Susan Eley Fine Art Color Photography
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Land of the Lost
By Carolyn Monastra
Located in New York, NY
Edition of 5
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #12
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #44
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #41
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #18
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #34
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #41
By Carolyn Monastra
Located in New York, NY
Edition 1 of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring...
Category
Early 2000s Color Photography
Materials
C Print
lovely, dark and deep #14
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #9
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #28
By Carolyn Monastra
Located in New York, NY
Edition 1 of 5
Carolyn Monastra's series "Lovely, Dark and Deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring landsc...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #30
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #1
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #57
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #11
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Transitory Space, Brooklyn, Prospect Park, Natural Dots II
Located in New York, NY
Digital C-Print, 12 x 15 framed.
Category
2010s Contemporary Landscape Photography
Materials
C Print
Transitory Space, Prospect Park, Brooklyn, NY, Lily & Branch # 2
Located in New York, NY
17 x 21 inches framed
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Transitory Space, Prospect Park, Brooklyn, NYC, Winter Tree # 2
Located in New York, NY
17 x 21 inches framed
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
lovely, dark and deep #8
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #22
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
lovely, dark and deep #6
By Carolyn Monastra
Located in New York, NY
Edition of 5
Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring l...
Category
Early 2000s Contemporary Color Photography
Materials
C Print
Transitory Space, Jamaica Bay, Queens, NYC, Cloud Tree # 2
Located in New York, NY
17 x 21 inches framed
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Blowhole #1, Nuku'alofa, Tonga, 30" x 40"
By Carolyn Monastra
Located in New York, NY
30" x 40" color photograph, unframed.
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Western Style Town, color photograph of small town, contemporary landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
C Print, Color
Number Hill, small western town, contemporary documentary photography, landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
C Print, Color
Herd, contemporary documentary photography, herd of cows and wind farm
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
Color, C Print
"Northern Saw-whet Owl"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Tri-colored Heron"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Clark's Nutcracker"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Blue-winged Warbler"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Sandhill Crane"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
"Common Redpoll"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Yellow-throated Vireo" - original bird photography by Matt Tillett
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
"White-throated Sparrow"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Two "Bohemian Waxwings"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Pine Siskin"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Dam
By Maria Passarotti
Located in New York, NY
Chromogenic print
Category
Early 2000s Contemporary Color Photography
Materials
Digital
Caravan
By Maria Passarotti
Located in New York, NY
Chromogenic print
Category
21st Century and Contemporary Color Photography
Materials
Color, Photographic Paper, C Print
Kenneth Drive, archival pigment print, 22 x 30 inches. Layered photography
By Charlotta María Hauksdóttir
Located in New York, NY
Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Hrisomar, archival pigment print, 22 x 30 inches. Layered photography
By Charlotta María Hauksdóttir
Located in New York, NY
Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Neshagi, archival pigment print, 15 x 20 inches. House photography
By Charlotta María Hauksdóttir
Located in New York, NY
Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Ramona Street, archival pigment print, 22 x 30 inches. Layered photography
By Charlotta María Hauksdóttir
Located in New York, NY
Charlotta Hauksdottir's "Moments" series evoke memory, intimacy and attachment to home and place. Several photographs are taken of the same space over many hours, compiled and faded ...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Island Dots #56
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Giant tabular iceberg, Antarctica
By Carolyn Monastra
Located in New York, NY
Digital C-Print
The Witness Tree (2010 - 2017)
Global impacts and solutions of the climate crisis
The Witness Tree is a photography project about the effects of climate change ...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
C Print
Mingyong Glacier on Mount Kawagebo, Deqin, China
By Carolyn Monastra
Located in New York, NY
Digital C-Print
The Witness Tree (2010 - 2017)
Global impacts and solutions of the climate crisis
The Witness Tree is a photography project about the effects of climate change ...
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
C Print
Dunes
By Maria Passarotti
Located in New York, NY
Chromogenic print
Category
21st Century and Contemporary Contemporary Color Photography
Materials
C Print, Photographic Paper, Color
Sunbathers, Jones Beach
By Maria Passarotti
Located in New York, NY
Digital Chromogenic print
Category
21st Century and Contemporary Contemporary Color Photography
Materials
C Print, Photographic Paper, Color
Satellite Dishes, Cat Island
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
2010s Contemporary Color Photography
Materials
C Print, Photographic Paper
Driveway
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
2010s Contemporary Abstract Photography
Materials
Photographic Paper, C Print
When Will You Be Home?
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper, C Print
Valentine
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the
Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection ...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper, C Print
Prospect Park 5
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Color, Photographic Paper
Island Dots #57
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Prospect Park 6
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Landscape Photography
Materials
Color, Photographic Paper
Transitory Space #196
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Transitory Space #193
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Prospect Park 9
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Color, Photographic Paper
Transitory Space #11
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Color Photography
Materials
C Print
Natural Dots 3
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category
2010s Contemporary Color Photography
Materials
Digital Pigment
Prospect Park 10
Located in New York, NY
Traditional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Color, Photographic Paper
Prospect Park 8
Located in New York, NY
Tracitional C-Print, edition 1/10
Category
21st Century and Contemporary Contemporary Landscape Photography
Materials
Color, Photographic Paper
