Lighting

large bamboo pair of table lamps with brass bases. Beautiful and chic table lamps. Lovely brass bases and bamboo tops held by brass top.

A somewhat rare Itsu floor lamp with a beautiful design displaying two distinct light heads, that can be adjusted to almost any direction desired. The ...

The Maruata Handwoven Palm Lamp Shade brings a bright, costal, and organic feel to your home decor. Its handcrafted design with woven palm leaves adds ...

Our modern wall sconce combines symmetry and candle-like geometry to create a striking silhouette suitable for a variety of environments. A narrow shade and single column of luxuriou...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

L'applique murale LETO en laiton est une solution d'éclairage élégante et fonctionnelle. Le design à facettes et les ailettes mobiles lui confèrent un aspect unique, inspiré de l'art...

A most impressive and high quality pair of French 19th century Louis XIV st. ormolu and Portoro marble candelabra lamps signed Maison Bagues. The ...

The handsome LU Louis SM Sconce is a smaller version of our LU Louis Sconce, an all brass wall sconce in lightly patinated brass with patterned perfora...

Baby wall swing sconce by Volker Haug Dimensions: Diameter 10.5 x Height 9.5 cm Material: Brass. Finish: Polished, aged, brushed, bronzed, blacken...

LUzpot is an elegant directional ceiling fixture inspired by classical mid century Italian design. This fixture has a thin stem and rotates and partially angles. Made in solid aged b...

Mid-century Italian floor lamp, 1950s. Structure in mahogany wood with brass details, foot in mahogany with brass band and crystal top. Four arms in brass for side lamps and one ce...

Miguel Milá 'TMM' floor lamp in black oak and white parchment for Santa & Cole Founded in 1985 in Barcelona, Santa & Cole produces iconic pieces by such luminaries as llmari Tapiova...

Rosalya chandelier A refined chandelier entirely handmade in Italy by renowned artist and designer Valentina Giovando and inspired by the figure of Polaire, the charming muse of p...

Part of Lumfardo Luminaries contemporary collection, the PMPT Flush Mount is a conical flush mount fixture in the spirit of Paavo Tynell of the Scandi...

A simple but sensational fixture, designed by Josef Hoffmann, for the fabric department of the Wiener Werkstaette on Kaerntnerstrasse in Vienna. Styl...

A beautiful and extremely decorative Italian 19th century Venetian st. giltwood and crystal chandelier. The eight arm chandelier is centered by lovely and most unique bottom foliate ...

A beautiful pair of Italian 18th century Baroque st. wrought iron, giltwood and pressed gilt metal candelabra lamps. Each seventeen arm lamp is raised by an elegant circular giltwood...

The orient minor pendant was designed by Jo Hammerborg in the 1960s. In the Orient series Fog & Mørup produced pendants in two different sizes and, over the course of time, also two ...

The Orient Major pendant was designed by Jo Hammerborg in the 1960s. In the Orient series Fog & Mørup produced pendants in two different sizes and, over the course of time, also two ...

A stunning and most impressive pair of French 19th century Louis XVI St. ormolu five-arm sconces. Modeled after a pair by the bronzier Claude Galle which he created in 1809, for the ...

Vintage pair of ceiling lamps produced by AB Markaryd, Sweden, design Hans-Agne Jakobsson. These pinewood lamps are in vintage condition with some small signs of wear, but in good...

A striking pair of American 19th century Louis XV st. giltwood chandeliers, stamped Caldwell. Each Italian inspired six arm chandelier is stamped 'C' for Edward F. Caldwell, and is c...

PATA DE ELEFANTE floor lamp was designed for the Atomic collection by Mexican artist Isabel Moncada. Named Pata de Elefante –Elephant‘s Fo...

PATA DE ELEFANTE SMALL table lamp was designed for the Atomic collection by Mexican artist Isabel Moncada. Named Pata de Elefante –Elephant's Foot– f...

