a Female Nude
By Michelangelo Buonarroti
Located in New York, NY
This giltwood sculpture was carved in the round, probably in southern France or northern Italy in the 1760s. Her pronounced musculature speaks to the ongoing influence of Michelange...
Category
Antique Mid-18th Century French Neoclassical Mounted Objects
Materials
Bronze
Bust of Prince Albert
Located in New York, NY
In centuries past, lucky artists were ennobled after mastering their craft and achieving renown, but Baron Marochetti had been born into the noblility before he proved his mettle as ...
Category
Antique 1850s Italian Victorian Busts
Materials
Bronze
18th Century French Rococo Sofa
Located in New York, NY
The walnut frame of this large, Louis XV-period sofa is unusual for its highly animated form. It is finely carved with flowers, leaves, bound reeds and scrolling vegetal forms. We ha...
Category
Antique Mid-18th Century French Louis XV Sofas
Materials
Satin, Silk, Walnut
Pair of 18th Century Italian Armchairs
Located in New York, NY
Low, deep, and wide, this pair of armchairs is exceptionally comfortable, and the gold and black color scheme is very dramatic. What’s most distinctive about them from a design point...
Category
Antique 1790s Italian Neoclassical Armchairs
Materials
Wool, Wood
19th Century French Table on Wheels with a Modern Black-Glass Top
Located in New York, NY
This charming, quirky 19th century black-painted cast-iron table is mounted on wheels, and fitted with a modern custom black opaline-glass top framed in bronze by Guerin.
Category
Antique 1870s French Napoleon III Tables
Materials
Brass, Iron
Ruby Glass Victorian-Style Lamp
Located in New York, NY
This stylish Mid-Century take on a late 19th century oil lamp model was made in ruby glass and golden brass, and is now fitted with a cust...
Category
Vintage 1960s American American Classical Table Lamps
Materials
Brass
Pair of Louis-Philippe Armchairs
Located in New York, NY
This comfortable, superbly carved pair of Louis-Philippe armchairs is unusual in having been made of rosewood, an exotic timber that was rare in France at the 1840s. It is now upholstered in grey felt with black gimp.
The chairs come from the estate of the international socialite KK Auchincloss. Born Boston in the 1940s, she moved to Manhattan where she launched a clothing line, designed jewelry for Tiffany, and said yes to a marriage proposal from “Shipwreck” Kelly, the legendary football hero. She would say yes again to Peter Larkin, an heir to the 825,000 acre King Ranch...
Category
Antique 1840s French Louis Philippe Armchairs
Materials
Rosewood
Italian, 18th Century Decorative Panel
By Bonzanigo
Located in New York, NY
A neoclassical painted and gilded overdoor panel in the manner of Giuseppe Maria Bonzanigo, circa 1790.
Category
Antique 1790s Italian Neoclassical Decorative Art
Materials
Wood
Pair of French Rock-Crystal and Gilt-Bronze Candlesticks Circa 1950
By Bonzano Paris 1
Located in New York, NY
This exquisite pair of candlesticks was retailed by Bonzano, a Paris firm that specialized in ormolu-mounted rock crystal objects. They have an interior channel to permit electrific...
Category
Vintage 1950s French Régence Candle Holders
Materials
Rock Crystal, Ormolu
Boris Lacroix 1930s Modernist Lamp
By Jean Boris Lacroix
Located in New York, NY
The French designer Jean-Boris Lacroix was best known in the 1930s, as he is today, as a designer of lighting fixtures. Our lamp consists of a circle, a sphere, and a cylinder that t...
Category
Vintage 1930s French Modern Table Lamps
Materials
Nickel
French Trompe L'oeil Drawing Circa 1800
Located in New York, NY
This trompe l'oeil drawing depicts the artist's tools -- a black and a red crayon, and a folding steel ruler that was painted with silver pigments, which have blackened with age. They're shown on a sheaf of papers that include a medieval manuscript page, a musical score, and a group of prints.
The unifying theme is the artistic patronage of the Medici, the Grand Dukes of Tuscany, who intermarried with the Habsburgs, who were the Holy Roman Emperors.
Among the papers are prints by Stefano Della Bella, the Florentine artist who worked for the Medici. They depict a negro page with a horse, and portraits of Lorenzo Lippi...
