Mixed Media

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually exciting. His work is extremely personal as well, drawing upon the Arab presence on the island where he grew up and his own Italian heritage. His paintings are indicative of self-discovery and emotional awareness, while also focusing on color, composition, and technical skill. This balance of visual dynamics and emotional response is essential to Beddru’s work. Many of Beddru’s multi-media paintings include the visual motifs of classical Greek bas-relief sculpture, flattened within the confines of Plexiglas. Athletes and female portraits in profile are reminiscent of coins and popular classical imagery. After having admired and studied the works of the great masters, Beddru left Italy to continue his practice abroad. This vibrant one-of-a-kind 22 inch square artwork is painted among many layers of Plexiglas panels. Beddru's pictorial subjects are represented through ink-based mixed media, applied via reverse painting techniques inspired by Italian painters from the seventeenth century. The eye of the observer is simultaneously caught by both a fascinating chromatic balance and the mystery of enigmatic figures who, from the depths of a mythological past, bring secretive symbols to our contemporary present as messages to decipher. This artwork is framed in a modern, black wooden frame. Size and price include the frame. It is wired and ready to hang. The artwork is signed by the artist on the front in white. Free local Los Angeles area delivery and professional installation included. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is also included with this original artwork. The artist represents vibrant and beautiful characters that populate his artistic world and speak up loud to make their voice heard. His international exhibitions include highly ranked art galleries, art fairs, and museums. His artworks are part of distinguished international private collections, such as the collection of the Saudi Royal Family and notable art collector Graeme Hart (New Zealand). REPRESENTATION Artplex Gallery Los Angeles, California, USA EXHIBITIONS 2023 "Fragmented Fluorescence", Artplex Gallery, Los Angeles, CA 2022 "The Human Form", Artplex Gallery, Los Angeles, CA “Beyond Reclusion”, Le Neuf Gallery, Belgium Affordable Art Fair, Stockholm, Sweden Art Boom Focus Paris, France 2021 Artplex Gallery, Los Angeles, CA 2019 Affordable Art Fair New York Artspace Warehouse, Los Angeles, CA First Art Fair, Amsterdam, Netherlands Art Palm Springs, Palm Springs, CA Art Up, Lille, France ACAF Pop Up, Maasmechelen Village, Belgium AAF New York, NY London Art Bienalle 2019, London, UK...

"Sexual Self" is an original mosaic by Isaiah Zagar measuring 17in x 29in. This piece ships in the pictured wooden frame. Isaiah Zagar is an award-winning mosaic mural artist who...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Artist: Peter Max. Title: "Beyond" Medium: Mixed Media with Acrylic. Size: 11'' x 8.5'' inches. Edition: Original One-of-a-Kind Mixed media. Signature: Hand Signed. Condition:...

Homage to Wonder Woman. Made completely of legos. About the Artist: Joseph Kraham is an "engineering artist". He combines thousands of Lego pieces...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been excited about the Pop Western paintings of Straub for more than a decade and are thrilled to have his art in our gallery. Here is a great opportunity to purchase an original mixed media Acrylic, spray paint and silkscreen painting by Matt Straub at a fraction of the cost of his oil on canvas paintings. This exciting Unique Mixed Media work on paper has a hand painted color abstract background with acrylic and spray paint. Once Matt Straub has painted the abstract background he then silkscreens his Pop art image of the figures in black over his abstract painting. Making each of these mixed media paintings unique and still affordable while getting that unmistakable Cowboy Pop art...

Photographic Mosaic. Stunning red/orange figurative artwork Joel creates these contemporary pieces by adding lots of tiny images of the fem...

Color offset lithograph - created on the occasion of the tennis tournament 1998 monogrammed in print In great condition

Stranger to Oneself Series Foil and embroidery on porcelain) 82x57 cm. (Framed 106x76 cm.) At a time when we are all alienated from ourselves; The contemporary interpretation of kn...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Unique. What is the work about: The expressive power of the shadow and the inner landscapes that emphasize the female identity. Suzy Hug Levy brings an imaginary movement to the ra...

Artist: Slonem, Hunt Title: Untitled #03 Series: Butterflies Date: 2009 Medium: Screenprint and acrylic polymer on canvas Unframed Dimensions: 48" x 48" Framed Dimensions: 50"...

"Girls" is a series of line-contour drawings by the artist Katie Chance as she studies sensuous female figures found in erotic imagery. Katie examines amateur pornographic photograph...