Pendant lamp 'U' by Nongzao x Bentu Design. Material: Terracotta Color: Earthy brown Measures: 18.5 cm high, 11.5 cm diameter Wire: 3 meters (black) Lamp type: AC 100-240V 50-60Hz 9W - Comptable with US electric system. Variations: - Color: Earthy Brown / Earthy Orange ------- Nongzao x Bentu creates ‘Raw Earth’ collection, a series of light skeletons, as recombination of industrial production methods transforming the materials into its earthy form without any harm to nature. the raw earth forming...

A beautiful and unique French Turn-of-the-Century Louis XVI st. ormolu, crystal and frosted glass chandelier. The eight arm chandelier is centered by a beautiful richly chased bottom...

An elegant French 19th century Louis XVI st. ormolu and tole bouillotte lamp. The lamp is raised by a fine circular dish with a beautif...

Nice pair of metal table lamps,Italy,1970 around 1970 white color with movable metal parts, so lamp can be used in different stands, fully functional, very decorative objects usable ...

Bellepoque sconce 2 lights, golden leaf Murano glass upward light by Multiforme. Bellepoque 364 from the Timeless collection is a collection t...

A copper and brass 3 lamp bar comprising of 3 cast brass explosion proof pendants made in the 1970's by Wiska of Germany who are a manufacturer o...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Measures: 35”/ 90cm diameter"ø. Eac...

Floor lamp model G-075 designed by Eje Ahlgren for Bergboms, Sweden. 1960s. Brass. This floor lamp with fully adjustable shade was manufactured in brass by Bergboms and designed...

Elegant large flush mount ceiling light executed in Murano glass with brass finals on a wooden frame. Manufactured by Kaiser Lighting, Germany in the 1960s. Materials: Murano glass,...

Designer Dian has been mastering the artistry of woodworking for years. He’s always had an appreciation towards the organic nature the material exhibits. In the MUMU Wall Sconce, he ...

Given the adjustable cable, The Armitage triple suspension lamp can be suspended at any given height in its designated space, working well in central positions with rooms, above bars...

The Armitage floor lamp was first put together in 1952 by esteemed architect and Joe's grandfather, Edward Armitage. Since then the lamp has been reengineered using sustainably sourc...

Beautiful space age cascade by the dutch company Lakro Amstelveen. The lamp consists of three chrome shades with orange acryllic diamonds, producing a nice light effect. The three la...

mpressive glass chandelier by famous Finnish designer Nanny Still. This chandelier was produced in the 1960's by Belgian manufacter Massive. This chandelier has the typical colored glass "stalactites...

Beautiful brass LU swing sconce made by Lumfardo Luminaires in patinated brass. Wired with an E26 medium based socket. Light bulb provided as well as a...

A very fine and highly decorative gilt pendant or flush mounted fixture representing Apollo and Sunburst. Five lights Dimensions: Height 7", diameter 22" CW4824.

An impressive and large scale pair of Italian 18th century Baroque st. giltwood bras de lumière sconces. Each sconce is centered by an elegant oblong b...

A stunning set of four Art Deco glass and opal brass wall lights, circa 1930s. Made of polished brass and opal glass tubes. Socket: each 2 x Edison (e27) for standard screw bulbs. ...

Two finely hand-spun brass plates make up this pendant light, a bronze to brass gradient accentuates the shape. The light is projected into the shade and reflects out, illuminating without creating a glare. This light fixture is suitable for both contemporary and vintage inspired interiors...

A very elegant and refined Italian Mediterranean design in blown Murano glass worked with the technique scavo: the frosted glass has a finish similar to archaeological ancient Roman ...

Floor lamp by th. Valentiner for Povl Dinesen denmark. 1960s. Golden brass and teak. Cream fabric lampshade. Stamped: tdv 376. Two lampshades of different sizes included 1.40cm in di...

The Serene pendant light is a contemporary, Mid-Century Modern light fixture with a Scandinavian design and organic modern composition. This minimalist luxury wood veneer pendant des...

