Late 19th Century Art
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Period: Late 19th Century
A late 19th century bronze animalier figure of a seated hound
By Prince Paul Troubetzkoy
Located in Bath, Somerset
A late 19th century bronze of a hound, seated on a naturalistic base, after Prince Paul Troubetzkoy. Incised to base 'Paolo Troubetzkoy 1893', with a dark brown patina.
Born in 1866...
Category
Naturalistic Late 19th Century Art
Materials
Bronze
Passeggiata a cavallo a Trieste
Located in Roma, RM
Alfredo Tominz (Trieste 1854 – 1936), Passeggiata a cavallo a Trieste
Dipinto ad olio su tela di cm 69 x 110 firmato e datato 1890 in basso a destra.
Provenienza: Asta Stadion Trie...
Category
Academic Late 19th Century Art
Materials
Canvas, Oil
The Little Ballerina
Located in Saint-Ouen, FR
Alphonse PELLET (1853-1926)
The Little Ballerina
Oil on wood panel signed low right
Old frame regilded with leaves
Size panel : 30 X 43 cm - Size frame : 40 X 55 cm
Alphonse PELLET...
Category
Academic Late 19th Century Art
Materials
Oil
Venice (A View from the Ponte Sant’ Eufemia on the Giudecca)
Located in New York, NY
Francis Hopkinson Smith paints a watercolor of Venice with figures looking out onto the river with ships sailing by in his work entitled, “Venice (A View from the Ponte Sant’ Eufemia...
Category
Late 19th Century Art
Materials
Paper, Watercolor, Gouache
The Farm to the Donkey
Located in Saint-Ouen, FR
GARAT Francis (1870 - NC)
The Farm of The Donkey
Oil on canvas signed and dated 1883 low right
Frame guilded
Size canvas : 50 X 76 cm - Size frame : 60 X 76 cm
GARAT Francis (1870 -...
Category
Academic Late 19th Century Art
Materials
Oil
Pair of Terracotta Nubiens probably Goldsheider
Located in LA BOUILLE, FR
An exquisite set of a pair of North African orientalist/africanist terracotta sculptures of a man and female conveying water containers. Most likely by Goldsheider, incredibly molded...
Category
Late 19th Century Art
Materials
Terracotta
Procession Four girls with flowers - English Female Illustrator
Located in Miami, FL
Four young English girls with flowers are shown in a line and moving from left to right. They are pushed forward on the picture plane as if they were on a stage with a simple indica...
Category
Academic Late 19th Century Art
Materials
Paper, Watercolor
The Broken Mast
Located in Costa Mesa, CA
It is subjectively proven that artistic inspiration strikes individuals in varied and unique ways. In this single painting, an appreciative audience may examine how the early luminou...
Category
Late 19th Century Art
Materials
Oil, Canvas
The Gold Brooch, Orientalist Oil Painting, Signed and dated 1894
Located in London, GB
Oil on panel, signed, dated and inscribed ‘Bou Saada, 1894’ lower right
Image size: 13 x 8 3/4 inches (33 x 22.25 cm)
Ornate Gilt frame
Euguene Alexis Girardet
A child prodigy, Gi...
Category
Late 19th Century Art
Materials
Oil, Panel
“Evangeline: Tale of Acadia”
Located in Fort Washington, PA
Signed with initials lower right
The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...
Category
Late 19th Century Art
Materials
Ink, Watercolor
Étude des paysans
Located in GLEN IRIS, AU
Albert Lebourg
Étude des paysans
pencil on paper, signed lower right, estate stamp on the reverse, 19 x 13.5cm
Provenance: Vente Maître Dumousset, Paris, May 1999: Pri...
Category
Impressionist Late 19th Century Art
Materials
Pencil
19th Century Spanish Colonial School, Retablo, El Nino de Atocha
Located in Cheltenham, GB
This late 19th-century Mexican oil painting depicts the Christ child as ‘El Nino de Atocha’.
El Nino de Atocha is a popular subject of Mexican retablo art and its roots can be trace...