Oil and graphite on canvas

-- Artwork comes with a certificate of authenticity -- Artwork is signed by the Artist Haim Sherrf -- Premium quality frame is included

Susan Fateh Sol Posto III Mixed Media Year: 1992 Signed, dated and titled by hand Unique Size: 19.0×12.2in COA provided Ref.: 924802-1173 Susan Fateh (1958) is a Scottish/Iranian co...

Untitled is an artwork realized by Filippo Sacca` in 2019. Mixed Media on board. Handisgned on the back. cm. 45x35. Good condtions! Filippo Saccà was born in Tivoli (Rome) i...

This painting is done in a very symbolic and unique style with bold brushstrokes by the artist. It is a very warm and pleasant-looking artwork. The artwork size is 26x19 inches and s...

Accomplish (To Accomplish * Goals & Task) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction /...

LARRY KANTNER The New Dog 2022 Acrylic and collage 8.5 x 10.5 inches

LARRY KANTNER Blossom 2022 Acrylic and collage 8.5 x 6.25 inches

Work on wood 120x120 cm, don't need frame. Yvan MOCATELLI is an artist born in Italy in 1944. His works have been sold at public auction 15 times, mostly in the Painting category. B...

Dimensions: 15.5 X 7 X 7 in. The organic shaped vase showcases an applied light gold colored threaded design enveloping the clear body, around. Hand signed Constantini S. It came from an important estate in the Palm Beach area. Made in Murano, handmade according to the ancient Murano glass tradition. Master Sergio Costantini was born in Venice in 1956 and learned the technique of glass processing from the famous Master Glassmakers of Murano A. Barbini, Licio Zanetti, L. Mellara. His works are exhibited globally in the most important museums and art galleries. Venetian glass (Italian: vetro veneziano) is thought to have been made for over 1,500 years, and production has been concentrated on the Venetian island of Murano since the 13th century. Murano glassmakers created cristallo—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass (milk glass called lattimo) that looked like porcelain. They later became Europe's finest makers of mirrors. Murano glassmaking began a revival in the 1920s. Today, Murano and Venice are tourist attractions, and Murano is home to numerous glass factories and a few individual artists' studios. Its Museo del Vetro (Glass Museum) in the Palazzo Giustinian contains displays on the history of glassmaking as well as glass sculpture samples ranging from Egyptian times through the present day. The Venetian glassmakers of Murano are known for many innovations and refinements to glassmaking. Among them are Murano beads, cristallo, lattimo, chandeliers, and mirrors. Additional refinements or creations are goldstone, multicolored glass (millefiori), and imitation gemstones made of glass. Aventurine glass, also known as goldstone glass, is translucent brownish with metallic (copper) specks. Calcedonio is a marbled glass that looked like the semi precious stone chalcedony. This type of glass was created during the 1400s by Angelo Barovier, who is considered Murano's greatest glassmaker. Ercole Barovier, a descendant of Murano's greatest glassmaker Angelo Barovier, won numerous awards during the 1940s and 1950s for his innovations using the murrine technique. Sommerso is a form of artistic Murano glass that has layers of contrasting colors (typically two), which are formed by dipping colored glass into another molten glass and then blowing the combination into a desired shape. The outermost layer, or casing, is often clear. Sommerso was developed in Murano during the late 1930s. Flavio Poli was known for using this technique, and it was made popular by Seguso Vetri d'Arte and the Mandruzzato family in the 1950s. This process is a popular technique for vases, and is sometimes used for sculptures. Some of Venice's historical glass factories in Murano remain well known brands today, including De Biasi...

Keith Haring Pop Shop, 1986: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop logos, plus bright, lush colors which make for a unique framepiece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame piece within reach. Keith Haring Pop Shop: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Mixed techniques on Indian handmade paper White frame - white background Floating pose Framed dimensions: 107 x 82 x 5 cm Solo exhibition “La Conférence des Oiseaux” - Marrakech 2015

Marcus Centmayer - "002_1 Flood of Images". Abstract acrylic works on cardboard from the Ukraine series Flood of Images 2022. The works were part of a contribution to Flux4Art 2022/...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

Spaced Out Abstract Impressionism A vibrant abstract painting in reds accented in raven black, white latex paint, and shimmering metallic gold, by Californ...

