Robert Azensky Fine Art
Color: Gold
"Insignia" #1 Hand Made Paper Aquatint Abstract
Located in Soquel, CA
"Insignia" #1 Hand Made Paper Aquatint Abstract
Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Gold Leaf
Modernist Bronze Sculpture of a Nude Woman
Located in Soquel, CA
Abstracted sculpture of a nude woman by Francis Xavier "Frank" Bracken (American, 20th Century). Signed, dated and numbered "Francis X. Bracken 1981 2/7...
Category
1980s Art Nouveau Nude Sculptures
Materials
Bronze, Steel
Modern Abstract Bronze Assemblage Sculpture
By David Phelps
Located in Soquel, CA
Compelling abstract bronze assemblage sculpture by California artist David Phelps (American, b.1956). This is a unique modern piece that references times past by juxtaposing several ...
Category
1980s Modern Abstract Sculptures
Materials
Bronze
Early 20th Century Bronze Figure Sculpture, Shepherd Girl with Staff Statue
Located in Soquel, CA
Wonderful miniature bronze cast figurative sculpture of a young barefoot shepherd girl holding a staff by R. Hobold (German, 19th c). The girl is dressed in a flowing peasant dress a...
Category
Early 20th Century Jugendstil Figurative Sculptures
Materials
Marble, Bronze
Looking Out Over the Vineyards, Early 20th Century Landscape Panorama
Located in Soquel, CA
Vibrant depiction of a view from a window by an unknown artist (American, 20th Century). This sweeping landscape, composed in a horizontal panoramic view, depicts a distant vineyard ...
Category
Early 20th Century Art Nouveau Landscape Paintings
Materials
Gold Leaf
Gold Rush Town Western Landscape
By Diane Baldwin
Located in Soquel, CA
Charming, vibrant watercolor painting of a small California gold rush town by Diane Baldwin (American, 20th Century), 1970. Signed "Baldwin" lower right....
Category
1970s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper
Red Ribbons and Rods Collotype Triptych
By Patricia A. Pearce
Located in Soquel, CA
Unique and stunning collotype triptych (3 panels) abstract composition of fabric and red ribbons draped over rods by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as pa...
Category
Late 20th Century Abstract Geometric Abstract Paintings
Materials
Gouache, Paper, Ink
Mother and Child Bronze Sculpture
By Rose Van Vranken
Located in Soquel, CA
Expressive bronze sculpture of a mother holding an infant by Rose Van Vranken (American, 1918-2013). Signed and numbered "VAN VRANKEN 5/6" on the back of the pedestal. 14.5"H x 5.5"...
Category
Mid-20th Century American Impressionist Figurative Sculptures
Materials
Bronze
Large Scale Arts & Craft Style Vertical Triptych
By Patricia A. Pearce
Located in Soquel, CA
Unusual and stunning vertical collotype and hand-painted triptych (3 panels) abstract composition titled "Mutable Green" of subtle gold and silver gilding evoking Frank Loyd Wright b...
Category
Late 20th Century Abstract Geometric Abstract Paintings
Materials
Silver, Gold Leaf
Mixed Media Abstract Geometric: 2-Sided Collotype
By Patricia A. Pearce
Located in Soquel, CA
Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...
Category
Late 20th Century Abstract Geometric Abstract Prints
Materials
Gold Leaf
Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print
By Patricia A. Pearce
Located in Soquel, CA
Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print
Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of...
Category
Late 20th Century Abstract Geometric Abstract Prints
Materials
Silver, Gold Leaf
"Schooner + Doryman" First Edition Hand-Colored Woodblock Print
By Byron Randall
Located in Soquel, CA
Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...
Category
1960s American Modern Landscape Prints
Materials
Gold Leaf
Copper and Gold Leaf Variations - Abstract Mixed Media Composition
By Patricia A. Pearce
Located in Soquel, CA
Artist's proof of hand copper application and aging techniques by Patricia Pearce (American, b. 1948). Unsigned, but was acquired with other Patricia Pearce pieces. Presented in a ne...
Category
1980s Abstract Expressionist Mixed Media
Materials
Gold Leaf, Copper
"Chasm" - Minimalist Abstract
By Madeline de Joly
Located in Soquel, CA
Minimalist abstract done in watercolor, acrylic and metallic paint (gold and light gray/blue). Titled, signed and dated on verso: "Chasm, de Joly, '88", Presented in a brick red sta...