Category
Antique Early 1800s French Empire Drawings
Materials
Paper, Paint
Emilio Terry 1930s "Louis XVII Style" Bed
By Emilio Terry
Located in New York, NY
Emilio Terry -- architect, interior, and furniture designer -- was the inventor and sole-practitioner of what was drolly referred to as his “Louis XVII style...
Category
Vintage 1930s French Neoclassical Revival Drawings
Materials
Paper
French Empire Bronze of a Woman
By Pierre-Philippe Thomire
Located in New York, NY
This Empire ormolu head of a woman was made as a furniture mount in France around 1810, and probably adorned a bed. In any case, closer to our own time, it was deemed worthy of mount...
Category
Antique Early 1800s French Neoclassical Figurative Sculptures
Materials
Bronze
Napoleon III Folding Chair
Located in New York, NY
More sculpture than furniture, this finely-carved 1860s folding chair has a gilded and gessoed wood frame, and the original cut-silk-velvet upholstery material that was woven to fit....
Category
Antique 1860s French Napoleon III Chairs
Materials
Velvet, Wood
American Art Deco Table Attributed to Eugene Schoen
By Eugene Schoen
Located in New York, NY
This large Art Deco table is attributed to the Austrian born New York designer Eugene Schoen. The mahogany carcass is veneered in Macassar, and surfaced with a sheet of black opaline...
Category
Vintage 1930s American Art Deco Dining Room Tables
Materials
Opaline Glass, Macassar, Mahogany
Pair of Jean Perzel Standing Lamps
By Atelier Jean Perzel
Located in New York, NY
Designed around 1930, each monumental standing lamp of brass and acid-etched glass is marked Perzel on the base by the switch. A chrome version was published in the French design ma...
Category
20th Century French Modern Floor Lamps
Materials
Brass
Pair of American 1930s 'Cafe Society' Chairs
By Samuel Marx
Located in New York, NY
These over-scaled chairs were said to have been designed by Chicago architect Sam Marx, but they were probably made by William Quigley, whose workshop ...
Category
Vintage 1930s American George III Chairs
Materials
Brass
Pair of Italian 1930s Alabaster Lamps
By Cooperativa Artieri dell’Alabastro 1
Located in New York, NY
A translucent alabaster lamp of the same model was featured in the July 1938 issue of Domus magazine, which was established and edited by Gio Ponti. They were made in the Volterra wo...
Category
Vintage 1930s Italian Neoclassical Table Lamps
Materials
Alabaster
Art Nouveau Centrepiece
Located in New York, NY
This ravishing Art Nouveau silver plated centrepiece is decorated with butterflies, flowers, and budding tendrils, and retains the original applied patina and cobalt-blue-glass liner...
Category
Antique Early 1900s German Art Nouveau Planters, Cachepots and Jardinières
Materials
Silver Plate
George Platt Lynes 1930s Photograph of Princess Natalie Paley
By George Platt Lynes
Located in New York, NY
This photograph by George Platt Lynes is unusual for having three exposures of the Russian princess Natalie Paley, the celebrated beauty, and the wife...
Category
Vintage 1940s American Photography
Elegant Japanese Edo Period Rack
Located in New York, NY
This refined object dates to the first half of the 19th century, and was probably used for obi, kimono sashes, which were hung over it. The gold decorations on the black-lacquered g...
Category
Antique 1830s Japanese Edo Lacquer
Materials
Lacquer
19th Century French Wig Stand by Louis Danjard
Located in New York, NY
This Surreal-looking object was made as a wig stand in mid-19th century France by Louis Danjard. It was probably in the legendary Folk Art collection of the important American sculpt...
Category
Antique 19th Century French Folk Art Collectibles and Curiosities
Materials
Iron
Belle Epoque Chandelier
By Maison Baguès
Located in New York, NY
This chandelier was probably made by the Paris bronzier Baguès, circa 1900. The botanical forms of the cage, and the shapes of the rock-crystal prisms, recall the Rococo style of the 18th century. But the sinuous cast-bronze curves channel the Art Nouveau style that was then all the rage. The seamless union of the two styles is a hallmark of the Belle Époque...
Category
Antique Early 1900s French Belle Époque Chandeliers and Pendants
Materials
Rock Crystal, Bronze
John Torreano Contemporary Sculpture of a Jewel
By John Torreano
Located in New York, NY
This faceted, geometric sculpture by the contemporary New York artist John Torreano dates to the mid-1980s.
Category
Late 20th Century American Modern Sculptures
Materials
Paint