Keren Toledano is a self-taught artist based in New York City. She received her BA in English from Harvard and her MA in Arts & Humanities Education fro...

Keren Toledano is a self-taught artist based in New York City. She received her BA in English from Harvard and her MA in Arts & Humanities Education fro...

CAM’s work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rite of passage to sacred change. Concerned with ho...

Aubrey Penny Collage "Mind Line" Sussex Series 10-5553, Signed and Dated 1980 Size: 19" x 24" Aubrey Penny (American 1917-2000) was an innovative California abstract artist who work...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Timothy White is a mixed media artist who comes from a background in fine furniture making. His current body of work is a series of evocative mixed media panels, entitled “American P...

Colorado-based artist Zoa Ace creates oil-on-canvas paintings, watercolors, and collage work. She employs a mix of pop culture, animals, and nostalgic imagery in her scenes, often carnival-like or theatrical. As a child growing up in Illinois, Ace loved to draw, and her favorite subject in school was Art. In the 1970s, Ace discovered Chicago’s Hairy Who artists represented by the Phyllis Kind Gallery. She viewed the recently uncovered murals of Henry Darger...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and fam...

Tom Sime experiments with wax to create organic biomorphic compositions. The materials and techniques he employs require extensive knowledge and fam...

High roller. Lucky you graffiti art with dice.

American School, unsigned and painted circa 1975. A vivid and upbeat oil abstract comprising discrete areas of golden-yellow, coral and aqua-turquoise...

I am artist and furniture maker working in new Hampshire. I use nails to create intricate patterns on all variety of objects and surfaces The nails are glued into pilot holes, clipped, sanded flush with the surface, then polished. The result is a pattern of shiny dots of various dimeters. I create objects and furniture that is generally modern in form but highly decorated with as many as 11,000 nails. I use this nail inlay technique to make non-functional objects. The first were wall pieces. These pieces are not for a particular customer so I am much more free to express myself. The imagery and patterns are culled from endless web searches. A favorite has been Japanese stencils called katagami. I have hundreds saved and an equal number altered to fit my liking. My current interest is searching images from artist’s sketchbooks. A favorite is a very quick Donald Judd sketch of a simple object to be fabricated with a large “$60,000” written above. I have also used prints and drawings by my father. My current work involves nail patterns on firewood from my Father’s wood pile. He died 20 years ago but his wood pile remains untouched. He was the minimalist’s minimalist - constructing large sculptures from a few strands of yarn. The installation space is transformed with this simple use of this simple material. He was proud that he could build a meaningful sculpture with 50 cents...

This piece by Billy Al Bengston is titled "The Alamo-Yellow". It measures 36" x 34", it is lacquer paint on dented aluminum and was completed in 1969. Bill...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making tech...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Renowned for his work with salvaged metal, American artist Gordon Chandler transforms weathered found materials into refined works of sculpture. With an eye to the aesthetic possibilities of this humble material, Chandler invests reclaimed steel with sculptural fluidity and a wry sense of form. Entitled "Six Point...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Mark Jackson has been a photographer for 30 years, always creating and making. In 2017, he began experimenting with his own approach to art and printmaking - “I realized I was onto s...

Contemporary colorful abstract painted plaster wall sculpture by local Houston artist Erika Whitney. Currently featured in the show "Septet" at Reeves Art + Design in Houston, TX. Signed, titled, and dated on reverse. Artist Biography: Erika Whitney is a Houston based artist. Whitney received her MFA in painting from the University of Houston and a BFA in painting and drawing from the University of Texas at Tyler. Her work has been featured in solo exhibitions in Houston at HCC Northline (current), Front Gallery, and BS Projects, along with recent group exhibitions at Galveston Art...

Textured colorful abstract painting by Reeves Art + Design owner and Houston TX artist Paul Reeves. This piece features abstract brushstrokes that form various forms and shapes and a...

Eternal Recurrence #27 by Natasha Zupan Measures: 12 in. H x 9 in. W Mixed-media photo collage One of a kind Natasha Zupan’s work juxtaposes emotion, reflection, shadows, light, tim...

"Lieta e fuggevole" is a work that is part of the "Sublimazione" series. Mixed media and collage on canvas.

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

Sunny Side, 2022 Artist signed verso, natural pigment , mixed media on canvas size 60"x50" framed 64x54x2 This painting by Alexander and Natalia Gore husb...