Category
Folk Art Late 19th Century Art
Materials
Metal
A LARGE BERLIN (K.P.M.) PORCELAIN PLAQUE, THE PRODIGAL SON
Located in New York, NY
Finely painted after Rembrandt with a self-portrait of the artist and his spouse, Saskia, in a tavern, in the guise of the Prodigal Son
LATE 19TH CENTURY, IMPRESSED MONOGRAM AND SCE...
Category
Late 19th Century Art
Materials
Porcelain
William Bodfish Oil Painting Titled "The Sister's Visit", Dated 1888
Located in New York, NY
Two figures in 19th century dress sit at a table in a cafe.
Provenance: Private Collection, New Jersey
Originally based in New York City, William Bodfish was a talented artist who gained recognition for his illustrations and cartoons in the late nineteenth century. A painter of genre scenes, he also created detailed illustrations of hunting, whaling and fishing adventures for such magazines as Harper's Weekly. In the years following the Civil War, he traveled to the American West, joining the legion of journalists and illustrators who recorded the development of the new frontier. He was considered by historians to be one of the most “able cartoonists” to tackle the West. During his lifetime, Bodfish exhibited work at the National Academy of Design and the Art Institute of Chicago. Likely created after the artist’s departure from New York, The Sister’s Visit records a quiet moment between two siblings. Seated before a lovely spread of luncheon items, including a bowl of oranges...
Category
Late 19th Century Art
Materials
Oil
Daydreaming
Located in Washington, DC
Ideal head by 19th-century American painter.
Category
Academic Late 19th Century Art
Materials
Masonite, Oil
Sur le balcon (On the Balcony)
Located in Washington, DC
Exhibited:
Société Nationale des Beaux-arts, Paris, 1893 (as Jeune Fille arrosant ses fleurs)
Literature:
Michel, Jean Pierre, François Guiguet (Corbelin, France, 1996), p. 102 (n...
Category
Post-Impressionist Late 19th Century Art
Materials
Canvas, Oil
Political Cartoon
Located in Fort Washington, PA
Medium: Pen and Ink on Board
Signature: Signed Lower Right
A political cartoon of a man and a woman at a dinner table.
Category
Late 19th Century Art
Materials
Ink, Board, Pen
Ondine
Located in Brussel, BE
This sculpture dates from the end of the 19th century, circa 1890, and represents the nymph or naiad Ondine. Unlike mermaids, nymphs do not live in the sea; they frequent the runnin...
Category
Late 19th Century Art
Materials
Marble
Painting 19th Century - Portrait of Young Lady
Located in Saint-Ouen, FR
ERNEST BLANC-GARIN (1843-1916)
Portrait of a Young Lady around 1880
Oil on wood panel signed low
Old Original frame gilded with leaves
Dimensions wood : 40 X 30 cm
Dimensions frame : 62 X 53 cm
ERNEST BLANC-GARIN (1843-1916)
Belgian Painter 19th Century
Born 8 October 1843 in Givet (France)
Died 1916 in Brussels (Belgium)
Painter of Portraits and Urbanscapes.
In Brusssels he was taught by Jan Portaëls (1818-1895); then in Paris by Alexandre Cabanel (1823-1889)
He took part in the Salon de Paris from 1868.
After a trip to Italy in 1870, he came back to Brussels for creating a private Art Academy providing a very liberal teaching.
His portraits are made with a lot of freedom and gracefulness.
Bibliography :
Dictionary of Artists E. Benezit Book II / 373
Gérald SHURR : Les petits Maîtres de la Peinture 1820- 1920 Book V
Category
Academic Late 19th Century Art
Materials
Oil
Allegory Of Spring
Located in New York, NY
PIETRO BARZANTI
Italian, 1825-1895
Allegory Of Spring
Signed ‘P. Milanes/Galleria/P.Bazzanti/Florence.’
Carved White Italian marble circa 19TH C...
Category
Late 19th Century Art
Materials
Marble
John Gould - Himalayan Nuthatch from 'The Birds of Asia' c.1850
By John Gould
Located in BRUCE, ACT
Himalayan Nuthatch - John Gould lithograph with hand-coloured
size 54 cm X 37 cm
excellent Condition
Accompanied by the information page from 'The Birds of Asia...