Category
1980s Modern Abstract Paintings
Materials
Gold
Textured Mixed Media Abstract Landscape
By Annis Allen
Located in Soquel, CA
Textured abstract landscape achieved through layered materials by Annis Allen (American, 1922-2018). Signed by the artist, lower left: "Annis Allen." Presented in a dark mauve paint...
Category
1980s Abstract Landscape Paintings
Materials
Gold, Foil
Mid Century Bronze Sculpture -- Poseidon's Fury
By Daniel Albert Harris
Located in Soquel, CA
A rare sculpture by Daniel Albert Harris (aka: Zev- the Wolf) (1914-1986) c. 1968 A substantial and stunning bronze sculpture of Poseidon (or Neptune) riding on a shell driven by hor...
Category
1960s American Modern Figurative Sculptures
Materials
Bronze
The Fan Abstract
By Patricia A. Pearce
Located in Soquel, CA
Dramatic and compelling mixed media, collotype by Patricia A. Pearce (American, b. 1948). A mixed media artist test project painting using brown wash, gold leaf, silver leaf, and co...
Category
1980s Abstract Impressionist Mixed Media
Materials
Gold Leaf
Mother & Child, Mid-Century Figural Brutalist Bronze Sculpture by Curt Beckmann
By Curt Beckmann
Located in Soquel, CA
Mother & Child, Mid-Century Figural Brutalist Bronze Sculpture by Curt Beckmann
Rare and evocative mid-century figural bronze sculpture of mother and fleeing young child by Curt Bec...
Category
1960s Expressionist Figurative Sculptures
Materials
Granite, Bronze
Agate and Ormolu Jewel box French Made 20th Century
Located in Soquel, CA
Agate and ormolu French jewel box, the casket form in variegated red, black and pink stone, with hinged lid opening to a velvet lined interior, together ...
Category
20th Century French Jewelry Boxes
Materials
Agate, Gold Plate
Late 19th Century Japanese Meiji Bronze Usubata with Turtles for Ikebana
Located in Soquel, CA
Beautiful two-piece Japanese bronze usubata, a vessel for ikebana flower arranging, with intricate wave form base, Meiji period, late 19th century, Japa...
Category
Antique 1890s Japanese Meiji Vases
Materials
Bronze
Antique Illustration of the Feet of Lord Rama, 'Sri Ram Prada Yatra'
Located in Soquel, CA
Finely detailed illustration of the feet of Lord Rama. The feet are labeled with illustrative symbols, including a lotus flower, shells, and crescent moons. There are a total of 17 s...
Category
Antique 19th Century Indian Other Religious Items
Materials
Gold Leaf
Mid Century Hertel Jacob German Porcelain Ginger Jar, Signed Fuchs-Nadler
Located in Soquel, CA
A lovely mid-century Bavarian porcelain ginger jar with gold trim and gilt details by Hertel-Jacob Porzellan (German, 1906-1979). This large ginger jar is ornately decorated with a highly detailed romantic figurative landscape scene, in which three men depicted in gold enjoy an opulent picnic of wine, meat, and fruit under a tree, in front of a large medieval castle complete with a canon and canon balls. A gold leaf motif decorates the backside of the piece. The signature "Fuchs-Nadler" can be found within the picnic scene, underneath the tray of food and wine.
Stamped on bottom with mark "Hertel-Jacob Porzelan / Bavaria Germany", and the serial number 1266.
Measures 14"H x 7"D.
**Please note: The top of the lid has been re-attached and a hairline crack in the gold is visible (see photos).
Hertel-Jacob Porzelan History:
Porzellfabrik Jacob, Schödl & Co. (1906 until 1912)
The factory was founded in 1906 by the industrial Jacob together with his financial partner Schödl and its product range during the first years included giftware items, vases, storage canisters...
Category
Mid-20th Century German Biedermeier Jars
Materials
Gold Plate
Mid Century Modern 14 Karat Vintage Yellow Gold Geneva Bracelet Watch
By Geneva Clock Co.
Located in Soquel, CA
Mid Century Modern 14 Karat Vintage Yellow Gold Geneva Bracelet Watch
We are pleased to offer to timepiece connoisseurs this rare and fine 14 karat yellow gold vintage Geneva 17 incabloc watch. This Swiss watch details a 17 jewel ultra thin Geneva incabloc design movement with a stunning pearl face. The wrist bracelet is an ultra fine basket weave gold mesh, with a brushed gold finish. Manual wind. Weighs 52.3 grams. Condition: Excellent with minor wear on dial consistent with age.
Measures: Pearl face size 22cm. Watch band is approximately 12cm wide by 8" long total.
