Prints and Multiples

Camilla Engström Guldflod, 2021 Hand singed and numbered Digital print on 310g Photo Rag paper 80 x 60 cm Edition of 100 plus 10 AP

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

Donald Sultan (Born 1951) Black Lemon on Yellow, 2018 Color silkscreen with enamel inks and tar-like texture on 2-ply museum board 39 x 39 in. Edition of 40 Signed by artist

This Blue Dog work consists of 2 frames; one with the head of a blue dog with a purple background lurking over a fresh cooked hot dog. The second frame has a yellow dog...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Origina...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Archival pigment ink prints with silkscreened high-gloss varnish and diamond dust on Innova 315 gsm paper

Paper Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Image Size: 20.5 x 27.75 inches ( 52.07 x 70.485 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Offset lithograph poster created by Cecily Brown...

Original vintage travel advertising poster: Australia For Sun and Surf published by the Australian National Travel Association. Great design by the award winning architect and graphi...

Artist: David Diao, Chinese-American (1943-) Title: Barnett Newman: The Paintings (Yellow) Year: 1992 Medium: Silkscreen, signed and numbered in pencil Image: 15 x 39 inches Siz...

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.

Donald Sultan Yellow Roses, April from Fruit and Flowers II, 1992 Color Screenprint Signed in Pencil, DS and 34/100 Printed by Watanabe Studio, Brooklyn Published by Parasol Press, L...

Artist: Henri Matisse (after) Title: Nu bleu, la grenouille (Blue Nude, The Frog) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 195...

"Un Apres Midi au Champs de Courses" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (11/200) in the lo...

Keith Haring Secret Pastures 1984: Keith Haring illustrated oversized announcement for the historic, "Secret Pastures" show at The Brookl...

'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

Joan Miro - Peacock Feathers - Original Lithograph Artist: Joan Miro Dimensions: 9 x 14-/12 inches (sheet), with the usual centerfold, as published in "Joan Miro" by Jacques Prevert ...

Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...

Keith Haring Into 84/Keith haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this ser...

Color lithograph, Edition 30 In 2010, Ray made his first lithographs at Shark’s Ink., Pyzinerol and Pyzinerol II. Ambitious prints with 18 colors from 15...

Original vintage World War Two Propaganda poster Share Sugar - It's war-scarce its war-necessary - Design features a box of sugar on a yellow background with bold black lettering. Is...

Artist: Alex Katz Title: Azaleas on Yellow Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100...

Original vintage recruitment poster - The Infantry Boys' Battalion The Path to Leadership - featuring an image of a young cadet in a uniform...

Atomic Bardot Yellow by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex ...

Paper Size: 22 x 29.5 inches ( 55.88 x 74.93 cm ) Image Size: 22 x 29.5 inches ( 55.88 x 74.93 cm ) Framed: No Edition 11 of 100 Condition: A-: Near Mint, very light signs of handlin...

Keith Haring International Volunteer Day, 1988 Lithograph 8 1/2 x 11 1/4 inches Numbered edition of 1000 Signed by the artist in lower right corner Framed Bears the embossed seals of...

To see our other posters and views of London, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the vi...

Laura Moriarty's Talking to Rocks 10 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting ...

Two Polo Players at Intl Match Art Sz: 8"H x 12 1/4"W Frame Sz: 13 1/4"H x 17 1/2'W Joseph Webster Golinkin (September 10, 1896 – September 8, 1977) was an American artist as well...

Joan Miro - 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) reserved for collaborators, there was also a larger edition of 2000 From "Prints from the Mo...

Hand signed in pencil and numbered. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. humorous Yiddish Chassidic art. The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original color lithograph print is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...

Proof-plate of The Pennsylvania Hunt Cup - White Marsh by Paul Desmond Brown from the Derrydale Press book Gentlemen Up published 1930 Print Sz: 13 3/4"H x 7 3/4"W Frame Sz: 20"H x...

A very good impression of this color soft-ground etching, etching and aquatint on White Rives BFK paper. Signed, dated and numbered 55/60 in pencil, lower margin. Printed and publish...

Original vintage music advertising poster featuring a colourful and psychedelic photo design using a new solarisation technique by the American photographer Richard Avedon (1923-2004...

Laura Moriarty's Talking to Rocks 3 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting l...