Category
Late 19th Century Art
Materials
Lithograph
Landscape of Mountains
By MOSNY Henry
Located in Saint-Ouen, FR
MOSNY Henry (19th Century)
Landscape of Mountains
Oil on canvas signed below and dated 1882
Black and Golden wood Frame
Dim canvas : 73 X 92 cm
Dim Frame : 92 X 112 cm
MOSNY Henry (...
Category
Academic Late 19th Century Art
Materials
Oil
La lecture au jardin (Lesson in the Garden)
Located in New Orleans, LA
French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work.
Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York).
The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants.
By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...
Category
Post-Impressionist Late 19th Century Art
Materials
Canvas, Oil
New York Central and Hudson River Railroad
Located in Fort Washington, PA
Medium: Ink, Graphite, and Watercolor on Paper Mounted
Signature: Signed Lower Right
circa 1881
Exhibited: Kennedy Galleries, with their label suggesting the creation date of 1881.
Category
Late 19th Century Art
Materials
Paper, Ink, Watercolor, Graphite
Bronze group of a winter scene
By Charles Georges Ferville-Suan
Located in New York, NY
CHARLES GEORGES FERVILLE-SUAN
French, 1847-1925
Bronze group of a winter scene
A winter scene of a man on skates, pushing the woman’s sled ...
Category
Late 19th Century Art
Materials
Bronze
His Rise to Power
Located in Fort Washington, PA
Medium: Pastel on Paper
Dimensions: 24.00" x 15.00"
Signature: Signed Lower Right
"His Rise to Power" Novel by Henry Russell Miller
Category
Late 19th Century Art
Materials
Paper, Pastel
Appealing To Be Allowed To Help Fight For The Union
By James Earl Taylor
Located in Fort Washington, PA
Medium: Gouache
Signature: Signed Lower Right
a slave with shackles on the ground behind him appealing to Abraham Lincoln with the Civil War battle s...
Category
Late 19th Century Art
Materials
Gouache
Trouble at the Garage
Located in Fort Washington, PA
Medium: Oil on Canvas
Dimensions: 28.00" x 22.00"
Signature: Signed Lower Right
Category
Late 19th Century Art
Materials
Canvas, Oil
Japanese Girl Promenading
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8).
Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly.
In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters.
In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23).
In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”).
Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5).
During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...
Category
Late 19th Century Art
Materials
Oil, Wood Panel
The Sword Merchant
Located in New York, NY
ADDISON THOMAS MILLAR
American, 1850-1913
The Sword Merchant
Signed Addison T Millar
Oil on board
10 in x 8 in
Framed: 18 in x 10 in
Category
Late 19th Century Art
Materials
Canvas, Oil
“Boston Windmills”
Located in Southampton, NY
Beautiful tonalist oil on canvas painting by the well known American artist, Royal Hill Milleson. Signed lower right. Milleson moved to Boston in 1...
Category
Tonalist Late 19th Century Art
Materials
Oil, Canvas
Grand Ballet Brighton
Located in PARIS, FR
Les Maîtres de l'Affiche n°35
PAL dit, Jean de Paleologu (Ro) 1865 † 1942 Miami Beach (U.S.)
Grand Ballet Brighton. 1893-1896. H400xL290mm.
Lithographie imprimée en couleurs sur pap...
Category
Late 19th Century Art
Materials
Lithograph
Late 19th Century Floral Bouquet Still-Life
By Elizabeth Von Wundt
Located in Soquel, CA
Late 19th century still life of a beautiful floral bouquet by Elisabeth Von Wundt (German, b-1856) . Signed " Wund"; lower left. Artist's signature on verso. Presented in a giltwood ...
Category
Impressionist Late 19th Century Art
Materials
Oil, Cardboard
Llyn Idwal, North Wales - Large 19th Century Landscape Oil Painting of Snowdonia
Located in Gerrards Cross, GB
‘Llyn Idwal, North Wales’ by Sidney Richard Percy (1822-1886). The painting – which depicts cattle watering at the edge of the famous lake in Snowdonia – is signed by the artist and ...
Category
Victorian Late 19th Century Art
Materials
Oil
Highland Carttle
Located in Hillsborough, NC
Massive size, this six foot long oil painting by Charles Jones (1836-1902) makes an impression! Award-winning artist, Jones won the gold medal at the Crystal Palace exhibition in 18...