Brand: Geneva
Circa 1950's
Material: 14-karat solid yellow gold, pearl ultra thin face
Total weight: 52.3 grams
Movement / caliber: Manual winding / 17 jewels / Swiss made
Dial / hands: 14 karat gold hands
Bracelet / band: ultra fine 14 karat solid gold basket weave
Similar face style to the Patek Philippe Calatrava. Geneva vintage watches...
Category
Vintage 1950s Swiss Art Deco Collectible Jewelry
Materials
Gold
Hollywood Regency Style Umbrella Stand and Jardiniere
Located in Soquel, CA
Lovely pair of white and gold Hollywood Regency style ceramic umbrella stand and jardiniere made by Alcobaca Portugal. Raised gold flowers, vines and leaves add depth and interest.
...
Category
Vintage 1960s Portuguese Hollywood Regency Planters, Cachepots and Jardi...
Materials
Ceramic
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Metamorphosis of Zan Biell, Woodcut Print on Rice Paper by Keisuke Serizawa
By Keisuke Serizawa
Located in Long Island City, NY
Artist: Keisuke Serizawa, Japanese (1895-1984)
Title: Metamorphosis of Zan Biell
Year: circa 1970
Medium: Woodcut on Rice Paper, signed and numbered in pencil
Edition: AP
Size: 29 x...
Category
1970s Abstract Expressionist Abstract Prints
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horse. 19th century bronze sculpture
Located in CORAL GABLES - MIAMI, FL
horse. 19th century bronze sculpture
measurements with the base are 37.5 x 17.5 x 31 cm
Category
Late 19th Century Art Nouveau Figurative Sculptures
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LARGE: Silkscreen on silk hand signed with COA also signed by Frank Stella)
By Frank Stella
Located in New York, NY
Frank Stella
The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1994
LARGE: (54 Sq inches) Silkscreen on 100% Italian Silk Shawl, hand signed by Frank Stella in indelible black marker, folded in Red Silk Box with Embossed Certificate of Authenticity (Brand New in Original Red Silk Box) - embossed COA is Hand Signed by Frank Stella and Kenneth Tyler
Hand Signed and dated by Frank Stella on recto; signed by BOTH Stella & publisher Kenneth Tyler, and numbered on accompanying embossed COA
54 × 54 inches
Unframed and held in original red Italian silk gift box
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Category
1990s Abstract Expressionist Abstract Prints
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Barcelona III (from Barcelona Suite)
By Joan Miró
Located in Kansas City, MO
Joan Miro
Barcelona III (from Barcelona Suite)
Etching and Aquatint and Carborundum in Colors on Guarro Wove paper
Year: 1972
Edition: 50
Signed and ...
Category
1970s Abstract Expressionist Prints and Multiples
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Handmade Paper, Etching, Aquatint
No. 1 from Three Poems (Red Wind), Framed Lithograph by Robert Motherwell
By Robert Motherwell
Located in Long Island City, NY
No. 1 from Three Poems (Red Wind) by Robert Motherwell, American (1915–1991)
Portfolio: Three Poems - Octavio Paz
Date: 1988
Lithograph on Masa Dosa paper, mounted to board
Edition o...
Category
1980s Abstract Expressionist Abstract Prints
Materials
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Rites of Passage II
By Robert Motherwell
Located in Toronto, Ontario
Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and established New York City as the center of the art world for the second half of the 20th century.
Motherwell was also the unofficial spokesman of the New York School, writing, teaching and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction.
His work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. Yet in addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic.
This print, along with "El General", was created at Tyler Graphics in 1979.
"Rites of Passage II...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Handmade Paper, Lithograph
"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968)
Train Station, circa 1910
Watercolor on paper
8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
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1910s American Impressionist Landscape Drawings and Watercolors
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"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
By Edward Dufner
Located in New York, NY
Edward Dufner (1872 - 1957)
Monhegan Island, Maine
Watercolor on paper
Sight 16 x 20 inches
Signed lower right
With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy.
In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines.
Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler.
During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...
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Early 20th Century American Impressionist Landscape Drawings and Waterco...
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Woman Wearing Wilting Laurels - edgy, life size, nude, female, wall sculpture
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This is edition 2 of 3, available by commission.
Nicholas Crombach (b...
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Located in Portland, OR
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'Moss Beach, Monterey, California', Pacific Coastal Landscape, ASL NYC, Benezit
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Located in Santa Cruz, CA
An early-20th-century, landscape showing a view of the coastline at Moss Beach in Monterey County with slate-blue skies overhead and a view towards a stand ...
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Early 1900s American Impressionist Landscape Drawings and Watercolors
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