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Susan Eley Fine Art Photography

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Color:  Brown
"Sandhill Crane"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Archival Pigment, Archival Ink

"Yellow-throated Vireo" - original bird photography by Matt Tillett
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Archival Pigment, Archival Ink

Dam
By Maria Passarotti
Located in New York, NY
Chromogenic print
Category

Early 2000s Contemporary Color Photography

Materials

Digital

Kenneth Drive, archival pigment print, 22 x 30 inches. Layered photography
By Charlotta María Hauksdóttir
Located in New York, NY
Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Transitory Space #193
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category

2010s Contemporary Color Photography

Materials

Digital Pigment

Transitory Space (Sky Blue Tree 23 Yellow, Prospect Park Brooklyn)
Located in New York, NY
Archival pigment print
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

Apparition
By Maria Passarotti
Located in New York, NY
Chromogenic print 28 1/4 × 28 1/4 in Editions 3-5 of 10 28 1/4 × 28 1/4 in Editions 6-9 of 10 28 1/4 × 28 1/4 in Edition 10/10
Category

21st Century and Contemporary Contemporary Color Photography

Materials

C Print, Photographic Paper

Allerton
By Maria Passarotti
Located in New York, NY
Digital C-Print, 36 1/2 × 29 in, edition 3/10
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, C Print

Prospect Park 3
Located in New York, NY
Traditional C-Print, edition 1/10
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Color, Photographic Paper

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