Category
Naturalistic Late 19th Century Art
Materials
Canvas, Oil
Melancholic Sappho - Large 19th Century Pre-Raphalite Oil Painting Greek Goddess
Located in Gerrards Cross, GB
‘Melancholic Sappho’ by Arthur Hill RBA (1841-1908).
The painting – which depicts the celebrated poet of Ancient Greece appealing to the Goddess Aphrodite, with the Parthenon on the...
Category
Pre-Raphaelite Late 19th Century Art
Materials
Oil
Arrest of Louis XVI & Marie Antoinette at Varennes - 19th Century Oil Painting
Located in Gerrards Cross, GB
‘The Arrest of Louis XVI and Marie Antoinette at Varennes’ by Robert Alexander Hillingford (1828-1904).
The painting – which depicts the King and Queen of France’s failed attempt to...
Category
Victorian Late 19th Century Art
Materials
Oil
The Draped Figure, Seated
Located in Fairlawn, OH
The Draped Figure, Seated
Lithograph on fine japanese paper, 1893
Signed in pencil with the butterfly (see photo)
Signed in the stone with the butterfly on the sofa (see photo)
Numbe...
Category
American Impressionist Late 19th Century Art
Materials
Lithograph
"Amen" Original 1899 Art Nouveau Color Lithograph by Alphonse Mucha
Located in Chicago, IL
Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...
Category
Art Nouveau Late 19th Century Art
Materials
Lithograph
Alexander Fraser Jnr RSA, A Doorway, Rosslyn Chapel, Watercolour
Located in Cheltenham, GB
This late 19th-century watercolour by Scottish artist Alexander Fraser Jnr RSA (1828-1899) depicts a doorway at the historic Rosslyn Chapel in Midlothian, Scotland.
Alexander Fraser...
Category
English School Late 19th Century Art
Materials
Paper, Watercolor
The Goddess Hera - 19th Century Neoclassical Oil Painting Ancient Greek Myth
Located in Gerrards Cross, GB
‘Hera’ by Eduard Niczky (1850-1919).
The painting - which depicts the Greek queen of the gods in golden diadem and yellow robe - is signed by the artist and hangs in a newly commis...
Category
Academic Late 19th Century Art
Materials
Oil
Regina dei Fiori - 19th Century Oil Painting Society Portrait of Italian Beauty
Located in Gerrards Cross, GB
‘Regina dei Fiori’ by Frédéric Soulacroix (1858-1933).
The painting – which depicts an aristocratic Italian beauty sitting beside a porcelain vase full of peonies – is signed by th...
Category
Realist Late 19th Century Art
Materials
Oil
Fille de Fleur de Concarneau - 19th Century Oil Painting of French Flower Girl
Located in Gerrards Cross, GB
'Fille de Fleur de Concarneau' by François-Alfred Delobbe (1835-1920).
The painting – which depicts a girl selling peonies in Concarneau on the coast of Brittany in North-West Franc...
Category
French School Late 19th Century Art
Materials
Oil
James Herbert Snell, Close Of Day, Watercolour
Located in Cheltenham, GB
This beautiful late 19th-century watercolour by British artist James Herbert Snell (1861-1935) depicts a shepherd herding sheep in the evening.
Snell was an interesting painter as h...
Category
Impressionist Late 19th Century Art
Materials
Paper, Watercolor
George H Hay, Spinning Wool, Watercolour
Located in Cheltenham, GB
This late 19th-century watercolour by Scottish artist George H Hay RSA (1831-1912) depicts four young ladies, wearing outfits synonymous with the 1820s, spinning wool within a simple...
Category
Romantic Late 19th Century Art
Materials
Paper, Watercolor
E Wood, Farmhouse Near Godalming, Surrey, Watercolour
Located in Cheltenham, GB
This charming late 19th-century watercolour by British artist E Wood depicts a beautiful 15th/16th century farmhouse near Godalming in Surrey, England.
As chickens rummage for food ...
