Weinberg Modern

Work chair of molded birch plywood and painted steel by the Swedish metalworking firm of Odelberg Olsen, produced circa 1948, for distribution by Knoll in the U.S. market. The chair, which references Prouve, is shown in the 1948 Knoll catalog...

Exceedingly rare, sculpturally resonant Greta Grossman indoor/outdoor folding chairs, of painted tubular steel and cotton cord, produced in Cali...

Custom and well-crafted modular sliding-door cabinet produced by Eric R.E. Schuster of the Art and Trade Shop of New York City in the early 1940s. Stylistically related to case goods...

Storage unit composed of two four-drawer (#9568) chests atop a single “LA” series base with laminated plywood legs. Designed by Clifford Pascoe for Pascoe Industries and produced cir...

Chair with tilting seat back in solid birch with a vintage seat cushion fabric. A winning entry by Ann Hatfield and Martin Craig in the seminal MoMA 1941...

Adjustable (up-and-down and pivoting) floor lamp with a Constructivist iron base surmounted by a quirky, almost anthropomorphic hand-molded fiberglass diffuser–an early use of fiberglass in product design. A one-off by Ross Bellah, made in the 1940’s with a design that straddles the Machine Age 1930’s and the Organic Design 1940’s. Bellah (1907-2004), along with his partner Carl Anderson...

Rocker designed by Minneapolis-based architect Ralph Rapson. Part of a line of chairs designed for Knoll and produced for a short time just after WWII. Rapson was a student at Cranbr...

Boat-shaped coffee table with beveled edges in silvered walnut by the team of German-born American architects Oscar Stonorov and Willo von Moltke, designed for the Museum of Modern Art's 1941 Organic Design in Home Furnishings competition, and produced in very small numbers by Red Lion Furniture of Pennsylvania. Per the MoMA catalog, “a design may be called organic when there is an harmonious organization of the parts within the whole, according to structure, material, and purpose. Within this definition there can be no vain ornamentation or superfluity, but the part of beauty is none the less great—in ideal choice of material, in visual refinement, and in the rational elegance of things internded for use.” The suite of furnishings designed by Stonorov and von Moltke---including a vanity, coffee table, dining set, bed, nightstand, and case pieces--won honorable mention at the seminal competition and received a preferred placement at the MoMA exhibition itself. The winning entries in the competition, which included the iconic seating and unit furniture by Charles Eames and Eero Saarinen, were showcased at eleven department stores across the country--notably Bloomingdale's and Kaufmann's--and were intended for serial production, but America's entry into WWII a month after the opening of the exhibition, along with higher than expected price points across the board meant that few pieces were actually made outside the ones initially sent to the participating department stores. This was especially true for the Stonorov and von Moltke suite, which wound up being among the most expensive items...

Sleekly sculptural chair with a radically slender, curved seat back designed by Edward Wormley and produced by Dunbar Furniture, c. 1940. An early modernist design by Wormley, in an organic design idiom, that transforms a traditional wingback chair...

Rectangular cocktail table of cut laminated plywood with solid wood supports. A well-constructed circa 1940s design with an architectural bearing, likely a one-off commission. The top sits within two lateral struts, giving the appearance of bridge architecture. . A design in the manner of Nathan Lerner...

1949 survey of small modernist houses in America, compiled and edited by William J. Hennessey based on selections by a jury of architectural photographers in...

Panels for the Walls of Heaven, a square octavo volume of poems, abstract illustrations (based on paintings by the author) and outre typography, by experimental poet and artist Kenneth Patchen, published by Bern Porter...

Scarce, self-published, 102-page catalog with laminated boards showcasing Paul Laszlo's work in and around Beverly Hills between 1937-1947. The Hungarian born and Vienna-educated Las...