International polo match colour plate c1930s Art Sz: 12"H x 10 1/2"W Frame Sz: 17 1/4"H x 15 1/2'W Joseph Webster Golinkin (September 10, 1896 – September 8, 1977) was an American...

BANANAS 2023 From “Golden sexy fruits” project CM 86x120x2,8 Print run 1/6+2PA Digital Photography C-Type Lambda print on Fujichrome Photo paper, plexiglass on alluminium compo dbo...

Artist: Alex Katz Title: Red Dogwood 1 from Flowers portfolio Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed and nu...

The Drugs Don’t Work by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex...

Alex Katz, born 1927 in New York as the son of Russian-Jewish immigrants, is one of the most important painters of our time, worldwide. Katz studied at the Cooper Union School of Art...

A very good impression of this scarce color screenprint on white wove paper. Signed, dated and numbered 44/75 in pencil. Published by Marlborough Graphics, Inc., New York.

I Won’t Eat You [2021] limited_edition Drypoint print Edition number of 30 Image size: H:81 cm x W:113 cm Complete Size of Unframed Work: H:92 cm x W:122 cm x D:0.1cm Sold Unframed ...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this bright yellow, red, ...

Artist: Jay Rosenblum (Americam, 1933-1989) Title: "Grove #1" *Signed by Rosenblum in pencil lower right Year: 1979 Medium: Original Screenprint on white Stonehenge paper Limited edi...

Artist: Alex Katz Title: Goldenrod Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100; signed and numbered in pencil Sheet: 35...

Artist: Josef Albers (German-American, 1888-1976) Title: "EK Ic" Portfolio: Homage to the Square: Edition Keller Ia-Ik *Monogram signed and dated by Albers in pencil lower right Year...

Original vintage travel poster - Visit Jordan - featuring a great illustration of a lady in traditional clothing holding a jug on her head with ancient ruins behind her, set over a m...

limited_edition Screen Print Edition number 20 Image size: H:19.5 cm x W:28 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A f...

Artist: Alan Davie Title: Untitled, from One Cent Life Series: One Cent Life Year: 1964 Medium: Lithograph Initialled in Plate, lower right Dimensions: 1...

Standing Male Nude is a beautiful and original colored lithograph from the portfolio "Erotica" by Egon Schiele. In perfect conditions: as good as new. Today, the original drawing ...

Guru Kaveri is an artwork realized by John Gilbert in 2013. Lithograph, cm 65 x 65 cm with frame. Signed, dated and numbered (copy 28/30) in pencil on the front. Stamp of the Ga...

Print Edition after Centmayer - "014_1 Flood of Images". Print edition from the Ukraine series Flood of Images 2022 on 315 g paper in museum quality. Signed, limited edition of 30 p...

limited_edition Screen print Edition number 20 Image size: H:28 cm x W:19.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A q...

Stanley William Hayter, 'Expansion', color etching and soft-ground, 1970, edition 100, Black & Moorhead 334. Signed, titled, dated, and numbered '23/50' in pencil. A superb, richly inked impression with fresh, vivid colors on heavy off-white wove paper; the full sheet with margins (2 to 2 1/2 inches), in excellent condition. Matted to museum standards, unframed. Image size 17 1/8 x 19 7/16 inches (435 x 494 mm); sheet size 22 x 23 1/2 inches (559 x 597 mm). This image was created in the first state using a plate covered with a plastic sheet; the sheet was cut, and the soft-ground texture was added. In the second state, the plate was covered again, and the sheet cut then etched with a deep bite, and a soft ground texture was added. Printed by Hector Saunier: intaglio fluorescent orange, hard roller phthalo green, soft roller transparent yellow. Note: the online image does cannot accurately convey the vibrancy of the printed fluorescent orange. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Original vintage cruise travel poster - Cie Gle Transatlantique French Line Le Havre Southampton New York - featuring artwork by the French artist Albert Brenet (1903-2005) depicting an ocean liner sailing at sea with the stylised title text above and against the choppy white waves below. Founded in 1861 (having been established in 1855 by the brothers Emile and Issac Pereire), the Compagnie Generale Transatlantique CGT was a French shipping company known as French Line and Transat; it merged with Compagnie des Messageries Maritimes...

Standing Female Nude from the Waist Down is a beautiful colored lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym watercolored and penc...

Max Ernst - Elektra Lithograph 1939 Dimensions: 32 x 24 cm Signed in the plate From XXe siècle Unsigned and unumbered as issued