A striking and extremely elegant French 19th century Louis XVI st. six arm ormolu chandelier. The chandelier is centered by a fine bottom inverted acorn finial below the tapered flut...

The Serene pendant light is a contemporary, Mid-Century Modern light fixture with a Scandinavian design and organic modern composition. This minimalist luxury wood veneer pendant des...

- Handspun and handwoven white lampshade - made of 100% Siroua wool, an endangered sheep living in a volcanic massif with very long wool fibers, located less than 100 km from the weavers' village - the lampshade is made in the Anti-Atlas region by the weavers from the Feija tribe and then the table lamp is assembled by us using cannes de Provence (local reed) and local rock in Marseille. Approximate measurements: 25 L x 25 W x 56 H CM 9.8 L x 9.8 W x 22 H IN For US customers, we put e26 socket and a plug adaptor. The Anti-Atlas region of Morocco seems to be the only region in the world where henna is not only used to adorn the skin or to dye hair but also to decorate woollen textiles. Women weavers go on keeping this ancestral savoir-faire alive from generations to generations. Handmade : Variation is to be expected, each piece differs in color, size, shape and decorations due to its handmade nature and natural dyes. memòri is about simplicity, imperfections, and embracing the "flaws". Care instructions: Hand wash cold with wool detergent only when really necessary. About the artisan This village is landlocked in the mountains of the Moroccan Anti-Atlas, until the early 2000s, it was accessible only on foot or accompanied by mules. The architecture of their typical houses is entirely made of local stones. Two cooperatives and more than 45 Berber women work...

Leather wrapped flexible arm wall light you can pose and adjust as you wish. This is our updated Meander Reader light with larger cone shade and new upward angled arm. Lamping: Single E26 socket. Comes with suggested LED bulb. Hardwired or plug in version available. Shown here in Metal: Aged Brass and Leather Color: Hunter. Choose from over 25 leather colors and 5 metal finishes. Custom configurations and projects welcome. Overall specs depends on how fixture is posed. Be Flexible --- with Meander lighting. Custom creative colorful lighting with endless possibilities. Flexible arms and luxurious materials allow for playful movement and original designs. Paying homage to vintage task lighting...

Leather wrapped flexible arm wall light you can pose and adjust as you wish. This is our updated Meander Reader light with larger cone shade and new upward angled arm. Lamping: Single E26 socket. Comes with suggested recessed LED bulb. Hardwired or plug in version available. Optional on/off switch Shown here in Metal: Aged Brass and Leather Color: Beet. Choose from over 25 leather colors and 5 standard metal finishes. Custom configurations and projects welcome. Overall specs depends on how fixture is posed. Be Flexible --- with Meander lighting. Custom creative colorful lighting with endless possibilities. Flexible arms and luxurious materials allow for playful movement and original designs. Paying homage to vintage task lighting...

A very fine hand carved wooden chandelier. Great carving work. France, circa 1900. 4 lights. Dimensions: Height 37" (can be shortened) ...

The Vica Light is a rectangular cast metal escutcheon plate with a beveled edge design and porcelain socket. The fixture can be wall or ceiling mount...

The Bulle can be used as a flushmount or sconce. The glass is hand blown into the solid brass frame. The hand blowed glass is available in either clear grey or opal white. Finish opt...

The 'Gemini' table lamp was inspired by simplicity of form, color scheme and respect of materials found in Bauhaus movement. It is shown above in a solid natural walnut, matte blue a...

Set of two Impressive pendants in excellent condition. The pendants are made of brass and are decorated with solid brass rings. On the bottom three brass screws hold a heavy solid ...

Six-arm Empire style ram's head chandelier. Solid brass and heavy. Has great patina. In working condition. Will be professionally packed and shipped. Price based on destination.

A natural, amber toned alabaster is a warm sleek pendant with crystal, rather than mineral, veining. Suspended on three electrified ropes from a matching alabaster canopy, the light ...