Category
Naturalistic Late 19th Century Art
Materials
Paper, Watercolor, Gouache, Pencil
Otto Kirberg, Reading By The Window, Oil Painting
Located in Cheltenham, GB
This beautiful late 19th-century oil painting by German artist Otto Kirberg (1850-1926) depicts a young woman reading by an open window. It’s a charming portrayal capturing a moment ...
Category
Aesthetic Movement Late 19th Century Art
Materials
Canvas, Oil
19th-Century Dutch School, River Landscape With Inn & Windmill
Located in Cheltenham, GB
This fine mid-19th-century Dutch oil painting depicts a gentle view with a windmill, inn, horseback rider and figures.
As the sun sets, illuminating the sky with a golden glow, a we...
Category
Dutch School Late 19th Century Art
Materials
Canvas, Oil
Henry W Henley, Misty Upland Landscape With Stream
Located in Cheltenham, GB
This late 19th-century oil painting by British artist Henry W Henley (fl.1871-1895) depicts an upland landscape with a winding stream.
Henry W Henley was a notable landscape painter...
Category
Naturalistic Late 19th Century Art
Materials
Oil, Canvas
Ambassadeurs Aristide Bruant in his cabaret by Henri de Toulouse-Lautrec
Located in New York, NY
This lithographic poster illustrates Aristide Bruant who was a famous performer and cabaret owner in Paris at the turn of the 20th century. Lautrec, seizing on Bruant's trademark cos...
Category
Post-Impressionist Late 19th Century Art
Materials
Lithograph
Impressionist Lake Motif From Sturehäll, Stockholm, 1892
Located in Stockholm, SE
This painting called Sturehäll by Carl Johansson, crafted in 1892 when the artist was 29 years old, offers a captivating glimpse of Sturehäll, near Sturehov in Norsborg. This piece, ...
Category
Impressionist Late 19th Century Art
Materials
Oil, Canvas
Bruges (Brügge), 1894 by Symbolist Painter Olof Sager-Nelson.
Located in Stockholm, SE
This painting by Olof Sager-Nelson, executed during his time in Bruges in 1894, is a splendid example of symbolism. It depicts a serene canal in Bruges, surrounded by sunlit houses w...
Category
Symbolist Late 19th Century Art
Materials
Canvas, Oil
'Retreat' A Chestnut Horse in a Stable
Located in St. Albans, GB
John Alfred Wheeler
A framed painting oil on canvas
Picture Size :28 x 36" (70 x 90cm)
Outside Frame Size: 35 x 43" (87.5 x 107.5cm)
1821 – 1903
An excellent example of Wheeler's work. The horse is called 'Retreat' and is fully signed and dated. It has had an excellent reline and is presented in a bespoke wooden frame.
Wheeler was born at Andoversford, near Cheltenham. He was the son of John Wheeler...
Category
Victorian Late 19th Century Art
Materials
Oil
(after) Ross Sterling Turner - chromolithograph "A Dark and Secret Court" Venice
By Ross Sterling Turner
Located in Henderson, NV
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....
Category
Late 19th Century Art
Materials
Lithograph
Antique figurative oil painting, Landscape, Riverscape, French art
By Pierre Garnier
Located in AIGNAN, FR
Antique French landscape oil painting/figurative oil painting of a woman at the edge of the water by Pierre Garnier, signed in the bottom left...
Category
French School Late 19th Century Art
Materials
Oil
The Hunting Dogs
By Charles De Penne
Located in St. Albans, GB
Charles Olivier de PENNE
Panel Size: 6 x 8" (15 x 20cm)
Outside Frame Size: 12 x 14" (30 x 35cm)
Born on 11 January 1831 and died on 18 April 1897
French Painter of historical sce...
Category
French School Late 19th Century Art
Materials
Oil
19th century English marine, The Thames at the Pool of London, original frame
By Bernard Benedict Hemy
Located in Woodbury, CT
Bernard Hemy - Bernard Benedict Hemy (1844 - 1910). Marine and Coastal painter in oil and watercolor. Born in Newcastle to Henry F. Hemy, brother...
Category
Victorian Late 19th Century Art
Materials
Canvas, Oil
(after) Francis Hopkinson Smith - chromolithograph "A Fruit Stall" Venice
Located in Henderson, NV
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life....
Category
Late 19th Century Art
Materials
Lithograph